Album Review: Keyshia Cole – ‘Woman to Woman’

Two years ago, Keyshia Cole released her fourth studio album, Calling All Hearts. Although it was a great album, it wasn’t a commercial success. In fact, it is Cole’s lowest-selling album to date. Some people believe that the album didn’t do so well because the music didn’t resonate with her fans.  “I was pregnant,” Cole said in a recent interview. “I was going through a lot with my family at the time. Some of the songs were about them. It was an extremely emotional time and it reflected on the album. When you’re pregnant, you’re 10 times more emotional about everything. There was just a lot going on back then.

Today, Cole released her fifth studio album, Woman to Woman. “It’s for women who have been through similar situations and can relate to me,” Cole explained in a recent interview, hoping to regain the support from her fans.

Woman to Woman includes guest features from Lil Wayne, Meek Mill, Ashanti, Robin Thicke, and R&B newcomer Elijah Blake.

The album begins with lead single, “Enough of No Love,” featuring Lil Wayne. On the Harmony Samuels production, Cole sings about being fed up with a broken relationship. “I can’t stay here because I’ve had enough of no love,” Cole sings. The catchy chorus will have you singing along before you know it.

Following “Enough of No Love” is “Zero,” which features Maybach Music Group artist Meek Mill. On the mid-tempo track, Cole expresses her frustration with her man who continues to lie to her. As a result, she leaves him with nothing. “You see it pays to tell the truth, feel so sorry for you/ You could’ve had it all, too bad you gotta fall.”

On “Missing Me,” Cole reflects on a past relationship and is angry that things couldn’t work out. “Who do you think you are to say you’re the best that I ever had,” Cole sings. “I bet you missing me now that my love ain’t around.”

On “Trust and Believe,” the second single from the album, Cole confronts her unfaithful lover who has been creeping with her best friend. After learning about that, Cole wants nothing to do with him. “Trust and believe me, you’re going to need me/I’m so over you, go get lost.” This song is certainly an anthem for any woman who is dealing with a man who has cheated on her.

Following “Trust and Believe,” is “Get it Right.” On the new jack swing track, Cole believes her man is cheating on her. He has been wearing new cologne, didn’t recognize her in his favorite dress, and his sex game became very lackluster.

Cole recruits Ashanti for the title track of the album, which was co-written by Ashanti. The song finds Cole having a “woman to woman” conversation with a woman (Ashanti) who has been involved with her man. It is probably one of the best songs on the album and has the potential of becoming a single in the future

Just when you think the album is about heartbreak and pain, Cole takes things to a lighter note with sensual songs like “Wonderland” featuring Elijah Blake and 90’s-influenced track “Hey Sexy.”

“I Choose You” is another standout track off the album. Cole confesses that even though she is with a man who treats her right, she still has feeling for her ex. She tries getting over him and hating him but it doesn’t work. “I tried hating you, but I just love you more/ Compared him to you, but he can’t match your score,” Cole sings. Her vocals on this song are similar to her vocals on “Love.”

On the up-tempo track “Stubborn,” Cole self-reflects on how her stubborn ways has caused problems, when it comes to love. The song was produced by Rodney Jerkins and includes pop-elements, especially towards the end of the song.

“Next Move” features background vocals from singer Robin Thicke. It’s a nice song but Thicke could have sung more.

Cole ends the album on a positive note with “Signature,” a heartfelt song about Cole finally finding love. One could assume that this song is dedicated to her husband Daniel Gibson.

Woman to Woman is a masterpiece and is certainly one of the best R&B albums released this year. Although Cole went back to her roots with this album, she also showed growth in her vocal performance and overall delivery. There weren’t any ratchet lyrics like there were on her first album. Cole really gave her fans what they wanted on this project and that’s something to respect.

Standout tracks: “Enough of No Love,” “Zero,” Trust and Believe,” “Woman to Woman” “I Choose You,” and  “Hey Sexy.”

 Buy Woman to Woman (Deluxe Edition) on iTunes 

 Buy Woman to Woman (Standard Edition) on iTunes 

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From 2008: R&B Albums That Turn 10 This Year

Another ten years has caught up with us in the realm of R&B music.

Let’s jog your memory for a minute. For starters, 2008 saw Mariah Carey touch the top of the Billboard Hot 100 for the 18th time with “Touch My Body.” Usher showed his strength by “Moving Mountains,” while Beyoncé led ladies to the club, singing, “If you liked it, then you should have put a ring on it.”

We heard the debut projects from Day26, Jennifer Hudson, Tiffany Evans and Jazmine Sullivan. Also, 2008 ended listeners music drought from veterans Deborah Cox, Ashanti, Keith Sweat and Brandy.

Rated R&B has compiled a list of 31 R&B/soul albums that celebrate its 10th anniversary in 2018.

Randomness: On November 4, 2008, Barack Obama won presidency, becoming the first African-American to be elected as President of the United States.

Raheem DeVaughn — Love Behind the Melody
Release Date: January 15
Record Label: Jive Records
Singles: “Woman,” “Customer” and “Text Messages”

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Concert Review: Keyshia Cole Pulls a Lauryn Hill at The Fillmore Charlotte

As people waited in long lines to flood their favorite retailers for Black Friday sales, I traveled from Columbia, SC to Charlotte, NC to see Keyshia Cole at The Fillmore Charlotte.

I arrived to the AvidXchange Music Factory venue at 6:27 p.m. Unlike lines at retailers Friday, where the wait is unavoidable and uncomfortable, I was perfectly at ease being the 20th concert-goer in line.

Ten minutes later, more attendees followed behind to patiently wait for doors to open at 7 p.m.

Undressed and shivering in 37 degree weather, I struck up conversation about ticket cost with Keyshia Cole admirers. “We won our tickets off Streetz 103.3,” one couple said.

Another fan said, “I bought mine off Groupon for $39. I love you Keyshia but I wasn’t spending more than $50.” I agreed since I got my ticket at the same deal.

Doors opened three minutes after 7 p.m. After getting patted down and having my ticket scanned by The Fillmore door staff, I bypassed other fans and jetted to the front of the stage to wait for the show.

Some fans claimed their spot at the head of the stage barricade too. Other fans found empty floor space to stand comfortably before those at the bar filled in the gaps.

At 7:17 p.m., MMG’s DJ MC got settled with his laptop and other stereo equipment on the smoky stage. He came fully equipped to have the crowd lit with his mega mix and fly DJing skills.

As fog occupied the stage, nostalgia filled rest of the room. DJ MC had fans right where he wanted them – in a carefree zone. Music lovers used their outside voice to recite explicit lyrics and sing classic R&B and hip-hop songs including “I Get Money” by 50 Cent, UCB’s “Sexy Lady” and “Nice and Slow” by Usher.

The VIP clique didn’t let their lack of essential amenities (i.e. chairs or tables) get in the away of their party. The wall worked perfectly for grinding.

DJ MC had help getting the crowd excited from 92.7 The Block hosts Chewy Torres and Sunshine Anderson – yes, “Heard it All Before” Sunshine Anderson, too.

By 9:02 p.m., fans were chanting, “We want Keyshia.”

Ten minutes later, DJ MC was breaking down his equipment to make room for GO DJ HI C, Keyshia’s official DJ.

I don’t know if the crowd was aggravated and ready for Keyshia but the energy shifted downward when he got on stage.

It felt like we changed the radio dial to a new station but got the same syndicated countdown – just with a harder thumb. GO DJ HI C’s blaring speaker bass creeped into my torso as if I had just painfully swallowed it.

A few recycled songs in, GO DJ HI C announced at 9:24 p.m., “I just got a text. My boss is about to hit the stage.”

Eager to record Keyshia’s opening note, I pulled out my iPhone to capture every minute. With 69 percent battery life, I tapped on the Facebook icon to start a live stream.

With no background singers in sight or any Fillmore staff prepping the stage for Keyshia’s arrival, it was evident GO DJ HI C’s receipt had no validity.

“This is ridiculous,” mumbled a female patron behind me. “I hope she shows up because she bailed before.”

As the DJ played more music and strolled through his cellphone, another female fan offered commentary. “If I wanted to listen to music for two hours I would have went to a club.”

It was 9:40 p.m. and the crowd began to get restless. Four-letter words started to be heard in the now tight quarters — most were directed to GO DJ HI C.

He attempted to ease the last nerve of fans. “Ya’ll chill,” he roared in the mic. “I wouldn’t be here if she wasn’t coming out. She’s not coming out until she can hear you guys in her dressing room.”

GO DJ HI C also tried to hype the crowd for Keyshia’s entrance. “I need the left side to say ‘Keyshia’ and the right to say ‘Cole,’” as he pointed to each side of the room.

Some were interested in crowd participation but others weren’t. I was apart of the latter group.

The DJ returned to the mic at 9:43 p.m., and began an introduction for a Grammy nominated artist.

Cell phones brighten the dark venue momentarily but quickly dimmed when attendees realized it wasn’t the headliner gracing the stage — it was Sunshine Anderson.

Used to distract fans from Keyshia’s CP time, the singer-turned radio personality tipped on stage in open-toe heels, donning a simple black top with un-curve friendly black tights.

With support of a backtrack, the North Carolina native noticeably lipped the lyrics to “Lunch or Dinner” from her 2001 debut, Your Woman.

Sunshine bought Keyshia more time to hit the stage as she started to actually sing her signature song “Heard It All Before.” It was obvious she didn’t warm up her voice. Her vocal execution reflected especially towards the collapsed bridge.

Despite Sunshine not possessing vocal conviction, she had the heart to fight through it.

The unimpressed concert-goers softly clapped to see Sunshine off the stage.

Two minutes before 10 p.m. a gentleman rocking a pink backpack sashayed on stage. Before exiting, he left two styrofoam cups on a stage podium.

“When you see him, that means Keyshia’s on her way,” shouted GO DJ HI C across the room.

Exactly seven minutes after 10 p.m., GO DJ HI C took the mic again and finally grabbed the audience’s attention. “Ladies and gentlemen, Keyshia Cole.”

With help from her security, the woman of the last two hours, walked up the side steps of the stage.

Dressed in a suede trench coat with matching heeled boots and ripped jeans, the Just Like You songstress kicked off the delayed show singing “I Should Have Cheated” off her first album, The Way It Is.

Keyshia quickly asked the audio engineer to adjust her inner ear before capping the song with an extended high note.

Joined by her three male dancers, the Oakland-bred singer moved swiftly through her medley of hits including “Enough of No Love,” “Shoulda Let You Go,” “I Changed My Mind” and “You.”

After wrapping up her remix to Chris Brown’s “Loyal,” Keyshia took off her winter coat to show off her shimmering silk shirt. Without officially apologizing for her tardiness, she mentioned being thankful for her fans as a means for damage control.

It didn’t seem to work, and she knew it. “Okay. Let’s go into the next song then,” she told GO DJ HI C.

She belted her biggest hits “I Remember,” and “Love” before she engaged in personal conversation with the crowd.

From requesting the crowds opinion on if she should back to Love and Hip-Hop: Hollywood to explaining why she opted to skip Thanksgiving dinner with her newly found dad, Virgil Hunter, Keyshia sincerely asked for fans to send her a prayer up the main line.

Thirty minutes into her set, Keyshia wanted fans to tell her what to perform next. Most songs fans mentioned like “Vault” and “Emotional” from her 11: 11 Reset album were off limits.

“This isn’t the tour guys,” she replied with a smile. “The tour doesn’t start until next year. But I cannot wait to perform those songs though.”

While she didn’t perform demanded cuts from her new album, she gave us “Incapable” along with a similar dance routine from the single’s accompanying visual.

Following three more songs, Keyshia ended the 45-minute set with her Grammy nominated record, “Let It Go.”

Before leaving the stage, she directed fans to meet her at Stats Restaurant and Bar for the official after-party.

Honestly, I feel like I wasted a trip to Charlotte. I didn’t leave with a wow experience. I expected her to sing more material from her silently released album. Yet, my wish didn’t come to fruition.

Keyshia treated her Fillmore performance like an afterthought. It appeared to me that she got a calendar reminder while she caught Black Friday sales on Fashion Nova’s website. After realizing her spot date, she called her style team and caught a red-eye flight to Charlotte Douglas International Airport.

Keyshia’s lateness was inexcusable and warranted a more sincere apology. Instead she rushed through her sloppy set list to get to the after-party.

Her running behind schedule wouldn’t have been terribly bad if she had a legit special guest. And I’m sorry, Sunshine Anderson doesn’t count.

Collectively, the two hours of DJing, the talent show performance from Sunshine Anderson and Keyshia Cole’s tardiness calls for a total refund. But I’m sure Live Nation is incapable of issuing it to us.

Keyshia Cole Announces ‘Ride’ as Next Single

Without an official radio impact date, Keyshia Cole teases Kamiayah-assisted track as her new single from 11:11 Reset.

In a series of Instagram posts, the “I Ain’t Thru” songstress shared snippets of the Drumma Boy produced track, captioning “Coming next 🔥🔥.”

The wavy track, sampling Tupac Shakur’s “Hail Mary,” finds the Oakland pair sittin’ on ready and ready to pull up on anyone who gets out of line. “One hundred, nothing fake about me / She better watch what she say about me, ” claps Keysh.

Lyricist Kamiyah is mean with her delivery, too. “I got some bitches outside that’ll ride for me / No lie, two times, they’ll die for me,” spits the rising rapper.

11:11 Reset is available digitally and in stores now.

Crank up “Ride,” and remind haters they don’t want no problems.

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