Rated Next: Jade De LaFleur Talks Leaving Sophia Fresh, ‘Jaded’ EP & Working with Solange


Jade De LaFleur is no stranger to the music industry. The Louisiana native got her start as a member of Sophia Fresh, an R&B group soon discovered by singer/rapper/producer T-Pain. Though her tenure in the group wasn’t long, Jade soon began focusing on her solo career. That’s when she landed a gig as a background vocalist for Solange’s.

Fast-forwarding to 2013, Jade’s buzzing single “Jaded” was featured on Solange’s compilation album, “Saint Heron,” which showcases talent from rising alternative R&B singers.

“With Saint Heron, I really wanted to celebrate and continue to cultivate the community for genre-defying R&B artists,” said Solange. “I’ve personally connected with all of these extremely talented artists, and I’m really excited for us to come together through the compilation as a new movement for music.”

With her “Jaded” EP set to release on January 21, we recently caught up with the Rated Next Artist. In our interview, Jade talks her about her musical influences, leaving Sophia Fresh, learning from Solange and her “Jaded” EP.

Check out our interview below.

Who are some of your musical influences?

Some of my musical influences range from Sade, Donnie Hathaway, Billie Holiday, Frank Ocean, Sir Elton John, The Beatles, Mariah Carey, Whitney Houston — just hanging on the street in Louisiana, honestly, anywhere and any type of music you play outside (laughs).

Being from Louisiana, has it had any influence on your music?

Of course. You have blues right in your face all day every day…walking down any block in New Orleans is like a live concert. It’s beautiful and it’s real and it’s so organic.

You were a member of girl group Sophia Fresh, what led you to leave the group to become a solo artist?

That was kind of like one of those things where nature took its course. At a moment, we just wasn’t working anymore. I went my separate way. From there, I started working with Solange and went on to meet some of the best moments of my life — like travel the world and singing with somebody that was amazing to learn from and just have fun with.

jade-delafleurSpeaking of Solange, what have you learned from her by working with her?

To not take yourself seriously (laughs) and to just have fun and speak your mind. Always value the things that really matter in life — family, love…she’s very clear about what she wants and what she believes in from start to finish. I’ve always loved that. I’m very fortunate to have had that experience with her.

You worked on your “Jaded” EP for a couple of years. What’s the concept behind this project?

When I moved here to New York I really experienced different sides of life that I have never before. I was just going through a really bad breakup.  I was in a relationship for like five years. Every girl knows when you go through a big breakup like that you need your friends and your support system. It just so happened that I was moving here at the same time . [I didn’t] have a job. [I didn’t] have shit. I sold everything I had to come here and I was just really out on a limb…I did what I had to do but “Jaded” is just about my experiences. I started to keep a journal, which I entitled “Jaded” because that’s just how I felt from the things I was dealing with — having to still keep faith and keep moving and keep moving and shaking ..that’s what it’s about — my struggle, my joys, my pain.

Out of all the songs you recorded for your EP, you decided to use the title track on Solange’s “Saint Heron” compilation album. Why that song out of all the others?

That was one of the main songs that I knew I was going to write even before I knew that I was going to do an EP…and because it was so real to me — but yet it wasn’t — It just developed everything I was going through at that darkest stage of my life.

What’s next for you?

I’m always performing — doing a few pop up things here and there. I do have some things coming up with the Saint Heron clique, which I’m really excited about (laughs). I’m really excited about putting an album out. I worked on it really hard. I’m looking forward to performing and just keeping it up.

Follow Jade De LaFleur on Twitter @JadeDeLaFleur and make sure you get her “Jaded” EP on January 21.

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Exclusive: Melanie Fiona on Her New Album ‘Next Train’ and Adapting to the Streaming World

Around this time in 2012, Melanie Fiona was promoting the release of her sophomore album, The MF Life. The album would become well-received by fans and critics, debuting at No. 7 on the Billboard 200 and earning Fiona a Grammy nomination for Best Traditional R&B Performance for “Wrong Side of a Love Song.”

It’s been six years since the Toronto native dropped The MF Life. Although the album is a timeless body of work, fans are ready to hear new material; Fiona is too. “I’m not going to let another year go by without the album coming out,” she tells Rated R&B. “I’m really anxious to get this music out.”

Fiona has been crafting her third album (originally titled Awake) for a few years now. In 2015, she dropped two tracks — the Caribbean flavored song “Bite the Bullet” and the socially conscious track “I Tried.” As the creative direction evolved, Fiona renamed the album to Next Train. “I feel like Awake has just become my lifestyle and not my album anymore,” she explains. “I didn’t want to kind of limit it to just one moment in time.”

Instead of focusing on a specific period of her life, which she doesn’t knock other artists who do it, she prefers to make her project more evergreen. “I’m still performing music from my 2012 album and my 2009 album,” she says. “I feel like it’s always about a classic, timeless conversation.”

Fiona’s current single “Remember U” hits home for anyone who has been in a relationship. The reggae-influenced song is about an ex-lover who tries to come back in someone’s life after doing them wrong the first time.

“I can’t, fall back in love again / You broke this simple heart / That used to beat for you my friend / And I say that you’ve got some nerve just to come back and say that you’re sorry,” she sings on the raw track.

Rated R&B caught up with Fiona about Next Train, how she is adapting to the streaming world, who she salutes for Women’s History Month and more.

Photo credit: Zigga Zagga Studio

Why did you change your album title from Awake to Next Train?

When I was putting the finishing touches on the album and started deciding what songs I wanted to put on the album, one of the last songs I recorded was a song called “Next Train.” I looked at all the songs I put on this album and I was like, “It doesn’t feel like ‘Awake’ anymore because now I feel woke [laughs].” “Next Train” was the last song I recorded for the album and that came with so much strength and so much power. It felt like a collection of songs that became about reflecting on where I’ve been to move forward to be where I am now. The songs are very truthful and it just felt right. Train…I think of steel, moving, progress and destination. It’s a journey and that just felt more present to who I am now.

You released a couple of songs in 2015, “Bite the Bullet” and “I Tried.” Did they make the album?

“Bite the Bullet” is on the album. “I Tried” is not on the album but it is out and people still love it and listen to it. I just felt like there were just so many other records that I have evolved from.

What was it like working with Top Dawg Entertainment artist SIR on your album?

Listen, that’s my brother. When I started working with Andre Harris, SIR was in the room of his house. He was just this quiet dude sitting on the couch. I sat down and we started rapping and we wrote “I Tried” right there on the very first night we met. I just remember feeling that I had found a new musical counterpart. This was before he had released his new album. I just have admired his work and his talent since 2013. He’s someone very special and just naturally gifted. He really helped bring out a different side of me in the writing process.

Who else did you work with on the album?

The features are still to be determined. On the album, I have worked with Sebastian Cole, Carmen Reese, Lil Eddie, Jerry Wonda, Jack Splash, Andrea Martin, etc.

Do you have a release date yet?

I don’t but I’m going to say this year, for sure. I’m really excited to reveal more elements of the album before it comes out.

Speaking of getting music out, how do you feel about Best Buy’s plans to stop selling CDs in its stores?

It’s interesting because historically a lot of my album sales are physical copies. I think that I attribute that to the demographics of people who do go out to buy CDs and who do buy tickets, which I’m so fortunate now. I think what’s happening is that quickly, since 2012 to now, there has been a huge shift in how people consume music. It’s very digital. I think that is something that will be missed — having a physical copy and signing CDs…having the artwork and people having something tangible. It’s something really special but time has changed.

Streaming has clearly taken over. Do you feel any pressure now to focus on streaming rather than physical sales?

It’s definitely become something that’s at the forefront of my mind for sure, especially in this time now and getting ready to release new music — seeing how instant your data is, your reach is and how instant the plays are. It’s crazy. I feel like there’s so much pressure. Everyone’s so judgmental based on this statical data. I try not to get caught up in that. I was even shocked to see how many people actually follow me on Spotify with no music out in six years. I’m looking forward to playing in this landscape. There’s an upside to it, you know? You can just upload it right away and get the music to your fans immediately. I love that instant correspondence with my fans. I don’t want this shit to stress me out, ever. I love this too much and I don’t ever want it to become a hindrance because things are changing.

“It Kills Me” has over 25 million views on YouTube…

They’re watching. They’re there. People have been discovering my music for so long and that’s the beautiful part about it. There was a time when you had to rely on the radio to hear a song. If your song came out in 2009, it lived and died by 2011. Now with streaming people can go back and find your whole catalog of music. I think there are so many songs people haven’t discovered because they were only focused on what radio exposed them to. [Streaming] gives all my fans and new fans the exposure to all the B side records because those are the joints. For me, the ones that never see radio are the ones I’m excited to perform and have people discover.

What are your top three non-singles to perform?

I don’t think it was a huge single but “A-yo” is one of my favorite records to perform off The Bridge. I love that record so much. “This Time” was a single but I wouldn’t put it up there with “It Kills Me” or  “4AM.” And then there’s a song called “What Am I To Do” and “Rock Paper Scissors” off The MF Life that are so fun to perform because those are fan faves.

Photo credit: Zigga Zagga Studio

Toronto is bringing a new wave of R&B acts like PARTYNEXTDOOR, Daniel Caesar, and Dvsn. How does it feel to see a new generation of Canadian singers making a mark in the U.S. market?

I am so proud because I know how it was when I was doing it and what that struggle was like; that struggle is not as heavy anymore. All of those people in which I know personally still live in Toronto, which is beautiful because that means that the world is coming to them and they don’t have to leave to go to the world anymore. Shout out to Drake, really, who changed the game because nobody was checking for us hard until he came along. That’s a longtime friend of mine and he broke the stigma.

How has motherhood changed you?

It’s kept me so busy [laughs] because now I have to think about what time I need to be back to put the baby to sleep — no longtime late night studio sessions. It’s a balancing act but it has enlightened and enriched my life so much more than I could’ve ever imagined. It just makes me feel complete and I want to continue to create so he can be inspired by that.

What else is on your mind right now?

I can talk about so many things [laughs]. I just think that the future is bright. Something that I’m really looking forward to is using my voice this year — not just musically — but socially, emotionally and consciously to inspire people on many levels. I’m really living the motto these days: “I have to live to give.” I just feel like we’re living in a world right now where people can be so consumed with self that they forget that you have a responsibility when you have a platform. It can’t just all be self-serving and so that’s kind of my motto and my approach to 2018… to live to give and to create and aspire to inspire.

With it being Women’s History Month, who is a woman who inspires you?

Lauryn Hill. I just identify with the lyrical content, the approach, the awareness, the level of artistry that she created by breaking boundaries and being like “No, I can do all this. I can rap, I can act [and] I can sing.” She was everything. Shout out to Lauryn Hill to leaving a legacy from one album that we’re still celebrating. It’s never been matched. The Miseducation of Lauryn Hill educated a lot of people on what music is supposed to feel like.

I also got to give it to Whitney [Houston]. I was four years old singing love songs that I had no idea what they meant. She was singing about very adult content but I was moved to sing at the top of my lungs with that voice from a young age. It taught me the importance of vocal ability, emotion, and storytelling. She didn’t write many of her records but she could tell that story. That tone and that voice was a great teacher for me as a child because I identified with the emotional aspect of music.

Connect with Melanie Fiona
Instagram: @MelanieFiona
Twitter: @MelanieFiona

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Interview: Tamar Braxton Talks Happiness, Lesson Learned This Year and Holiday Favorites

Tamar Braxton is an open book, especially in her music. From songs like “Raise the Bar” and “White Candle” to “Broken Record” and “King,” the Grammy-nominated singer knows how to pen the ups and downs of love.

In late September, the Maryland native released her fourth and last album, Bluebird of Happiness. The 11-track set unfolded the private love stories with her estranged husband and former manager, Vincent Herbert.

As a special guest on The Great Xscape Tour, Braxton soothes her wounded love scars by addressing her true feelings on stage. With profound performances of “Blind” and “My Man,” her fans get to witness her being vulnerable, yet buoyant during her healing process.

Rated R&B caught up with Braxton backstage after her 45-minute set at the Colonial Life Arena in Columbia, SC to talk about her last album, happiness, her holiday favorites and more.

Check out the interview below.

RATED R&B: You’re currently on The Great Xscape Tour. What’s been your favorite or most memorable moment so far?

TAMAR: I think the most memorable moment was when Kandi and Tiny were in my dressing room in North Carolina while the Alabama game was going on. Of course everyone in the city was gone to that game but we managed to still sell out. We were like, “Oh my God, can you believe that we are here? We really made it. We really did it.” Tiny and I always said we wanted to do this since we were younger. We just didn’t know it would be like this.

RATED R&B: “Blind” is moving up on the urban AC radio chart. Can we expect a visual for the song in the near future?

TAMAR: Well, that’s a long story but I’m going to say yes. There were a lot of obstacles when we put out Bluebird of Happiness that we didn’t expect to happen, but they did and we had to put it out anyway. There was a movie attached to this album but it got detoured. We’re trying to fix it now. We’re playing the waiting game.

RATED R&B: Is there another single choice in mind if the video for “Blind” doesn’t come out?

TAMAR: I don’t know. I always wanted either the Yo Gotti record “Hol’ Up” or “The Makings of You” to be singles. We’ll see.

RATED R&B: Speaking of “The Makings of You,” that record along with “Pick Me Up,” are just some of the many songs on Bluebird of Happiness with incredible samples or interpolations of timeless R&B records. Which record took the longest to get cleared?

TAMAR: I honestly did not have any pushback at all. In the past it does take a long time. I think producers went into this record prepared themselves for it [laughs]. It’s so funny the Gladys Knight record came up though. I’ve been knowing her for a very long time. Her son wanted to take me to the prom back in the day [laughs]. I explained to her what the song meant to me and how Claudine is one of my favorite movies. She was like “Of course, darling.” Curtis Mayfield’s estate was so generous too.

RATED R&B: What makes Tamar Braxton happy?

TAMAR: What makes me happy is being around good people, laughing and smiling — not having any drama because I don’t have time for it. During our show prayer today, I was saying, “God thank you so much for such a great group people” because we have absolutely no drama. Also, being a good mother to my son Logan. I believe co-parenting with Vince and getting along with him to make sure Logan has a stable family environment is important in making me happy.

RATED R&B: On each album, your sound matures and your writing abilities continue to become more superb. How has your evolution as an artist helped you evolve personally and professionally?

TAMAR: I’ve always been a stickler on professionalism [laughs]. But personally, I think I am more honest about my feelings and how I truly feel. I have no problem telling you how I truly feel. It’s something about telling the truth that is liberating. I know now that there’s a way to deliver it [laughs]. The only time you find the truth to be offensive is when you’re not ready for it. You have to be ready for it. You have to be ready for evolving. Honesty is what helps us evolve. That’s what works for me.

RATED R&B: You are very active on social media. With you having such a huge following, how do you deal with any negativity that comes your way?

TAMAR: I take it as an opinion. I don’t know you, so I’m not going to feed into you. The only time that you have real negativity is when you feed into it. Most of the time these people don’t know what they’re talking about. But like I said on stage tonight, “People are always going to have something to say. You just might as well live your best life to the way you want to live it because everyone is going to have a comment.” So however you feel, God bless you but this is what works for me [laughs].

RATED R&B: With 2017 coming to an end, what’s one lesson you’ve learned this year?

TAMAR: For me, not to put yourself down. Don’t beat up on yourself. I remember when I use to beat up on myself constantly. Instead of looking at the things that I did achieve, I looked at the things I didn’t. It took away from the overall pure happiness that I wanted to achieve. I couldn’t get there if I constantly beat myself up. It’s almost like I was my own hater [laughs]. I already have people on social media saying negative things about me, why do I need to add to it? So you have to be your biggest cheerleader and believe in yourself. You have to get to a point where you don’t care and just do you.

RATED R&B: So the holidays are here. I know that you’re a foodie. What’s your favorite holiday dish?

TAMAR: Chitlins [laughs]. My mom pulls the membrane out so the house isn’t stinking. I haven’t had it this year because I haven’t had a Thanksgiving dinner yet.

RATED R&B: Favorite holiday song?

TAMAR: I would have to say “The Christmas Song.” It doesn’t get any better than Nat King Cole, my sister [Toni Braxton’s], Mariah [Carey’s] and Whitney [Houston’s] versions.

RATED R&B: Favorite holiday movie?

TAMAR: Right now it’s Caillou’s Holiday Movie. I’ve seen it a 150,000 times thanks to Logan [laughs].

RATED R&B: Favorite childhood Christmas gift?

TAMAR: The Nintendo Power Pad. It was when Nintendo first came out and they had these little blocks that you could run on and jump over. It was the bomb [laughs]. Everybody is missing out now [laughs].

Make Tamar Braxton’s final album, Bluebird of Happiness, a holiday stocking stuffer this season. The new album is available everywhere.

Follow her on Facebook, Twitter and Instagram.

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Exclusive: Syleena Johnson Gets Deep on Lack of Soul in Music + Talks New Album ‘Rebirth Of Soul’

One of R&B’s most authentic storytellers Syleena Johnson is not shy about recounting her trials and triumphs through her music. For more than two decades, the Chicago native has curated records that have brought joy and sweet pain to our hearts.

Deep and honest cuts like “Faithful to You,” “Apartment for Rent,” “Labor Pains,” and “Label Me” have championed women’s life stories while enlightening men on the day-to-day struggles of womanhood.

Johnson’s first and less documented release, This Time Together by Father and Daughter, premiered in the summer of 1995. The joint album – with her legendary father Syl Johnson – ignited her soulful stardom with songs “Keep on Loving Me” and “Piece of the Rock.”

Seven solo albums and one joint album later, the 41-year-old singer-songwriter pays tribute to her music genius of a father with her fall release,  Rebirth of Soul.

Along with the gearing up for the release of her new album, Johnson continues to secure her bag with television and health/wellness ventures.

During our 30-minute conversation, Johnson dished tribute album to her father, her new TV One talk show Sister Circle, her wellness brand SheLean and her favorite R&B artists now and more.

Check out the interview below.

Already, Sister Circle is capturing audiences across the nations — specifically women of color. How important is it for this new generation of black women to hear other black women like yourself and the other hosts empower and uplift each other?

If I can be frank, this show is important right now in a time where our current leadership is inadequate, unmotivating and sexist, which is causing our nation to adopt those undertones. In an entertainment field, where women — especially black women — are being exploited on television in such a negative way, Sister Circle is a breath of fresh air. We’re not perfect. We’re not walking around with halos. We’re still black women who have the same black women issues.

Our goal is to converse on these issues and show perspective from the African-American point of view in a bulk where the entire show is made up of African Americans. And Sister Circle is something that we don’t have right now in this climate where there are so many issues that pertain to us and our culture. It’s not black women directly. Black men, our sons. Black men, our husbands. Black men, our brothers.

What was it like having Wendy Williams, the contemporary Oprah of daytime, grace Sister Circle‘s inaugural show?

It was one of the biggest example of black women supporting each other. She’s the queen of daytime talk right now. By her being our very first guest, she pretty much blessed the show. She pretty much said, ‘I’m proud of you girls and you’re doing your thing.’ What more can you ask for? Other than Oprah Winfrey herself (laughs).

How does Sister Circle stand apart from other panel talk shows?

First of all, Sister Circle is live every day, five days a week. It’s the first all black panel talk show with no other nationalities. There is a male that represents the LGBTQ community which I have not really seen on any other talk show. Also, our hosts come from all walks of life which is really fun. Plus, we knew each other before starting the show which makes the chemistry really strong.

Recently, you started a health and wellness initiative, SheLean. Tell us about it. Also, did personal health motivate this new business venture? Or was this idea presented to you after the success of fitness DVD Mommy’s Got Soul?

No, it wasn’t personal health. Although SheLean was something that my best friend and I had already put together, what really put the fire under me is when I learned that every 4 out of 5 African American women, according to the CDC, are suffering from heart disease, type II diabetes and mild cancers. African-American women are also developing lupus and other different autoimmune diseases, which I believe is directly related to diet, poor rest and lack of vitamin and mineral content.

Also, the lack of education to be able to remedy this void plays a part. So with SheLean, the initiative is to educate the matriarch of the household, which is a woman, and in educating the woman you can help decrease childhood obesity, as well as obesity and obesity related disorders in minorities cultures, with African-American women and individuals being primary.

How do you resist food temptations and stay on a consistent workout regimen with your hectic work schedule?

During the five-day week, I eat clean. I need my energy and I need my stamina. Eating bad during the week will cause me to be sluggish and groggy. I allow myself a bad meal on maybe Friday and Saturday and then I go back to eating clean on Sunday. Like today, I had a glass of wine and a fried chicken burger. It was a good cheat meal for me (laughs).

I don’t go crazy though … like you won’t catch me eating a full pizza. I’m not really a sweets girl. I don’t get rid of temptations. I minimize them and I put them in my diet where it works. I think what happens is when people diet and they starve themselves it causes them to binge. That’s how they end up eating a whole pizza and ice cream (laughs).

Rebirth of Soul, out now, is an ode to your father, Syl Johnson. What was the overall recording process like?

It’s really easy working with my dad in the studio. So the recording process was awesome. It was all live instrumentation. On the Curtis Mayfield’s “The Makings of You,” there was a live harpist and string quartet in the studio. So live instrumentation was the most intriguing thing.

With a title like Rebirth of Soul, do you think soul has died in music? If so, why?

Yeah … and the reason I say yes is because soul is not a genre. When you’re singing soul music, you’re singing from your soul. And that means you’re singing from your story, your history, from the things that you’ve gone through. I think that the music today is talking about things that are way too surface. They’re not getting deep enough into the infrastructure of their spirit and soul. They’re not baring their soul in records anymore. A lot of artists are just taking a song that was written and they just sing it.

As far as the music you’ve heard this year, who’s music do you feel still embodies soul?

Mali Music. He’s my favorite right now. I listen to a lot of old music like Anita Baker, Sade, Earth Wind & Fire, Chaka Khan. Every morning when we come on set for Sister Circle we first listen to gospel. Then we merge to vintage R&B, which has been in my spirit lately. To be quite honest, I don’t even listen to the radio. I’m not really a fan of anything that’s out at all. I do like The Weeknd … sometimes. It’s the music that I like. It’s eerie. He reminds me of a male Sade in a way. He’s just not as poignant as her.

What’s your favorite cut on the new project? Also, out of all the covers, which did you want to nail perfectly?

My favorite cut on Rebirth Of Soul is Otis Redding’s “These Arms Of Mine.” I was so happy to do this record because it’s my favorite Otis Redding record. And the song I wanted to nail was “Chain of Fools” by Aretha Franklin. I knew that people would compare me to Aretha Franklin, like they already have. I knew attempting a record of that caliber I had to shut it down. So what I set out to do was to do it exactly like her. I mean timing wise, run wise, range wise — as well as singing it in her key. To me that was the best way to pay homage, to show respect and to celebrate Aretha Franklin. She is truly the Queen of Soul.

Rebirth of Soul is available digitally for purchase and streaming now. Packed with 10 amazing covers, including Aretha Franklin’s “Chain of Fools,” and “I’d Rather Go Blind” by Etta James, this incredible body of work is definitely a collectors item.

Make sure to follow Syleena Johnson on Facebook, Twitter, and Instagram. Also, follow Sister Circle TV on all social media platforms.

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