RECAP: Jazmine Sullivan Brings ‘Reality Show’ To Sold-Out Concert In Washington, D.C.

Photo Credit: Rated R&B
Photo Credit: Rated R&B

It was a full house at The Fillmore in Silver Spring last night (Dec. 30). Fans from all parts of the DMV (DC, Maryland and Virginia) swarmed to the venue to see Jazmine Sullivan perform music from her latest album Reality Show, as well as some older material.

Sullivan gracefully walked on stage around 9 p.m. and was greeted with a roar of cheer and screams from her hardcore fans.  Donning a black and white zig zag jacket with blue jeans, the Philadelphia native opened her set with “Brand New.” Immediately following, Sullivan went back took us back to her debut album Fearless with “Busting Windows” and “Lion, Tigers and Bears.” Filled with excitement, her fans were singing as loud as they could, forcing Sullivan to point her mic to the crowd.

Photo Credit: Rated R&B
Photo Credit: Rated R&B

Before revisiting songs from Reality Show, Sullivan performed an epic mash-up of “Holding You Down (Goin In Circles)” and Fugee’s classic song “Killin’ Me Softly.”

“This song is for the lovers. I want y’all to groove with me,” Sullivan told the audience before singing her Grammy nominated song “Let It Burn.” She also performed “If You Dare,” a stripped down version of “Stupid Girls” and “Forever Don’t Last.”

A highlight from the show was when she performed her emotionally-charged song “Masterpiece (Mona Lisa).” She revealed to her fans, “I had to do some soul-searching. What I realized is I was not living myself and not honoring myself.”

Photo Credit: Rated R&B
Photo Credit: Rated R&B

After getting everyone in their feelings, Sullivan lightened the mood with “Hood Love” and “Mascara.”

She closed out the show with her debut single “I Need U Bad” and her fan-favorite song “In Love with Another Man.”

Overall, Sullivan’s concert was nothing short of amazing. From flawless vocals to crowd engagement, Sullivan proved that she is a legend in the making. She took us on an emotional rollercoaster filled with laughs, smiles and tears.

Leave a Reply

Your email address will not be published. Required fields are marked *

Concert Review: Keyshia Cole Pulls a Lauryn Hill at The Fillmore Charlotte

As people waited in long lines to flood their favorite retailers for Black Friday sales, I traveled from Columbia, SC to Charlotte, NC to see Keyshia Cole at The Fillmore Charlotte.

I arrived to the AvidXchange Music Factory venue at 6:27 p.m. Unlike lines at retailers Friday, where the wait is unavoidable and uncomfortable, I was perfectly at ease being the 20th concert-goer in line.

Ten minutes later, more attendees followed behind to patiently wait for doors to open at 7 p.m.

Undressed and shivering in 37 degree weather, I struck up conversation about ticket cost with Keyshia Cole admirers. “We won our tickets off Streetz 103.3,” one couple said.

Another fan said, “I bought mine off Groupon for $39. I love you Keyshia but I wasn’t spending more than $50.” I agreed since I got my ticket at the same deal.

Doors opened three minutes after 7 p.m. After getting patted down and having my ticket scanned by The Fillmore door staff, I bypassed other fans and jetted to the front of the stage to wait for the show.

Some fans claimed their spot at the head of the stage barricade too. Other fans found empty floor space to stand comfortably before those at the bar filled in the gaps.

At 7:17 p.m., MMG’s DJ MC got settled with his laptop and other stereo equipment on the smoky stage. He came fully equipped to have the crowd lit with his mega mix and fly DJing skills.

As fog occupied the stage, nostalgia filled rest of the room. DJ MC had fans right where he wanted them – in a carefree zone. Music lovers used their outside voice to recite explicit lyrics and sing classic R&B and hip-hop songs including “I Get Money” by 50 Cent, UCB’s “Sexy Lady” and “Nice and Slow” by Usher.

The VIP clique didn’t let their lack of essential amenities (i.e. chairs or tables) get in the away of their party. The wall worked perfectly for grinding.

DJ MC had help getting the crowd excited from 92.7 The Block hosts Chewy Torres and Sunshine Anderson – yes, “Heard it All Before” Sunshine Anderson, too.

By 9:02 p.m., fans were chanting, “We want Keyshia.”

Ten minutes later, DJ MC was breaking down his equipment to make room for GO DJ HI C, Keyshia’s official DJ.

I don’t know if the crowd was aggravated and ready for Keyshia but the energy shifted downward when he got on stage.

It felt like we changed the radio dial to a new station but got the same syndicated countdown – just with a harder thumb. GO DJ HI C’s blaring speaker bass creeped into my torso as if I had just painfully swallowed it.

A few recycled songs in, GO DJ HI C announced at 9:24 p.m., “I just got a text. My boss is about to hit the stage.”

Eager to record Keyshia’s opening note, I pulled out my iPhone to capture every minute. With 69 percent battery life, I tapped on the Facebook icon to start a live stream.

With no background singers in sight or any Fillmore staff prepping the stage for Keyshia’s arrival, it was evident GO DJ HI C’s receipt had no validity.

“This is ridiculous,” mumbled a female patron behind me. “I hope she shows up because she bailed before.”

As the DJ played more music and strolled through his cellphone, another female fan offered commentary. “If I wanted to listen to music for two hours I would have went to a club.”

It was 9:40 p.m. and the crowd began to get restless. Four-letter words started to be heard in the now tight quarters — most were directed to GO DJ HI C.

He attempted to ease the last nerve of fans. “Ya’ll chill,” he roared in the mic. “I wouldn’t be here if she wasn’t coming out. She’s not coming out until she can hear you guys in her dressing room.”

GO DJ HI C also tried to hype the crowd for Keyshia’s entrance. “I need the left side to say ‘Keyshia’ and the right to say ‘Cole,’” as he pointed to each side of the room.

Some were interested in crowd participation but others weren’t. I was apart of the latter group.

The DJ returned to the mic at 9:43 p.m., and began an introduction for a Grammy nominated artist.

Cell phones brighten the dark venue momentarily but quickly dimmed when attendees realized it wasn’t the headliner gracing the stage — it was Sunshine Anderson.

Used to distract fans from Keyshia’s CP time, the singer-turned radio personality tipped on stage in open-toe heels, donning a simple black top with un-curve friendly black tights.

With support of a backtrack, the North Carolina native noticeably lipped the lyrics to “Lunch or Dinner” from her 2001 debut, Your Woman.

Sunshine bought Keyshia more time to hit the stage as she started to actually sing her signature song “Heard It All Before.” It was obvious she didn’t warm up her voice. Her vocal execution reflected especially towards the collapsed bridge.

Despite Sunshine not possessing vocal conviction, she had the heart to fight through it.

The unimpressed concert-goers softly clapped to see Sunshine off the stage.

Two minutes before 10 p.m. a gentleman rocking a pink backpack sashayed on stage. Before exiting, he left two styrofoam cups on a stage podium.

“When you see him, that means Keyshia’s on her way,” shouted GO DJ HI C across the room.

Exactly seven minutes after 10 p.m., GO DJ HI C took the mic again and finally grabbed the audience’s attention. “Ladies and gentlemen, Keyshia Cole.”

With help from her security, the woman of the last two hours, walked up the side steps of the stage.

Dressed in a suede trench coat with matching heeled boots and ripped jeans, the Just Like You songstress kicked off the delayed show singing “I Should Have Cheated” off her first album, The Way It Is.

Keyshia quickly asked the audio engineer to adjust her inner ear before capping the song with an extended high note.

Joined by her three male dancers, the Oakland-bred singer moved swiftly through her medley of hits including “Enough of No Love,” “Shoulda Let You Go,” “I Changed My Mind” and “You.”

After wrapping up her remix to Chris Brown’s “Loyal,” Keyshia took off her winter coat to show off her shimmering silk shirt. Without officially apologizing for her tardiness, she mentioned being thankful for her fans as a means for damage control.

It didn’t seem to work, and she knew it. “Okay. Let’s go into the next song then,” she told GO DJ HI C.

She belted her biggest hits “I Remember,” and “Love” before she engaged in personal conversation with the crowd.

From requesting the crowds opinion on if she should back to Love and Hip-Hop: Hollywood to explaining why she opted to skip Thanksgiving dinner with her newly found dad, Virgil Hunter, Keyshia sincerely asked for fans to send her a prayer up the main line.

Thirty minutes into her set, Keyshia wanted fans to tell her what to perform next. Most songs fans mentioned like “Vault” and “Emotional” from her 11: 11 Reset album were off limits.

“This isn’t the tour guys,” she replied with a smile. “The tour doesn’t start until next year. But I cannot wait to perform those songs though.”

While she didn’t perform demanded cuts from her new album, she gave us “Incapable” along with a similar dance routine from the single’s accompanying visual.

Following three more songs, Keyshia ended the 45-minute set with her Grammy nominated record, “Let It Go.”

Before leaving the stage, she directed fans to meet her at Stats Restaurant and Bar for the official after-party.

Honestly, I feel like I wasted a trip to Charlotte. I didn’t leave with a wow experience. I expected her to sing more material from her silently released album. Yet, my wish didn’t come to fruition.

Keyshia treated her Fillmore performance like an afterthought. It appeared to me that she got a calendar reminder while she caught Black Friday sales on Fashion Nova’s website. After realizing her spot date, she called her style team and caught a red-eye flight to Charlotte Douglas International Airport.

Keyshia’s lateness was inexcusable and warranted a more sincere apology. Instead she rushed through her sloppy set list to get to the after-party.

Her running behind schedule wouldn’t have been terribly bad if she had a legit special guest. And I’m sorry, Sunshine Anderson doesn’t count.

Collectively, the two hours of DJing, the talent show performance from Sunshine Anderson and Keyshia Cole’s tardiness calls for a total refund. But I’m sure Live Nation is incapable of issuing it to us.

Jazmine Sullivan and Bryson Tiller’s ‘Insecure’ Video is Everything and Then Some!

Jazmine Sullivan Bryson Tiller Insecure Video

Jazmine Sullivan Bryson Tiller Insecure Video

Jazmine Sullivan and Bryson Tiller’s song “Insecure” has come to life in its newly released music video!

The video first finds Jazmine singing her verse whilst sitting on the couch of her home before it cuts to her at a house party in “The Dunes,” which is where Issa and Lawrence live in the show Insecure. In this house party, we get cameos from some of the show’s main characters: Issa is FaceTiming Jazmine and get interrupted by Jazmine’s boyfriend blowing up her phone. Kelli (Natasha Rothwell) is in attendance at the party, being as funny as ever — even without sound. Tiffany (Amanda Seales) is also there in all of her bougie glory and last, but not least we even get a cameo from Dro (Sarunas Jackson), who appears in a different scene.

“Insecure” is the title track for the show by the same name, serving as the lead single. The song is beginning a run at radio success, as it just debuted on both the Urban AC and urban radio charts at No. 30 and No. 37, respectfully.

Check out the video for “Insecure” below.

Chart Check: Tank Scores Top 5 Hit on Urban AC, Tamar Braxton and Trey Songz Pick New Singles

Tank New album tamar new single and album treys songz

Tank New album tamar new single and album treys songz

Welcome back to another edition of Chart Check! Each Friday, Rated R&B provides detailed insight to the weekly chart movements of your favorite R&B artists and R&B songs. In this updated format, we will discuss Billboard’s Adult R&B Songs (Urban AC) and Nielsen’s Mainstream R&B/Hip-Hop National Airplay (Urban) charts extensively. Read below for more information on the week of October 6, 2017:

Single Selections

Trey Songz’s Tremaine the Album era continues with the selection of his second single “Songs Goes Off.” The Atlantic Records signee received 12 adds at R&B radio in the latest tracking week. If the song charts, it will be Trey’s first Urban AC charter since 2015’s “Slow Motion.” Tremaine the Album debuted at No. 1 on the R&B albums chart and No. 3 overall upon its release in March.

If Tamar Braxton was set on going out with a bang, then she is definitely on the right track with her new song “Blind.” Lifted from her latest and last album Bluebird of Happiness, the heartbreaking ballad is serving as the second single behind lead single “My Man,” which currently sits at No. 10 on the Urban AC Chart. “Blind” received 16 adds this week, making it the most added song on urban contemporary  radio. Bluebird of Happiness is available now on all digital platforms.

On The Rise

Sam Smith is back and bigger with his new single “Too Good at Goodbyes.” Thanks to rising popularity and the release of the song’s music video, Smith has shot up the Urban AC chart, rising 22-12 on this week’s chart. The track saw a 255 spin increase since last week, making it the most spin increased song of the week on R&B radio. It also received an additional nine adds on R&B radio formats.

Like little sister, like big sister, and vice versa! Toni Braxton is starting her new era in the right direction with her new single “Deadwood.” The song continues to rise, jumping 30-23 on the Urban AC chart thanks to a 148 spin increase in the latest tracking week. The song also received 12 adds on R&B formats, making her the second most-added R&B song of the week. The first? Her younger sister, Tamar.

Leaps and Bounds

Tank has been building momentum in preparation for his new album Savage which was just released last night, Sept. 29. Lead single “When We” is the shining star of the week, as it rose to the No. 5 spot on the Urban AC Chart this week. The bedroom banger saw an increase of 124 spins on R&B radio station, the fourth-highest increase this week.

Here’s some chart superstition: every time Tank has a song enter the top 5 on this chart, it eventually becomes a No. 1 hit. Tank notched No. 1 songs in 2007 with “Please Don’t Go” and again in 2012 with “Next Breath.” As you can tell, his chart toppers are five years apart, which would continue if “When We” ever reaches the top spot in the year of 2017. Does “When We” have the potential to further this interesting trend? Tank has some stiff competition against the rising force of Khalid’s “Location,” the slight resurgence of Childish Gambino’s “Redbone,” and the staying power of Sevyn Streeter’s breezy jam “Before I Do” which logs a fifth week at No. 1 this week. Competition aside, Tank has a shot, but only time will tell.

SZA has brought the heat this summer and shows no signs of slowing down anytime soon with her latest single “The Weekend.” In the latest tracking week, the song leapt 10 spots, rising 40-30 on the urban radio chart. Fueled by a 249 spin increase, the Ctrl cut was the fifth-most spin increased song of the week. If that wasn’t enough, the song has also received 18 more adds on urban radio formats. If this type of success is any indication, “The Weekend” is on it’s way to becoming a solid radio hit.

R&B Albums Chart Update

Billboard’s R&B album had a couple of notable chart movements in the last week. First up, Musiq Soulchild debuted at No. 16 on the chart this week with her double-disc set Feel the Real. The album is lead by his single “Start Over,” which now sits at No. 15 on the Urban AC chart. A little higher up on the chart sits Beyoncé’s 2016 album Lemonade, which leapt 24-8 in the latest tracking week. Lemonade is Beyoncé’s latest album, which featured singles such as the impactful “Formation,” whimsical “Hold Up,” and Just Blaze-produced “Sorry.” In other Beyoncé news, the songstress has hopped on the remix to J Balvin and Willy William’s latin banger “Mi Gente.” As previously reported, the sales from the song will be donated as relief funds for Puerto Rico, Mexico, and other Caribbean Islands and is already the No. 1 song on iTunes Worldwide. Expect for this track to make a splash in the next couple of weeks.

Quick Notes

And in quick notes: Rising artist Izzy Bizu is getting her first shot at radio success with her song “Diamond.” The song received 10 adds at R&B radio, the fourth-most for the week; Khalid’s “Location” proves to be the hit that just won’t go away. The song, sitting at on the Urban AC chart at the No. 4 spot, saw a 131 spin increase this week. With the decline of Bruno Mars’ “That’s What I Like,” the song is definitely on the trajectory for a top 3 finish within he next couple of weeks; And finally, Jazmine Sullivan and Bryson Tiller’s “Insecure” duet is beginning to find real chart success as it double debuts on both the Urban and Urban AC chart this week. The song sits at No. 30 on Urban AC and No. 37 on the urban radio chart.

What about you? Are you feeling Tamar and Trey Songz’s new singles? Do you think Khalid will go No. 1 on Urban AC? Did you enjoy this week’s Chart Check? Let us know how you feel in the comment section below!

Send this to a friend