Interview: Daley Sheds Light on Second Album ‘The Spectrum’

After dropping his first project in 2014, British singer Daley returns with the release of his sophomore album, The Spectrum. The album consists of 13 tracks including the lead single “Until the Pain is Gone” featuring R&B songbird Jill Scott. The song has seen much success on the charts, cracking Top 10 on the Billboard/BDS chart and the urban AC radio chart.

“It was one of the first few songs I wrote for the project,” Daley told Rated R&B in an interview. “It’s kind of an amalgamation of different experiences I have been in with different relationships.”

For Spectrum, Daley got to work with some of his favorite producers including Andre Harris (Michael Jackson, Jennifer Hudson, Mary J. Blige), xSdtrk (Usher, Jessie J, Jennifer Lopez), The Stereotypes (Fantasia, Chris Brown, Bruno Mars), along with some others.

Rated R&B recently caught up with Daley for an exclusive interview about The Spectrum. Check it out below.

RATED R&B: Your new single “Until The Pain Is Gone” featuring Jill Scott is climbing the Top 10 on urban AC radio. Congrats on that! Tell us about that record.

It’s kind of dealing with a situation where two people are in love but just held back by negative experiences and kind of trying to admit to each other how they feel.

RATED R&B: How long did it take you to write it?

The song itself I wrote in a day. I didn’t get Jill involved until later when I revisited it. When I was writing it, something made me think of her. I don’t know what it was. She just kind of came to mind while I was writing it and I kind of stuck a pin in that. I had the pleasure of meeting her in London when I opened up for her show and I sent it over to her. I said, “I just want to get your feelings on this and see what you think.” She loved it and did her thing on it.

RATED R&B: What’s the meaning behind the title of your album, The Spectrum?

DALEY: I came up with it, from a musical perspective, when I started exploring this album. For some reason — I don’t know what it was, maybe it was just the current musical climate at the time — I was just feeling like I should make an album with a certain sound. I was thinking I should do this kind of dark, spacey R&B thing. But when I started writing, it dawned on me that it doesn’t encompass everything that I am and what I do in my live shows. I would be so limited by doing that, so I started to feel like it needed to be a range of things: the dark stuff, the feel-good R&B songs and something that would translate really well live. In my head, the word ‘spectrum’ kept popping up in all different areas; so it’s my musical spectrum. It’s a range of what I do. When a word keeps coming back to me in different scenarios, I feel like it has a relevance to me and hopefully to other people. I like what it represents and I have a graphic design background, so I just like the fact that I get to use all the colors in the promo and I’m not wearing black all the time (laughs).

RATED R&B: How would you describe your process creating The Spectrum compared to your first album? Did you approach it differently?

DALEY: It was a similar approach but this time it was different because I had parted ways with Universal. I wrote the bulk of this album in between deals, which was very scary in some ways and liberating because I wasn’t really working with deadlines. After going through some label bullshit, I was just like “I want to get back to doing what I do,” so I had the time to go in with the producers that I like and that I have good relationships with and write about things I want to say. I had the space to do that on the first album as well but there was more label involvement. Also, it’s just what I have experienced over the last couple of years — things that I have lived through. You just get a different perspective on things. I lost someone who was very close to me — my manager at the time, the guy who kind of worked with me for my whole career. We built a lot of things together. That put everything into perspective because it was my first time kind of losing someone. That put so much into my perspective of what matters and what doesn’t matter. Having toured so much, I just had a better idea of what kind of album I wanted to make when it came down to it.

RATED R&B: Do you have a favorite song on the album?

DALEY: I really do love every song. I feel really confident there’s no filler. I wanted every song to be almost an essential song. A song that sticks out to me, though, is a song called “True.” It was just a song that really struck a chord. When I wrote it, I felt very satisfied that I expressed something that was very important to me. It’s just the notion of being true to yourself and that life is short and kind of live in the moment and live in your truth. I felt like I needed to write it. After I wrote it, I felt physically better.

RATED R&B: Have you picked your next single?

DALEY: Well, there’s two that we’re looking at. I think I know what it is, it’s just whether I want to go in a more uptempo director or whether I want to keep it chill. I kind of don’t mind which one we go with to be honest. I think it would be cool to do the slightly more energetic one because that’s not what people usually hear from me. So, we’ll see.

RATED R&B: How would you describe the R&B music scene in the UK compared to the US?

DALEY: It sounds bad, but I don’t know if there is an R&B music scene in the UK anymore. There is and there isn’t. There’s definitely amazing R&B artists in the UK but I don’t know if there’s a scene because they’re not supported. They’re not really given many outlets. Even the outlets that used to give them some kind of shine now kind of backed away, which is very frustrating. Like, there’s an award show called MOBO Awards, which is Music of Black Origin. It may be equivalent to the BET Awards here where we champion music of black origin, so R&B would be a massive part of that. They kind of backed off from it a bit. So that stuff annoys me.

In the U.S., R&B is more engrained into the culture. It’s the birthplace of that genre. So, people embrace it wholeheartedly. I think in the UK, it could be so much stronger if there was support for it.

RATED R&B: Agreed. It’s kind of similar to the U.S. in a sense that R&B isn’t getting the spotlight like it used to.

DALEY: It’s so strange because all of the popular music at the moment is so rooted in R&B and soul. There’s all this 90s throwback. It feels so weird the root of the genre doesn’t always get the support it needs. I also think a lot of artists need to reconnect with the feeling of R&B and not just the style or lifestyle of the song. I think people just got to reconnect with the feeling. That’s kind of my take on it.

RATED R&B: Do you have anything else coming up that you would like your fans to know about?

DALEY: We are in the process of locking in a tour for the fall. I can’t wait to get on the road and play the album. I think it’s going to translate really well live. We’re looking at October and November for that. And yeah, just picking the next single and visuals.

Stream Daley’s new album The Spectrum below. It’s available now.

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5 UK R&B Artists to Watch in 2018

Here at Rated R&B, our mission is to deliver interesting and engaging content on the R&B genre of music. R&B talent comes in many different shapes and sizes and sometimes comes from different countries as well. You’ve heard of Jessie J, Marsha Ambrosius, and Daley, but in this piece, we’re going to put you on the game to the most exciting up-and-coming R&B artists in the United Kingdom. With voices that liken to Ariana Grande and Eric Bellinger, there’s surely an artist on this shortlist that’ll pique your interest. Check out our list of the 5 R&B UK Artists to Watch in 2018 below:

Mabel McVey UK R&B Artist 2018

Mabel McVey

Polydor Records-signee Mabel came in with a bang in 2017 when her hit single “Finder’s Keepers” reached the Top 10 on the UK Singles chart. The song, which features rapper Kojo Funds, also peaked at No. 2 on the UK R&B Singles Chart. Her breezy vocals, pop radio appeal, and charming style are on trend, and she already has found Top 40 success in her latest collaboration with UK artist Not3s entitled “My Lover (Remix).” If you like what you hear in the video below, check out Mabel’s 2017 EP Bedroom, which is available on all digital platforms.

Angel UK R&B Artist 2018

Angel

Angel’s career blasted off with a string of hits in 2012, including UK Singles Top 10 earner and UK R&B Songs chart-topper “Wonderful.” Now signed to Motown Records, the London-born singer dropped consistently catchy tunes in 2017, including the SWV-interpolated and Eugene Wilde-sampled “Take You Home.” If he can continue this upward trajectory and his formula of mainstream sounds with a 90s R&B twist, Angel could very well land a solid radio hit by year’s end.

Jorja Smith UK R&B Artist 2018

Jorja Smith

Jorja Smith was one of the buzziest artists of 2017 thanks to her features on Canadian rapper Drake’s multi-platinum album More Life. In addition to her criminally underrated summer collaboration with Kali Uchis called “Tyrant,” Smith also made some noise this past year with her 90s underground-esque banger “On My Mind.” Her knack for showing vulnerability whilst keeping her alluring mystique has set her up for riding off into the sunset of success in 2018!

Jacob Banks UK R&B Artist 2018

Jacob Banks

Banks broke big in 2014 for his assist of Chase and Status’ “Alive,” which peaked at No. 21 on the UK Singles Chart. Banks’ gruff and smoky vocals have been used in promotions across the globe, including popular sports game “FIFA 15” and popular TV shows like STARZ’s Power and USA’s Suits. After the release of his 2017 EP The Boy Who Cried Freedom, Banks is more confident than ever and ready to make a splash in 2018.

Ella Mai UK R&B Artist 2018

Ella Mai

Ella Mai might be the most recognizable name on this list, and that’s because this woman has been working! After a stint on the 11th series of X Factor UK in 2014, the singer signed with DJ Mustard’s 10 Summers label. She’s released not one, not two, but three EPs in a year’s time, and was recently one of the featured acts on Kehlani’s 2017 “SweetSexySavage World Tour,” which ended its run in November. Now working on her debut album and kicking off 2018 with a fresh single, Ella Mai is just one hit away from her big break, and if her current sound and relatable lyrics have anything to do with it, then she is well on her way.

Who’s your favorite artist on this shortlist? Let us know in the comment section below!

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Top 10 R&B Albums of 2017

2017 started off kind of slow with R&B releases but quickly picked up as the year progressed. There were a good amount of newcomers like SZA and Daniel Caesar who made an impact on their debut projects. We also saw comebacks from R&B vets like Bell Biv DeVoe and Xscape. The Rated R&B editorial team has compiled a list of the top 10 albums of 2017.

Check it out below (please note: these are in no particular order).

Chante Moore – The Rise of the Phoenix

Chante Moore has taken “50 and Fabulous” to another level with her seventh solo studio album The Rise of the Phoenix. Her artistry has aged well over the course of her 25-year career, as she sounds “Moore” confident than ever. While the LP covers the entire spectrum of love, the album’s upbeat, feel-good tracks stand out the most for their radio appeal and contemporary sound. The album’s current sound doesn’t come at the cost of Ms. Moore’s vocals, as she showcases her range (including whistle tones!) on her most tender ballads of regret and vulnerability. Even the interludes deserve a playback! Chante Moore simply delivered, and if you just can’t get enough of this album, then her latest Christmas album should carry you through every holiday season to come. — Nathan

Standout Selections: “Something to Remember,” “Offa-U,” “Saving Grace,” “Pray,” “I’d Be a Fool”

Daley – The Spectrum

Daley is probably one of the most underrated R&B acts out now. Known for his spacey R&B sound, the British singer adds a little color to his sophomore effort, The Spectrum. Feel-good songs like “Sympathy” and “Slow Burn” will have you dancing to the rhythmic production. But don’t let that fool you, though. There are vulnerable moments of heartbreak (“Until the Pain is Gone”) and self-reflection (“True”). — Keithan

Standout selections: “Until the Pain is Gone” feat. Jill Scott, “On Fire,” “Sympathy” and “Second to None”

SZA – Ctrl

Insecurities, fear, and doubt may permeate the lyrical content of this body of work, but SZA is more artistically reassured than ever on her breakout record Ctrl. Sonically gorgeous, the album not only sounds better with each listens, but it feels better with each listen as well. Over time, you’ll find yourself liking songs you didn’t like before and loving the ones you initially did even more. It’s evident that SZA is still adjusting to the overwhelming response of praise for her debut effort, but as the only female R&B artist to find major urban mainstream success this year, it’s simply par for the course of success. If she continues to ride in her own lane, there’s no telling what destinations she will reach by the end of her musical journey. — Nathan

Standout Selections: “Broken Clocks,” “Garden (Say it Like Dat),” “Wavy (Interlude) [feat. James Fauntleroy)” and “Go Gina”

Daniel Caesar – Freudian 

A product of the black church, the Toronto-born R&B singer’s debut album, Freudian, is very much rooted in gospel influences — from the piano-driven sound to solid backing vocals from a full choir. While there is much celebration of love on this album, there are also songs of regret and sorrow, as if Caesar is grappling with his own personal struggles with religion and theology as it relates to a past love. Perhaps, this is why he chose to name his album Freudian. — Nathan 

Standout selections: “Get You,” “Best Part,” “Blessed” and “Hold Me Down”

K. Michelle – Kimberly: The People I Used to Know

K. Michelle has never been one to hold anything back, but on Kimberly: The People I Used to Know, she unveils every inch of herself in an unprecedented unapologetic fashion. The album kicks off with her rapping obscenities and concludes with one of her most soulful records to date – and in between lies an ode to James Brown, a timely Debarge sample-led criticism of mainstream media’s treatment of black women, a jazzy dose of shade to Kirk Frost (and his three or four earrings), and back-to-back country ballads. While this may sound musically sporadic, the flow of the album is quite natural and effortless. Her heart may lie in country music, but she knows how to make a solid R&B record; This is certainly her first album with multiple viable radio singles.The People I Used to Know is less about switching musical lanes and more about shifting artistic gears as the album progresses — leading the Memphis-bred songstress down the road to one of the most complete R&B works of the year. — Nathan

Standout Selections: “Takes Two” feat. Jeremih, “Crazy Like You,” “Giving Up on Love,” “God, Love, Sex, and Drugs”

Mary J. Blige – Strength of a Woman

Capitalizing on her divorce news and cringe-worthy moments that logged the past five years of her personal and professional existence, Mary J. Blige wore her troubled emotions heavily on sleeves of Strength of a Woman. Beginning with a powerful opening track that revisits Blige’s hip-hop soul roots and yields her first-ever music union with Yeezy, Strength scales between claiming back the power she regretfully hid behind the love for her estranged husband-manager to now recognizing how resilient she is well beyond her celebrity status. Blige even found time to be the right amount of petty and unleash a high dose of saltiness topped with sweet revenge over trapsoul instrumentations ushered in by a new school of hungry music tasters like Camper and Prince Charlez who wanted to see her win again. — Antwane

Standout selections: “U + Me (Love Lesson),”  “Set Me Free” “Survivor” and “Telling the Truth” featuring Kaytranada

Ledisi – Let Love Rule

Shining a fully charged flashlight of hope, Ledisi tunnels her way through all love’s madness on Let Love Rule. Even though the New Orléans native has the voice of an angel, Rule doesn’t digest well on the first or second listen. I say this not bash or discredit Ledisi’s musical abilities but to say, if you’re a frequent radio listener, this album won’t impress you. This record isn’t chasing the minute, ready to serve sounds of R&B. It’s an album that increasingly ages after each playback. With Let Love Rule, Ledisi uses this collection of ballads and melodic compositions to educate hearers about social injustices, how to present in your relationship and the power of waiting for the stars to align in your favor. She doesn’t do half bad either. — Antwane

Standout selections: “Here,” “All the Way,” “High” and “Us 4 Ever” featuring BJ the Chicago Kid

Tamar Braxton – Bluebird of Happiness

Bluebird of Happiness may universally signify prosperity, joy, and delight but Tamar Braxton’s album version has a far deeper meaning. Absorbed by samples from the yesteryears of R&B, the youngest Braxton sister uses her definition of Bluebird to share the private wounds from her dissolving marriage from Vincent Herbert. Balancing the dark and light colors of musical tones, this solid recording not only hears Braxton harping on the foulness of love but finding moments to celebrate its presence and all its other glorious wonders. While being fully against Braxton calling it quits as a solo artist, Bluebird of Happiness definitely leaves a lasting impression in the hearts and minds of her loyal Tamartian fans – for now. — Antwane

Standout selections: “The Makings of You,” “My Forever,” “My Man,” and “Wanna Love Me Boy”

Tank – Savage

Serving as the follow-up to 2016’s Sex Pain & Love II, Tank takes an aggressive approach on Savage. He instantly hooks listeners with the title track before taking them on a musical journey through the bedroom with songs like “When We” and “F It Up.” The album isn’t just about sex, though. There are moments when he’s just singing about love, whether it’s the good times or trying to rekindle an old flame. — Keithan

Standout selections: “When We,” “Good Thing,” “Do For Me” and “Nothing On”

Jhene Aiko – Trip

After making a false start with her 2016 single “Maniac,” Jhene Aiko made a strong recovery with her second studio album, Trip. Released with no prior announcement, the 22-track LP is Aiko’s open diary that uncovers some of her most vulnerable moments. From dealing with the death of her brother to breakups, Aiko takes her listeners on an emotional rollercoaster through love, pain, depression, and happiness. Trip may be her most raw and honest project to date. — Keithan

Standout selections: “Sativa” featuring Swae Lee, “While We’re Young,” “New Balance” and “OLLA” featuring Big Sean

Sabrina Claudio – About Time
**honorary mention**

OK, About Time may technically be a mixtape but Sabrina Claudio certainly made it feel like an album. Laced with angelic harmonies and mesmerizing lyrics, About Time finds Claudio singing about…time (literally). “During the process of writing these songs, I was worried about time for some reason,” she said. “And it didn’t have to do with a relationship — maybe just career-wise I was worried about time and it translated through my music.” — Keithan

Standout selections: “Belong to You,” “Frozen,” “Natural” and “Stand Still”

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Interview: Tamar Braxton Talks Happiness, Lesson Learned This Year and Holiday Favorites

Tamar Braxton is an open book, especially in her music. From songs like “Raise the Bar” and “White Candle” to “Broken Record” and “King,” the Grammy-nominated singer knows how to pen the ups and downs of love.

In late September, the Maryland native released her fourth and last album, Bluebird of Happiness. The 11-track set unfolded the private love stories with her estranged husband and former manager, Vincent Herbert.

As a special guest on The Great Xscape Tour, Braxton soothes her wounded love scars by addressing her true feelings on stage. With profound performances of “Blind” and “My Man,” her fans get to witness her being vulnerable, yet buoyant during her healing process.

Rated R&B caught up with Braxton backstage after her 45-minute set at the Colonial Life Arena in Columbia, SC to talk about her last album, happiness, her holiday favorites and more.

Check out the interview below.

RATED R&B: You’re currently on The Great Xscape Tour. What’s been your favorite or most memorable moment so far?

TAMAR: I think the most memorable moment was when Kandi and Tiny were in my dressing room in North Carolina while the Alabama game was going on. Of course everyone in the city was gone to that game but we managed to still sell out. We were like, “Oh my God, can you believe that we are here? We really made it. We really did it.” Tiny and I always said we wanted to do this since we were younger. We just didn’t know it would be like this.

RATED R&B: “Blind” is moving up on the urban AC radio chart. Can we expect a visual for the song in the near future?

TAMAR: Well, that’s a long story but I’m going to say yes. There were a lot of obstacles when we put out Bluebird of Happiness that we didn’t expect to happen, but they did and we had to put it out anyway. There was a movie attached to this album but it got detoured. We’re trying to fix it now. We’re playing the waiting game.

RATED R&B: Is there another single choice in mind if the video for “Blind” doesn’t come out?

TAMAR: I don’t know. I always wanted either the Yo Gotti record “Hol’ Up” or “The Makings of You” to be singles. We’ll see.

RATED R&B: Speaking of “The Makings of You,” that record along with “Pick Me Up,” are just some of the many songs on Bluebird of Happiness with incredible samples or interpolations of timeless R&B records. Which record took the longest to get cleared?

TAMAR: I honestly did not have any pushback at all. In the past it does take a long time. I think producers went into this record prepared themselves for it [laughs]. It’s so funny the Gladys Knight record came up though. I’ve been knowing her for a very long time. Her son wanted to take me to the prom back in the day [laughs]. I explained to her what the song meant to me and how Claudine is one of my favorite movies. She was like “Of course, darling.” Curtis Mayfield’s estate was so generous too.

RATED R&B: What makes Tamar Braxton happy?

TAMAR: What makes me happy is being around good people, laughing and smiling — not having any drama because I don’t have time for it. During our show prayer today, I was saying, “God thank you so much for such a great group people” because we have absolutely no drama. Also, being a good mother to my son Logan. I believe co-parenting with Vince and getting along with him to make sure Logan has a stable family environment is important in making me happy.

RATED R&B: On each album, your sound matures and your writing abilities continue to become more superb. How has your evolution as an artist helped you evolve personally and professionally?

TAMAR: I’ve always been a stickler on professionalism [laughs]. But personally, I think I am more honest about my feelings and how I truly feel. I have no problem telling you how I truly feel. It’s something about telling the truth that is liberating. I know now that there’s a way to deliver it [laughs]. The only time you find the truth to be offensive is when you’re not ready for it. You have to be ready for it. You have to be ready for evolving. Honesty is what helps us evolve. That’s what works for me.

RATED R&B: You are very active on social media. With you having such a huge following, how do you deal with any negativity that comes your way?

TAMAR: I take it as an opinion. I don’t know you, so I’m not going to feed into you. The only time that you have real negativity is when you feed into it. Most of the time these people don’t know what they’re talking about. But like I said on stage tonight, “People are always going to have something to say. You just might as well live your best life to the way you want to live it because everyone is going to have a comment.” So however you feel, God bless you but this is what works for me [laughs].

RATED R&B: With 2017 coming to an end, what’s one lesson you’ve learned this year?

TAMAR: For me, not to put yourself down. Don’t beat up on yourself. I remember when I use to beat up on myself constantly. Instead of looking at the things that I did achieve, I looked at the things I didn’t. It took away from the overall pure happiness that I wanted to achieve. I couldn’t get there if I constantly beat myself up. It’s almost like I was my own hater [laughs]. I already have people on social media saying negative things about me, why do I need to add to it? So you have to be your biggest cheerleader and believe in yourself. You have to get to a point where you don’t care and just do you.

RATED R&B: So the holidays are here. I know that you’re a foodie. What’s your favorite holiday dish?

TAMAR: Chitlins [laughs]. My mom pulls the membrane out so the house isn’t stinking. I haven’t had it this year because I haven’t had a Thanksgiving dinner yet.

RATED R&B: Favorite holiday song?

TAMAR: I would have to say “The Christmas Song.” It doesn’t get any better than Nat King Cole, my sister [Toni Braxton’s], Mariah [Carey’s] and Whitney [Houston’s] versions.

RATED R&B: Favorite holiday movie?

TAMAR: Right now it’s Caillou’s Holiday Movie. I’ve seen it a 150,000 times thanks to Logan [laughs].

RATED R&B: Favorite childhood Christmas gift?

TAMAR: The Nintendo Power Pad. It was when Nintendo first came out and they had these little blocks that you could run on and jump over. It was the bomb [laughs]. Everybody is missing out now [laughs].

Make Tamar Braxton’s final album, Bluebird of Happiness, a holiday stocking stuffer this season. The new album is available everywhere.

Follow her on Facebook, Twitter and Instagram.

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