How Elijah Blake Had to Find Himself for New Album ‘Audiology’

There comes a time in life when we decide to take a leap of faith. It can be scary, it can be nerve-wrecking but it can be done. Singer-songwriter Elijah Blake took a leap of faith when he decided to part ways from Def Jam Records, where he released his debut album — Shadows & Diamonds — in 2015. The album featured his smash hit “I Just Wanna,” which has over 38 million streams on Spotify.

While he is grateful for being signed to a prestigious label like Def Jam and managed by Jay Z’s company Roc Nation, Blake felt like he wasn’t completely understood as an artist. In fact, the companies had a different vision for Blake than he did.

“It was kind of like, ‘We want you to be this way,’” Blake explains to Rated R&B over a telephone conversation. “It’s not to say it was a bad thing but it’s kind of like you’re in the middle of this tug-of-war with the label and the management company and everybody around you.”

Now that Blake is independent, he has full creative control over his work — something he cherishes. His sophomore album, Audiology, is out now and truly represents Blake’s artistry. He avoids the trends we may hear in today’s music for something that’s more organic and authentic. “I really wanted the music to have my DNA on every song,” he says. “This is the first project for me that I didn’t give a fuck what anybody said or what anybody wanted me to be.”

Check out our full interview with Elijah Blake where he discusses finding inspiration for Audiology, being a songwriter, being sexually abused as a child, working with Keyshia Cole and more.

RATED R&B: How did you come up with the title Audiology?

ELIJAH: Anyone who knows me or who is familiar with my music knows that I’m heavily influenced and in love with Prince’s artistry. He had an album called Musicology. In order to get to the freedom I inhibited for this project, I had to do a lot of studying of myself and understanding why I am set in my ways sometimes. If you look at biology, the study of life, I just basically put the study of myself in audio form, which is this project.

RATED R&B: It’s clear you had creative control for this project because the songs you have released haven’t sounded trendy or like trying to chase after radio…

ELIJAH: Thank you so much for even noticing that. It was big to me. I brought in live musicians for everything. I feel like the industry — at the time when they were trying to figure out how to monetize streams — went through this phase where they were like,” Is music really selling? How do we make money from it?” There was a high risk and low reward, so they were basically making everybody make songs they knew for sure would work. So everyone started sounding the same. We were losing everyone’s identity. So for me, I was just like, “Let me go to the shit that made me want to do music and stop worrying about the radio single and what’s going to sell. If it’s true and it connects with an audience, it’s going to work. It might not work right when you want it work, it might not work within the first week but people come back to those projects.

I was at a dinner that No I.D. threw at his house and I got to meet the guy who signed Prince. He was telling me how the first three Prince albums, people didn’t get it at first, but he didn’t give up on him. People came back to it and they were like, “Ah, now it’s genius.”

Photo courtesy of artist

RATED R&B: The Afrobeat and Caribbean sound has influenced many new records. It seems to be the new trend because it’s working for some artists. What are your thoughts on it?

ELIJAH: I’m from the islands. I was actually born in Dominican Republic. For me, it’s kind of like watered down. I think people from the Caribbean are aggravated (laughs). There are a few artists that do it well but then there’s people who’ve never been there. They don’t understand the swing tempos. They don’t understand certain cadences. They don’t understand those type of accents to make the truth of the culture, so they’re kind of diluting it in a sense.

RATED R&B: What’s your most vulnerable song on Audiology?

ELIJAH: There’s a song on there called “Mama Knows,” which I talk about an experience that happened in the church. I just think that with this project I want to be as transparent, bold and fearless as possible. When you talk about young men, like seven or eight, who deal with molestation, there’s a stigma especially in black culture that makes it seem like it’s your fault. No one ever talks about it, so it continues to happen. It wasn’t until my last relationship with my ex-girlfriend — she went through it at a young age. We had a hard time connecting sometimes on figuring out why she had a lot of trust issues or why we would argue about things that seemed kind of miniscule to me. I kind of knew it was coming from a deeper place. Once we talked, she opened up about her childhood experience. It gave me courage to talk to her about [my experience] and her reaction wasn’t what I thought it would be, which you think you will be pushed away or judged by it. So when I was around my homies, I started gauging on how much I could say about it but when I was talking to them, they were like they went through it too. So this is a common thing.

RATED R&B: I respect that you are being open because there are a lot of victims who remain silent…

ELIJAH: It’s like you’re seven years old there’s no way it could have been your fault. So I just want to help push away that stereotype.

RATED R&B: I heard you worked with Keyshia Cole on her new album. How involved were you on that project?

ELIJAH: Very involved. I think I did like 85 percent of the songs but Keyshia is changing the track list every day, so we’ll see (laughs).

RATED R&B: You worked with Chris Brown, too, on Heartbreak on a Full Moon

ELIJAH: I did some songs. I didn’t get a chance to go in like I do with Keyshia and be there all the time. There’s three songs that I worked on with this producer I signed. We have three songs on the project that I’m very excited about

RATED R&B: How did you become a brand ambassador for Harry Belafonte’s Sankofa Organization?

ELIJAH: During my last promo run, I did an interview with Ebro at Hot 97.We kind of segued into a conversation about Mike Brown and I didn’t want to be a hypocrite. It’s like we black out our Instagram and we do all these things on social media but we need to be just as active in real life. If you look back in history, music and fashion kind of goes hand in hand with politics. When [Martin Luther King, Jr.] was doing the movement, Nina Simone fighting a good fight and Marvin Gaye was singing songs like “What’s Going On” because music shifts moves and heals the world.

Stream Elijah Blake’s new album Audiology below. 

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Interview: Tamar Braxton Talks Happiness, Lesson Learned This Year and Holiday Favorites

Tamar Braxton is an open book, especially in her music. From songs like “Raise the Bar” and “White Candle” to “Broken Record” and “King,” the Grammy-nominated singer knows how to pen the ups and downs of love.

In late September, the Maryland native released her fourth and last album, Bluebird of Happiness. The 11-track set unfolded the private love stories with her estranged husband and former manager, Vincent Herbert.

As a special guest on The Great Xscape Tour, Braxton soothes her wounded love scars by addressing her true feelings on stage. With profound performances of “Blind” and “My Man,” her fans get to witness her being vulnerable, yet buoyant during her healing process.

Rated R&B caught up with Braxton backstage after her 45-minute set at the Colonial Life Arena in Columbia, SC to talk about her last album, happiness, her holiday favorites and more.

Check out the interview below.

RATED R&B: You’re currently on The Great Xscape Tour. What’s been your favorite or most memorable moment so far?

TAMAR: I think the most memorable moment was when Kandi and Tiny were in my dressing room in North Carolina while the Alabama game was going on. Of course everyone in the city was gone to that game but we managed to still sell out. We were like, “Oh my God, can you believe that we are here? We really made it. We really did it.” Tiny and I always said we wanted to do this since we were younger. We just didn’t know it would be like this.

RATED R&B: “Blind” is moving up on the urban AC radio chart. Can we expect a visual for the song in the near future?

TAMAR: Well, that’s a long story but I’m going to say yes. There were a lot of obstacles when we put out Bluebird of Happiness that we didn’t expect to happen, but they did and we had to put it out anyway. There was a movie attached to this album but it got detoured. We’re trying to fix it now. We’re playing the waiting game.

RATED R&B: Is there another single choice in mind if the video for “Blind” doesn’t come out?

TAMAR: I don’t know. I always wanted either the Yo Gotti record “Hol’ Up” or “The Makings of You” to be singles. We’ll see.

RATED R&B: Speaking of “The Makings of You,” that record along with “Pick Me Up,” are just some of the many songs on Bluebird of Happiness with incredible samples or interpolations of timeless R&B records. Which record took the longest to get cleared?

TAMAR: I honestly did not have any pushback at all. In the past it does take a long time. I think producers went into this record prepared themselves for it [laughs]. It’s so funny the Gladys Knight record came up though. I’ve been knowing her for a very long time. Her son wanted to take me to the prom back in the day [laughs]. I explained to her what the song meant to me and how Claudine is one of my favorite movies. She was like “Of course, darling.” Curtis Mayfield’s estate was so generous too.

RATED R&B: What makes Tamar Braxton happy?

TAMAR: What makes me happy is being around good people, laughing and smiling — not having any drama because I don’t have time for it. During our show prayer today, I was saying, “God thank you so much for such a great group people” because we have absolutely no drama. Also, being a good mother to my son Logan. I believe co-parenting with Vince and getting along with him to make sure Logan has a stable family environment is important in making me happy.

RATED R&B: On each album, your sound matures and your writing abilities continue to become more superb. How has your evolution as an artist helped you evolve personally and professionally?

TAMAR: I’ve always been a stickler on professionalism [laughs]. But personally, I think I am more honest about my feelings and how I truly feel. I have no problem telling you how I truly feel. It’s something about telling the truth that is liberating. I know now that there’s a way to deliver it [laughs]. The only time you find the truth to be offensive is when you’re not ready for it. You have to be ready for it. You have to be ready for evolving. Honesty is what helps us evolve. That’s what works for me.

RATED R&B: You are very active on social media. With you having such a huge following, how do you deal with any negativity that comes your way?

TAMAR: I take it as an opinion. I don’t know you, so I’m not going to feed into you. The only time that you have real negativity is when you feed into it. Most of the time these people don’t know what they’re talking about. But like I said on stage tonight, “People are always going to have something to say. You just might as well live your best life to the way you want to live it because everyone is going to have a comment.” So however you feel, God bless you but this is what works for me [laughs].

RATED R&B: With 2017 coming to an end, what’s one lesson you’ve learned this year?

TAMAR: For me, not to put yourself down. Don’t beat up on yourself. I remember when I use to beat up on myself constantly. Instead of looking at the things that I did achieve, I looked at the things I didn’t. It took away from the overall pure happiness that I wanted to achieve. I couldn’t get there if I constantly beat myself up. It’s almost like I was my own hater [laughs]. I already have people on social media saying negative things about me, why do I need to add to it? So you have to be your biggest cheerleader and believe in yourself. You have to get to a point where you don’t care and just do you.

RATED R&B: So the holidays are here. I know that you’re a foodie. What’s your favorite holiday dish?

TAMAR: Chitlins [laughs]. My mom pulls the membrane out so the house isn’t stinking. I haven’t had it this year because I haven’t had a Thanksgiving dinner yet.

RATED R&B: Favorite holiday song?

TAMAR: I would have to say “The Christmas Song.” It doesn’t get any better than Nat King Cole, my sister [Toni Braxton’s], Mariah [Carey’s] and Whitney [Houston’s] versions.

RATED R&B: Favorite holiday movie?

TAMAR: Right now it’s Caillou’s Holiday Movie. I’ve seen it a 150,000 times thanks to Logan [laughs].

RATED R&B: Favorite childhood Christmas gift?

TAMAR: The Nintendo Power Pad. It was when Nintendo first came out and they had these little blocks that you could run on and jump over. It was the bomb [laughs]. Everybody is missing out now [laughs].

Make Tamar Braxton’s final album, Bluebird of Happiness, a holiday stocking stuffer this season. The new album is available everywhere.

Follow her on Facebook, Twitter and Instagram.

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Exclusive: Syleena Johnson Gets Deep on Lack of Soul in Music + Talks New Album ‘Rebirth Of Soul’

One of R&B’s most authentic storytellers Syleena Johnson is not shy about recounting her trials and triumphs through her music. For more than two decades, the Chicago native has curated records that have brought joy and sweet pain to our hearts.

Deep and honest cuts like “Faithful to You,” “Apartment for Rent,” “Labor Pains,” and “Label Me” have championed women’s life stories while enlightening men on the day-to-day struggles of womanhood.

Johnson’s first and less documented release, This Time Together by Father and Daughter, premiered in the summer of 1995. The joint album – with her legendary father Syl Johnson – ignited her soulful stardom with songs “Keep on Loving Me” and “Piece of the Rock.”

Seven solo albums and one joint album later, the 41-year-old singer-songwriter pays tribute to her music genius of a father with her fall release,  Rebirth of Soul.

Along with the gearing up for the release of her new album, Johnson continues to secure her bag with television and health/wellness ventures.

During our 30-minute conversation, Johnson dished tribute album to her father, her new TV One talk show Sister Circle, her wellness brand SheLean and her favorite R&B artists now and more.

Check out the interview below.

Already, Sister Circle is capturing audiences across the nations — specifically women of color. How important is it for this new generation of black women to hear other black women like yourself and the other hosts empower and uplift each other?

If I can be frank, this show is important right now in a time where our current leadership is inadequate, unmotivating and sexist, which is causing our nation to adopt those undertones. In an entertainment field, where women — especially black women — are being exploited on television in such a negative way, Sister Circle is a breath of fresh air. We’re not perfect. We’re not walking around with halos. We’re still black women who have the same black women issues.

Our goal is to converse on these issues and show perspective from the African-American point of view in a bulk where the entire show is made up of African Americans. And Sister Circle is something that we don’t have right now in this climate where there are so many issues that pertain to us and our culture. It’s not black women directly. Black men, our sons. Black men, our husbands. Black men, our brothers.

What was it like having Wendy Williams, the contemporary Oprah of daytime, grace Sister Circle‘s inaugural show?

It was one of the biggest example of black women supporting each other. She’s the queen of daytime talk right now. By her being our very first guest, she pretty much blessed the show. She pretty much said, ‘I’m proud of you girls and you’re doing your thing.’ What more can you ask for? Other than Oprah Winfrey herself (laughs).

How does Sister Circle stand apart from other panel talk shows?

First of all, Sister Circle is live every day, five days a week. It’s the first all black panel talk show with no other nationalities. There is a male that represents the LGBTQ community which I have not really seen on any other talk show. Also, our hosts come from all walks of life which is really fun. Plus, we knew each other before starting the show which makes the chemistry really strong.

Recently, you started a health and wellness initiative, SheLean. Tell us about it. Also, did personal health motivate this new business venture? Or was this idea presented to you after the success of fitness DVD Mommy’s Got Soul?

No, it wasn’t personal health. Although SheLean was something that my best friend and I had already put together, what really put the fire under me is when I learned that every 4 out of 5 African American women, according to the CDC, are suffering from heart disease, type II diabetes and mild cancers. African-American women are also developing lupus and other different autoimmune diseases, which I believe is directly related to diet, poor rest and lack of vitamin and mineral content.

Also, the lack of education to be able to remedy this void plays a part. So with SheLean, the initiative is to educate the matriarch of the household, which is a woman, and in educating the woman you can help decrease childhood obesity, as well as obesity and obesity related disorders in minorities cultures, with African-American women and individuals being primary.

How do you resist food temptations and stay on a consistent workout regimen with your hectic work schedule?

During the five-day week, I eat clean. I need my energy and I need my stamina. Eating bad during the week will cause me to be sluggish and groggy. I allow myself a bad meal on maybe Friday and Saturday and then I go back to eating clean on Sunday. Like today, I had a glass of wine and a fried chicken burger. It was a good cheat meal for me (laughs).

I don’t go crazy though … like you won’t catch me eating a full pizza. I’m not really a sweets girl. I don’t get rid of temptations. I minimize them and I put them in my diet where it works. I think what happens is when people diet and they starve themselves it causes them to binge. That’s how they end up eating a whole pizza and ice cream (laughs).

Rebirth of Soul, out now, is an ode to your father, Syl Johnson. What was the overall recording process like?

It’s really easy working with my dad in the studio. So the recording process was awesome. It was all live instrumentation. On the Curtis Mayfield’s “The Makings of You,” there was a live harpist and string quartet in the studio. So live instrumentation was the most intriguing thing.

With a title like Rebirth of Soul, do you think soul has died in music? If so, why?

Yeah … and the reason I say yes is because soul is not a genre. When you’re singing soul music, you’re singing from your soul. And that means you’re singing from your story, your history, from the things that you’ve gone through. I think that the music today is talking about things that are way too surface. They’re not getting deep enough into the infrastructure of their spirit and soul. They’re not baring their soul in records anymore. A lot of artists are just taking a song that was written and they just sing it.

As far as the music you’ve heard this year, who’s music do you feel still embodies soul?

Mali Music. He’s my favorite right now. I listen to a lot of old music like Anita Baker, Sade, Earth Wind & Fire, Chaka Khan. Every morning when we come on set for Sister Circle we first listen to gospel. Then we merge to vintage R&B, which has been in my spirit lately. To be quite honest, I don’t even listen to the radio. I’m not really a fan of anything that’s out at all. I do like The Weeknd … sometimes. It’s the music that I like. It’s eerie. He reminds me of a male Sade in a way. He’s just not as poignant as her.

What’s your favorite cut on the new project? Also, out of all the covers, which did you want to nail perfectly?

My favorite cut on Rebirth Of Soul is Otis Redding’s “These Arms Of Mine.” I was so happy to do this record because it’s my favorite Otis Redding record. And the song I wanted to nail was “Chain of Fools” by Aretha Franklin. I knew that people would compare me to Aretha Franklin, like they already have. I knew attempting a record of that caliber I had to shut it down. So what I set out to do was to do it exactly like her. I mean timing wise, run wise, range wise — as well as singing it in her key. To me that was the best way to pay homage, to show respect and to celebrate Aretha Franklin. She is truly the Queen of Soul.

Rebirth of Soul is available digitally for purchase and streaming now. Packed with 10 amazing covers, including Aretha Franklin’s “Chain of Fools,” and “I’d Rather Go Blind” by Etta James, this incredible body of work is definitely a collectors item.

Make sure to follow Syleena Johnson on Facebook, Twitter, and Instagram. Also, follow Sister Circle TV on all social media platforms.

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Meet R&B’s New ‘Pretty Girl’ Rhyon Brown

With roles in That’s So RavenLincoln Heights and Get Rich or Die Tryin, Rhyon Brown has made her mark in the film and television industry. Now the millennial entertainer is expanding her entertainment resume in the field of music.

Under the guidance of Grammy-nominated producer Harmony Samuels, the West Coast native is making waves with her debut album, Pretty Girl. Released last month on BOE Music Group/EMPIRE, the project features her catchy tune “California,” as well as her emotional track titled “Gone.” 

In support of her debut album, Rhyon released a short film with the same title. The premiere event attracted plenty of Hollywood influencers including Kofi Siriboe, Megan Good, Wendy Raquel Robinson, Paige Hurd, Tasha Smith, Keith Powers, Niecy Nash, Skye Townsend, Nicki Micheaux and Insecure’s Y’lan Noel, to name a few.

Rated R&B recently chatted with Rhyon about her debut album, working with Harmony Samuels, her short film and more.

Check out our interview below.

What is the inspiration behind your debut album Pretty Girl?

My inspiration initially was simply to be honest. I’ve been in the entertainment industry for a long time but this was my first introduction into the music industry and I knew the only way this would ever work was for me to be honest. People see through an artist not being who they are, fans are smart. Now, my inspiration has changed, and its to encourage people to recognize how great God has made them.

The album surprisingly doesn’t contain any features. Is this by coincidence or something you did purposely?

We didn’t have any features per say as far as my track list is concerned. I wanted to grow my fan base organically, with people finding me, liking my music and enjoying my message. I didn’t want people to like me only because I had another artist on my record that they were fans of. But I can say I have two songs graced with the presence of Andre Troutman, incredible artist and the best person I have ever had the pleasure of seeing work a talk box. No one does it better than him.

Along with your album, you have a short film. Tell us your experience creating that.

It was a rollercoaster. We pulled off a large feat with a group of very talented and dedicated people, but also a very small group. There were a lot of people wearing many different hats. Making this film and seeing how it is affecting people its literally a dream come true, but it took a lot of long days with very little sleep.

What is your definition of a Pretty Girl?

Someone that recognizes that her beauty isn’t found in anything this world can provide, and she shares that inspiring other people to feel and act the same way.

What’s your message to a girl who may not feel like she’s pretty?

The world does a really good job of telling women what they are supposed to look like and how they are supposed to feel, its not on the world to determine that for you. Being pretty is a choice, because everyone defines beauty differently. But when you choose to be pretty others will chose to look at you the same, because your belief makes it undeniable.

You’re signed to Harmony Samuels’ label BOE Music Group. How did you connect with him and is there anything you’ve learned about yourself while being under his wing?

I met him through someone that really believed in me that got Harmony Harmony to take a meeting, and rest was history from there. I’ve learned so much from him, the guy is a genius and one of the hardest working people I know. But its the fact that he’s a risk taker, and when God tells him something he’s willing to put everything on the line to make that happen and he reaps the benefits of that trust. So its made me be more of a risk taker, and more of a believer in my own purpose.

Although you may be new to music, you’re certainly not new to entertainment. Your acting resume continues to grow. Is there anything you’re currently filming that you can share with us?

My episode of Irv Gotti’s new BET show Tales actually just aired on October 24th.

Follow Rhyon on Instagram at @RhyonBrown. Stream Pretty Girl below.

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