5 R&B Artists Who Should’ve Been Nominated for a 2018 Grammy

Nominations for the 60th Grammy Awards were announced on Tuesday morning, and as predicted Bruno Mars led the R&B pack with six nods including Best R&B Album for 24k Magic. Childish Gambino, Khalid and SZA followed with five nominations each.

As artists thanked the Recording Academy for their consideration, some fans and critics called out the Academy for snubbing certain artists. Many fans were in shock when artists like Mary J. Blige and Tamar Braxton did not receive any nominations.

Although nothing can be changed at this point, here are five artists who should’ve been nominated for a 2018 Grammy.

Best R&B Performance
(For new vocal or instrumental R&B recordings.)

“Before I Do” — Sevyn Streeter

It is safe to say the Recording Academy missed the mark by not nominating “Before I Do” by Sevyn Streeter. Lifted from her long-overdue debut album, Girl Disrupted, the guitar-led tune helped Sevyn claim her first No. 1 single on the Billboard Adult R&B Songs chart. The slow jam had the singer-songwriter proclaiming her readiness for love. Feeling considered that her man of interest is already taken, she asked valid questions before she made a decision with her heart. Along with daunting lyrics, Streeter’s silky voice meshed well behind the elements of “At Your Best (You Are Love)” by the Isley Brothers and covered by the late Aaliyah.

Best Traditional R&B Performance
(For new vocal or instrumental traditional R&B recordings.)

“Blind” by Tamar Braxton

It is obvious that Tamar Braxton’s team and other music industry leaders overlooked the Bluebird of Happiness ballad “Blind” for this ideal category. Containing an interpolation of “I’d Rather Go Blind” by Etta James, the emotionally charged song includes the needed qualities – instrumental traditional R&B recordings – to justify a worthy nomination.

Best R&B Song
(A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)

“U + Me (Love Lesson)” — Brandon “B.A.M.” Hodge, Charles “Prince Charlez” Hinshaw and David D. Brown & Mary J. Blige, songwriters (Mary J. Blige)

Even though Mary J. Blige’s “Thick of It” remained atop the Billboard Adult R&B Songs chart for 16 weeks, it was her follow-up single “U + Me (Love Lesson)” that caused a frenzy. Co-written by Blige, Brandon “B.A.M.” Hodge, Charles “Prince Charlez” Hinshaw and David D. Brown, the honest tune is arguably one of the most underrated R&B songs of the year. The well-composed jam recounts Blige’s gut feelings after filing for divorce from her manager-husband of 12 years. Must’ve been crazy to think that you loved me / I saw all the signs but I just couldn’t say nothing,” she sings.

Best Urban Contemporary Album
(For albums containing at least 51% playing time of newly recorded contemporary vocal tracks derivative of R&B.)

Savage — Tank

Tank’s music deserves more love from the Grammys – especially his newly released album, Savage. With eight solo projects – dating back to 2001’s Force of Nature – under his belt, it is a shame that his 2007 Sex, Love & Pain release is his only full-length project nominated for Grammy. Tank’s latest single “When We” is currently commanding urban adult contemporary radio. It also cracked the Billboard Hot 100 chart at No. 92 this week, making him one of the first solo R&B artists to achieve this feat this year.

Best R&B Album
(For albums containing at least 51% playing time of new R&B recordings.)

Back 2 Life — LeToya Luckett

After a six-year hiatus from music, LeToya Luckett made a comeback with her third album, Back 2 Life.The singer-actress blessed fans with a 13-track LP filled with fresh quality material. From the album’s introductory track “I’m Ready” to its lead single “B2L,” which reached No. 6 on urban adult contemporary radio, the modern release warranted more RESPECK.

The 60th Grammy Awards will air live from New York City’s Madison Square Garden on January 28, 2018 on CBS.

Tell us your thoughts on the Grammy nominations below! 

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  1. As one of many that have worked on Letoya Lucketts album believe she should have been nominated …because the album was such a emotional album , with real feelings …I would know because the record Back 2 Life in which i helped compose /write , had elements of my life in the year 2013 , in which the woman i loved left me for someone that she said was only friends , had a child , all while me losing my grandmother , aunt etc , it was a low time in my life , and when she choose that record and that title , i broke down in tears ,because without meeting Letoya , we connected , we all on her album had a connection , it was a well put together album ,very underrated

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Tank Recruits Trey Songz and Ty Dolla Sign for ‘When We’ Remix

Tank’s gold-selling single “When We” continues to evolve.The R&B General teams up with his label mates Trey Songz and Ty Dolla $ign for the official remix.

Hoping to add spice to Valentine’s Day playlists, the three R&B crooners update the sex-driven track with their own bedroom escapades.

Trigga opens up the track with his seductive verse, where he tells his woman he wants to take his time making sweet love to her. “I love the way you fuck me / But you don’t understand it’s way more than fucking when I fuck you / I would cross the ocean for you / Stroking through the ocean for you,” he sings.

Dolla Sign follows up with a braggadocio verse about his lovemaking skills. “Ride me like a pony / These niggas so phony / Treat you like a trophy / You know I pick up when the phone rings / You know I go deep until I make you scream,” he sings.

The original version of “When We” appears on Tank’s latest album, Savage, which released last fall. The song has over 17 million streams on Spotify alone.

Listen to Tank’s “When We (Remix)” below.

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4 Reasons We Love Whitney Houston

Whitney Houston Birthday

There will never be another singer like Whitney Houston; she’s incomparable, she’s an icon, and she is the standard. On the sixth anniversary of her unfortunate passing, here at Rated R&B we’ve created a shortlist of reasons why we love the vocal legend herself. Check it out below:

Her Powerful Voice

How do you describe the indescribable? Whitney’s voice is the purest to have ever graced human ear. On top of her outstanding natural ability, her technique, precision, and control make her “The Voice.” Just like rapper Biggie Smalls has never had a bad verse, Whitney has never hit a bad note. There is a multitude of examples, but at Super Bowl XXV in 1991, she gave what is regarded as the best rendition of “The Star-Spangled Banner” to have ever been done. It is here, without all of the vocal thrills and frills, that you can truly grasp how marvelous her voice was.

The Way Other Artists Loved and Respected Her

If you ask any female singer that came out in the last 25 years who some of their inspirations are, you can bet Whitney’s name will come out of their mouth. For most singers, especially black women, Whitney was a role model. She was a black girl from New Jersey whose passion was sharing her musical gift to the world and having fun while doing so. In the first clip below, Monica explains Whitney’s personal impact on her life (this part of the interview begins around 1:42.) Even after her death, Whitney continues to inspire and empower the women that have come after her in the music industry. In the second clip below, you can find one of the greatest tributes ever performed, courtesy of gospel powerhouse Yolanda Adams, who ends the video with a resounding “We love you, Nip.”

Her Stage Presence

Whitney’s personality was both charming and endearing, as we’ve all seen in her interviews, famous and infamous alike. That natural charm carries over into her live performances, as she literally comes alive in song. In interviews, she was always well-spoken, clear, and concise. When it comes time to sing, she let her hair down and had a great time with her audience — no matter the occasion. In the clip below, Whitney performs a 16-minute set of her greatest hits at the “Arista Records 25th Anniversary Celebration,” full of life, laughter, and love.

Her Artistic Versatility

Whitney is one of the best-selling female artists of all time, and one of the biggest icons the world will ever see. What often gets left out of her lengthy list of accomplishments is her artistic risks and versatility. Speaking on her discography alone, she has recorded music that spans all of its genres. Whether she delivers a pop cut like “I Wanna Dance With Somebody,” the Raphael Saddiq and Q-Tip-produced jam “Fine,” a universal duet with Enrique Iglesias (“Could I Have This Kiss Forever”), or a powerhouse ballad like “The Greatest Love of All,” Whitney was the jack of all trades. Not only did she master it, she believed in her ability, and she succeeded beyond measure.That’s just the tip of the iceberg, as her artistry made its way into film beginning with 1992’s box office smash hit The Bodyguard.

Below is one of her scenes from the cult classic Waiting to Exhale. Pay attention to her body language, the way she emotes in her voiceover, all the way down to the flickers of disapproval in her eyes. Whitney was, and will always be a class act.

What is your favorite Whitney moment? Share with us in the comment section below!

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10 Underrated Songs by Toni Braxton

Toni Braxton Underrated Songs

“I used to dream of living lavish, now your girl’s a living legend,” Toni Braxton sings on her newest offering “Heart Away.” She’s absolutely right: she is a living legend. With three multi-platinum albums, six top 10 hits on the Billboard Hot 100, and over 67 million records sold, Braxton is basking in the glory of her success.

As she gears up for her eighth studio album Sex & Cigarettes, let’s countdown some of her most slept-on records in a new monthly series we like to call UnderRated. (Sidenote: to be considered an “underrated” record, the song couldn’t have I have been a single at any point in time.)

Check out the list below:

“Gimme Some” (feat. Lisa “Left Eye” Lopes) from the album The Heat (2000)

Credits: Jazze Pha, Toni Braxton, Babyface, Lisa Lopes (Writers); Babyface and Jazze Pha (Producers)

Oh, Toni, why wasn’t this danceable number a single? Even though Babyface and Jazze Pha seem like an unlikely musical pair, they went to work on the lyrical content and production of this banger, which has Braxton taking charge when it comes to her love interest.

“It is an age-old story / Goes back back to Adam and to Eve / I know you know what I want for / And if it ain’t clear to ya baby / Don’t stop, let’s Rock, give it to me baby,” she sings. Left-Eye had a stellar verse too.

“What’s Good” from the album Libra (2005)

Credits: Bryan-Michael Cox, Johnta Austin, Toni Braxton, Joe Sample (Writers); Bryan-Michael Cox and Keri Lewis (Producers)

“What’s Good” appears as the third track off of Libra, and following the hip-hop edged songs “Please” and “Trippin’,” it’s a perfect musical shift in the gear of the album. Led by a genius sample of Joe Sample’s “In All My Wildest Dreams,” Braxton sings & coos confidently inc her signature contralto tone about the great things her new man does for her.

“It’s like a house I never left / Like a fever I wanna catch / Like a mountain that’s worth the climb / Talkin’ ’bout this man of mine / Like my money I wanna spend / My homie-lover-friend / He’ll be with me till the end / And he’s never failed me yet,” she sings.

“Caught (Don’t Take Your Hat Off) [feat. Mo’Nique]” from Pulse (2010)

Credits: Mikkel Stoleer Eriksen, Tor Erik Hermansen, LaShawn Daniels (Writers); Stargate (Producer)

Songs that appear on an album’s deluxe edition have a way of adding value to the original album; that’s exactly what this Stargate-produced jam off the Pulse deluxe album does. Braxton kicks her lover out of her house after being cheated on.

“Baby I been more than good to you / When you leaving gimme my key back too / It’s about to go down /Your, your other new lady/ You’re out there with your pants down,” she sings. The light, somber piano is almost addicting, and Mo’Nique’s monologue is the perfect touch.

“Talking In His Sleep” from the album Secrets (1996)

Credits: Toni Braxton (Writer); Keith Crouch (Producer)

Following “Un-Break My Heart” on the Secrets track listing is no easy feat, but bluesy tune “Talking in His Sleep” holds its own. Braxton’s speaking voice has a chilling effect as she touches on infidelity and adultery. “Guilty secrets/ They are haunting my life / And he doesn’t even know that I know/ Can you hear him / The promises he makes/ Said we’ll be together for always / He’s such a liar / Then he goes out to burn me.” The Mary J. Blige-esque jazzy bass line is killer!

“You’ve Been Wrong” from the album The Heat (2000)

Credits: Toni Braxton, Brian Casey, Brandon Casey, Teddy Bishop, Kevin Hicks, Thom Bell, Linda Creed (Writers); Teddy Bishop and Kevin Hicks (Producers)

If The Heat was a family, “Just Be a Man About It” would be the older sibling to this guitar-led track, which hears Braxton finally finding the strength to leave a no-good lover. “Finally I’ve realized/ Your lies have opened up my eyes/ This love affair, now it’s over, over/You’ve been wrong for so long/ And I can’t take the pain you bring me no more/ You’ve been wrong for so long/ And I can’t take the pain you bring me no more,” she sings. Oh, and the Stylistics’ “Stop Look Listen To Your Heart” interpolation? Genius.

“Lies, Lies, Lies” from the album More Than a Woman (2002)

Credits: Keri Lewis and Stokley (Writers); Keri Lewis (Producer)

Ms. Braxton is fed up on this rock n’ roll (yes, rock!) cut. “Don’t bother to apologize / It’s too late, heard it all before / And it should come as no surprise / I’m leavin’, I packed my things / ’Cuz I’m through with this merry-go-round / I’m getting off, I finally found / My strength way deep down / I shoulda left your ass after the first round,” she sings. This is one of the best songs Braxton has ever recorded. EVER (in my opinion).

The raw emotion, the pacing of the song, the commitment to the vocal — Toni was in her bag! Stokley didn’t play a single game with the lyrics, guitar solo, or the backing vocals. Shout out to Chris Dave, who played the drums on this song. And trust, this song is nothing without the drums!

“Shadowless” from the album Libra (2005)

Credits: Alex Cantrell and Philip White (Writers); Keri Lewis (Producer)

Some of Toni’s best songs have a nice guitar somewhere hidden in the instrumentation, but the acoustic guitar takes center stage on this song about regret and love lost. “Gotta make it right with you / Ooh you baby / So tell me what I gotta do / Ooh to make u come back home / Ooh boy how can this be / I remember that every step / U were here with me/ Now I’m shadowless,” she sings. There is just something so magical about the Living Legend’s smoky vocals over the spirited strums of the guitar. Although this would’ve been a nice finale track for this album, penultimate isn’t so bad either.
(If you’re feeling adventurous, check out the AOL Sessions version of this song.)

“The Heat” from the album The Heat (2000)

Credits: Keri Lewis and Toni Braxton (Writers and Producers)

Braxton channels the summer vibes and brings the heat on this sexy title track. “Summer’s almost over so you better hurry / Andale! Andale! / Starting right now let’s dance and party / Ole! Ole! Ole! / Give Me a reason to love you through, through the season / No need to hesitate, come on let’s get it on,” she sings. This song is easy and breezy; sultry and sensual; sex — well, y’all get the point. And to answer your question, Toni, yes, I do want some ice cream.

“Why Should I Care” from the album Secrets (1996)

Credit: Babyface (Writer and Producer)

Braxton is fed up and denying her ex lover a second chance on this ‘90s tune. “And every time I start to slip / I just remind myself / I need only thing of it / I went through so much hell / You say ya wanna get things back / The way they used to be / Can you give one good reason / Why I should darlin’/ Why should I care / Why should I care for you,” she sings. Babyface and Toni Braxton are always a magical pair, but you have to get into these background vocals from the one and only Chanté Moore!

“Do You Remember When” from the album More Than a Woman (2002)

Credits: Toni Braxton, Rodney Jerkins, Fred Jerkins, LaShawn Daniels III (Writers); Rodney Jerkins (Producer)

This More Than a Woman cut finds Toni Braxton thinking back on the better moments of her time with an ex lover. “Do it like you did back then / And then we’ll do it again / Do you remember when? / Reminiscing and more on what we had before / Makes me feel so warm inside / Wanting you constantly and feeling so sorry / That we had to say goodbye,” she sings. Although this song feels like a The Neptunes-Kelis combo, Rodney Jerkins’ groovy production and Toni’s tender vocals fit seamlessly on this track, making it one of the standouts on this album.

Honorable Mentions

“Selfish” from More Than a Woman: Upon first listen, you’ll notice how intricate the background vocals are. So, it’s no surprise that this song credits Brandy as a writer and her ex-boyfriend Robert Smith as the producer of this breezy tune.

“If I Have to Wait” from Pulse: It’s unfortunate that Country radio and the Country music industry is so exclusive, because this had the potential to be a nice crossover hit.

“Sposed to Be” from Libra: Blackground Records was not feeling the original album that Toni Braxton and then-husband Keri Lewis turned in, so they set her up with additional recording sessions. That decision led to the creation of this sensual cut, which is spearheaded by The Underdogs and even features a writing credit for Keri Hilson.

What are your favorite songs from this list? Let us know in the comment section below!

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