Top 5 Tracks from Rihanna’s ‘Unapologetic’ Album

Rihanna Unapologetic album

Rihanna has been, is, and will always be a hit maker; There’s a reason why she has fourteen No. 1 singles spanning all the way back to her second album (and just for the record, her debut single “Pon de Replay” peaked at No. 2 on the Billboard Hot 100 chart.) Coming off her Talk That Talk album in 2011, which featured international hits “We Found Love” and “Where Have You Been,” it was time for Rihanna to take it up another notch when it came to her next album. Working with fresh blood in producers Mike-Will-Made-IT and Labyrinth while enlisting pop mainstays David Guetta and Stargate, the result was Unapologetic: an eclectic mix of EDM, trap, dance, R&B, and pop songs that scaled the musical and lyrical landscape. If this album was an avatar, it’d be “The Last Genre-Bender.”

Unapologetic marked two things: Rihanna’s first artistically complete album and first No. 1 album. While Rated R and Talk That Talk had some “woah” moments, this album found Rihanna elevating her musical core to new heights. She’s still Bad Gal RiRi, but with more wisdom, more vocal strength, and with a newfound sense of artistic confidence. It’s no wonder why it won a Grammy award for “Best Urban Contemporary Album.”

Here at Rated R&B, we’ve compiled what we consider as the best tracks from Rihanna’s seventh studio album. Check out the list below:

“Loveeeeeee Song” (feat. Future)

Future always shines when paired with female artists, but his “Loveeeeeee Song” collaboration with Rihanna might be his best duet to date. The Luney Tunez-produced cut finds the two artists flirting with idea commitment, but being temporarily satisfied with the current arrangement of keeping things purely physical. “I don’t wanna give you the wrong impression / I need love and affection / And I hope I’m not sounding too desperate / I need love and affection,” they sing. On this album full of hard-hitting choruses and club-ready bass drops, this smooth late-night thumper stands out in the best way. Rihanna’s verses and Future’s bridge eventually explodes into a lush, beautifully crafted final chorus between the two of them. If you think “Kiss it Better” is Rihanna’s best bedroom banger, then “Loveeeeeee Song” definitely gives it a run for its money.

“Get It Over With”

While the album spotlights an array of emotional lows and insecurities, there’s a silver lining thanks to this instrument-laden track. Written by Ms. Fenty, Brian Kennedy, and the ever-talented James Fauntleroy, “Get It Over With” is the ballad of broken dreams, but also a song of hope. “It’s dark in the day / I’ll say now don’t complain / Look up the sun is just a cloud away / You’re so afraid to cry / But your heart be feeling dry / It’s time to change,” Rihanna sings in the first verse. Fauntleroy is a master of stacking vocals, so it’s no surprise that we find Rihanna’s background vocals more than on point here. Paired with snaps and solemn violins, this song is the perfect mixture of resilience, strength, and sadness, which is why it makes this list.

“What Now”

Rihanna has mastered the art of emoting over the years, and “What Now” is just one flash of brilliance in her extensive discography. Co-written by fellow Bajan Livvi Franc and British producers Nathan Cassells and Parker Ighile, the song explores the dissatisfaction one feels when they’ve settled, whether that be in love, career, or life in general. “Whatever it is/It feels like it’s laughing at me through the glass of a two-sided mirror/Whatever it is/It’s just laughing at me/And I just wanna scream,” she sings. The lyrics cut just as deep as its smashing chorus, but what really elevates this song is its climax where Rihanna repeats the cadence “I don’t know where to go/I don’t know what to feel/I don’t know how to cry/I don’t know, oh-oh, why!” The winding guitar, raw emotion, and pounding bass culminates into one of the best musical moments on the album.

“Nobody’s Business” (feat. Chris Brown)

Although this collaboration didn’t make as much of a splash as their “Birthday Cake” remix, Chris Brown and Rihanna still shocked fans by linking up on this groovy duet. Co-written by Rihanna and long-time collaborator The-Dream, the song finds the ex-lovers proclaiming their love for each other, and telling off nay-sayers in the process. “You’ll always be mine / Sing it to the world / You’ll always be my boy / I’ll always be your girl / Ain’t nobody’s business / Ain’t nobody’s business / Ain’t nobody’s business / But mine and my baby,” they sing. It’s no surprise that this track contains an interpolation from “The Way You Make Me Feel,” because this euro-dance joint feels like a new-age Michael Jackson record. Breezy and Rih trade parts effortlessly; their natural chemistry is apparent. Even five years later, this song feels fresh, yet timeless, which is why it lands on this list.

“Stay” (feat. Mikky Ekko)

There’s always something special about an artist’s voice over a grand piano, which is more than clear on this tender ballad. Written largely in part by featured artist Mikky Ekko, “Stay” is almost like the continuation of “Loveeeeeee Song,” except with more feelings and time invested. “Not really sure how to feel about it / Something in the way you move / Makes me feel like I can’t live without you / And it takes me all the way / I want you to stay,” Rihanna sings. Even though the song is obviously brilliant, the reason it makes this list is because of Rihanna’s vocal showing. While her voice holds the same type of raw emotion as “What Now,” Rih wields it quite differently, drawing the audience in and pulling away with each sharp breath, vocal crack and sustained note. This all lends itself to the push-and-pull of the actual relationship that the song speaks of, which really speaks to her growth artistically and dedication to the edgier, tougher vision for Unapologetic. Major props go to Kuk Harrell, who is the vocal engineer and producer on this song as well as the entire album.

Stream Unapologetic on Spotify below.

What’s your favorite song on Unapologetic? Let us know in the comment section below!

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4 Reasons We Love Whitney Houston

Whitney Houston Birthday

There will never be another singer like Whitney Houston; she’s incomparable, she’s an icon, and she is the standard. On the sixth anniversary of her unfortunate passing, here at Rated R&B we’ve created a shortlist of reasons why we love the vocal legend herself. Check it out below:

Her Powerful Voice

How do you describe the indescribable? Whitney’s voice is the purest to have ever graced human ear. On top of her outstanding natural ability, her technique, precision, and control make her “The Voice.” Just like rapper Biggie Smalls has never had a bad verse, Whitney has never hit a bad note. There is a multitude of examples, but at Super Bowl XXV in 1991, she gave what is regarded as the best rendition of “The Star-Spangled Banner” to have ever been done. It is here, without all of the vocal thrills and frills, that you can truly grasp how marvelous her voice was.

The Way Other Artists Loved and Respected Her

If you ask any female singer that came out in the last 25 years who some of their inspirations are, you can bet Whitney’s name will come out of their mouth. For most singers, especially black women, Whitney was a role model. She was a black girl from New Jersey whose passion was sharing her musical gift to the world and having fun while doing so. In the first clip below, Monica explains Whitney’s personal impact on her life (this part of the interview begins around 1:42.) Even after her death, Whitney continues to inspire and empower the women that have come after her in the music industry. In the second clip below, you can find one of the greatest tributes ever performed, courtesy of gospel powerhouse Yolanda Adams, who ends the video with a resounding “We love you, Nip.”

Her Stage Presence

Whitney’s personality was both charming and endearing, as we’ve all seen in her interviews, famous and infamous alike. That natural charm carries over into her live performances, as she literally comes alive in song. In interviews, she was always well-spoken, clear, and concise. When it comes time to sing, she let her hair down and had a great time with her audience — no matter the occasion. In the clip below, Whitney performs a 16-minute set of her greatest hits at the “Arista Records 25th Anniversary Celebration,” full of life, laughter, and love.

Her Artistic Versatility

Whitney is one of the best-selling female artists of all time, and one of the biggest icons the world will ever see. What often gets left out of her lengthy list of accomplishments is her artistic risks and versatility. Speaking on her discography alone, she has recorded music that spans all of its genres. Whether she delivers a pop cut like “I Wanna Dance With Somebody,” the Raphael Saddiq and Q-Tip-produced jam “Fine,” a universal duet with Enrique Iglesias (“Could I Have This Kiss Forever”), or a powerhouse ballad like “The Greatest Love of All,” Whitney was the jack of all trades. Not only did she master it, she believed in her ability, and she succeeded beyond measure.That’s just the tip of the iceberg, as her artistry made its way into film beginning with 1992’s box office smash hit The Bodyguard.

Below is one of her scenes from the cult classic Waiting to Exhale. Pay attention to her body language, the way she emotes in her voiceover, all the way down to the flickers of disapproval in her eyes. Whitney was, and will always be a class act.

What is your favorite Whitney moment? Share with us in the comment section below!

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10 Underrated Songs by Toni Braxton

Toni Braxton Underrated Songs

“I used to dream of living lavish, now your girl’s a living legend,” Toni Braxton sings on her newest offering “Heart Away.” She’s absolutely right: she is a living legend. With three multi-platinum albums, six top 10 hits on the Billboard Hot 100, and over 67 million records sold, Braxton is basking in the glory of her success.

As she gears up for her eighth studio album Sex & Cigarettes, let’s countdown some of her most slept-on records in a new monthly series we like to call UnderRated. (Sidenote: to be considered an “underrated” record, the song couldn’t have I have been a single at any point in time.)

Check out the list below:

“Gimme Some” (feat. Lisa “Left Eye” Lopes) from the album The Heat (2000)

Credits: Jazze Pha, Toni Braxton, Babyface, Lisa Lopes (Writers); Babyface and Jazze Pha (Producers)

Oh, Toni, why wasn’t this danceable number a single? Even though Babyface and Jazze Pha seem like an unlikely musical pair, they went to work on the lyrical content and production of this banger, which has Braxton taking charge when it comes to her love interest.

“It is an age-old story / Goes back back to Adam and to Eve / I know you know what I want for / And if it ain’t clear to ya baby / Don’t stop, let’s Rock, give it to me baby,” she sings. Left-Eye had a stellar verse too.

“What’s Good” from the album Libra (2005)

Credits: Bryan-Michael Cox, Johnta Austin, Toni Braxton, Joe Sample (Writers); Bryan-Michael Cox and Keri Lewis (Producers)

“What’s Good” appears as the third track off of Libra, and following the hip-hop edged songs “Please” and “Trippin’,” it’s a perfect musical shift in the gear of the album. Led by a genius sample of Joe Sample’s “In All My Wildest Dreams,” Braxton sings & coos confidently inc her signature contralto tone about the great things her new man does for her.

“It’s like a house I never left / Like a fever I wanna catch / Like a mountain that’s worth the climb / Talkin’ ’bout this man of mine / Like my money I wanna spend / My homie-lover-friend / He’ll be with me till the end / And he’s never failed me yet,” she sings.

“Caught (Don’t Take Your Hat Off) [feat. Mo’Nique]” from Pulse (2010)

Credits: Mikkel Stoleer Eriksen, Tor Erik Hermansen, LaShawn Daniels (Writers); Stargate (Producer)

Songs that appear on an album’s deluxe edition have a way of adding value to the original album; that’s exactly what this Stargate-produced jam off the Pulse deluxe album does. Braxton kicks her lover out of her house after being cheated on.

“Baby I been more than good to you / When you leaving gimme my key back too / It’s about to go down /Your, your other new lady/ You’re out there with your pants down,” she sings. The light, somber piano is almost addicting, and Mo’Nique’s monologue is the perfect touch.

“Talking In His Sleep” from the album Secrets (1996)

Credits: Toni Braxton (Writer); Keith Crouch (Producer)

Following “Un-Break My Heart” on the Secrets track listing is no easy feat, but bluesy tune “Talking in His Sleep” holds its own. Braxton’s speaking voice has a chilling effect as she touches on infidelity and adultery. “Guilty secrets/ They are haunting my life / And he doesn’t even know that I know/ Can you hear him / The promises he makes/ Said we’ll be together for always / He’s such a liar / Then he goes out to burn me.” The Mary J. Blige-esque jazzy bass line is killer!

“You’ve Been Wrong” from the album The Heat (2000)

Credits: Toni Braxton, Brian Casey, Brandon Casey, Teddy Bishop, Kevin Hicks, Thom Bell, Linda Creed (Writers); Teddy Bishop and Kevin Hicks (Producers)

If The Heat was a family, “Just Be a Man About It” would be the older sibling to this guitar-led track, which hears Braxton finally finding the strength to leave a no-good lover. “Finally I’ve realized/ Your lies have opened up my eyes/ This love affair, now it’s over, over/You’ve been wrong for so long/ And I can’t take the pain you bring me no more/ You’ve been wrong for so long/ And I can’t take the pain you bring me no more,” she sings. Oh, and the Stylistics’ “Stop Look Listen To Your Heart” interpolation? Genius.

“Lies, Lies, Lies” from the album More Than a Woman (2002)

Credits: Keri Lewis and Stokley (Writers); Keri Lewis (Producer)

Ms. Braxton is fed up on this rock n’ roll (yes, rock!) cut. “Don’t bother to apologize / It’s too late, heard it all before / And it should come as no surprise / I’m leavin’, I packed my things / ’Cuz I’m through with this merry-go-round / I’m getting off, I finally found / My strength way deep down / I shoulda left your ass after the first round,” she sings. This is one of the best songs Braxton has ever recorded. EVER (in my opinion).

The raw emotion, the pacing of the song, the commitment to the vocal — Toni was in her bag! Stokley didn’t play a single game with the lyrics, guitar solo, or the backing vocals. Shout out to Chris Dave, who played the drums on this song. And trust, this song is nothing without the drums!

“Shadowless” from the album Libra (2005)

Credits: Alex Cantrell and Philip White (Writers); Keri Lewis (Producer)

Some of Toni’s best songs have a nice guitar somewhere hidden in the instrumentation, but the acoustic guitar takes center stage on this song about regret and love lost. “Gotta make it right with you / Ooh you baby / So tell me what I gotta do / Ooh to make u come back home / Ooh boy how can this be / I remember that every step / U were here with me/ Now I’m shadowless,” she sings. There is just something so magical about the Living Legend’s smoky vocals over the spirited strums of the guitar. Although this would’ve been a nice finale track for this album, penultimate isn’t so bad either.
(If you’re feeling adventurous, check out the AOL Sessions version of this song.)

“The Heat” from the album The Heat (2000)

Credits: Keri Lewis and Toni Braxton (Writers and Producers)

Braxton channels the summer vibes and brings the heat on this sexy title track. “Summer’s almost over so you better hurry / Andale! Andale! / Starting right now let’s dance and party / Ole! Ole! Ole! / Give Me a reason to love you through, through the season / No need to hesitate, come on let’s get it on,” she sings. This song is easy and breezy; sultry and sensual; sex — well, y’all get the point. And to answer your question, Toni, yes, I do want some ice cream.

“Why Should I Care” from the album Secrets (1996)

Credit: Babyface (Writer and Producer)

Braxton is fed up and denying her ex lover a second chance on this ‘90s tune. “And every time I start to slip / I just remind myself / I need only thing of it / I went through so much hell / You say ya wanna get things back / The way they used to be / Can you give one good reason / Why I should darlin’/ Why should I care / Why should I care for you,” she sings. Babyface and Toni Braxton are always a magical pair, but you have to get into these background vocals from the one and only Chanté Moore!

“Do You Remember When” from the album More Than a Woman (2002)

Credits: Toni Braxton, Rodney Jerkins, Fred Jerkins, LaShawn Daniels III (Writers); Rodney Jerkins (Producer)

This More Than a Woman cut finds Toni Braxton thinking back on the better moments of her time with an ex lover. “Do it like you did back then / And then we’ll do it again / Do you remember when? / Reminiscing and more on what we had before / Makes me feel so warm inside / Wanting you constantly and feeling so sorry / That we had to say goodbye,” she sings. Although this song feels like a The Neptunes-Kelis combo, Rodney Jerkins’ groovy production and Toni’s tender vocals fit seamlessly on this track, making it one of the standouts on this album.

Honorable Mentions

“Selfish” from More Than a Woman: Upon first listen, you’ll notice how intricate the background vocals are. So, it’s no surprise that this song credits Brandy as a writer and her ex-boyfriend Robert Smith as the producer of this breezy tune.

“If I Have to Wait” from Pulse: It’s unfortunate that Country radio and the Country music industry is so exclusive, because this had the potential to be a nice crossover hit.

“Sposed to Be” from Libra: Blackground Records was not feeling the original album that Toni Braxton and then-husband Keri Lewis turned in, so they set her up with additional recording sessions. That decision led to the creation of this sensual cut, which is spearheaded by The Underdogs and even features a writing credit for Keri Hilson.

What are your favorite songs from this list? Let us know in the comment section below!

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Ready, Set, Release: 10 R&B Albums We’re Anticipating This Year

Will 2018 be the year our favorite established and budding artist use their new opportunities to take the music industry by storm?

This dream could turn into a reality for many artists. For starters, an artist could go on tour for thousands to perform their biggest hits, or sing for hundreds to reconnect with them on an intimate level.

Then again, an artist could align themselves with lucrative brands to influence consumers to believe in their products while gaining exposure from a new audience for themselves.

But the simplest approach to keep your names in the headlines is to release new music. An artist whose album release is more anticipated than a Lebron Ring finds this selling tactic the easiest.

With the help of our faithful readers, we’ve compiled a list of 10 artists who we hope drop an album this year.

Jacquees

Jacquees has been bubbling for more than seven years and still has not released a debut album. The Rich Gang crooner has kept us occupied with consistent material while gassing us about his debut album, 4275, which was expected to drop in 2017. Is Jacquees debut album caught up in the rapture of Cash Money’s financial scrambles? Is Jacquees still recording and perfecting his first album? No one can accurately give a reason to his album delay, but we do know he’s joining forces with Chris Brown for a mixtape, promising to “fuck this R&B shit up.”

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