Recap: CeeLo Green Kicks Off ‘Love Train Tour’ in D.C.

Photo Credit: Rated R&B
Photo Credit: Rated R&B

After much anticipation, CeeLo Green finally kicked off his Love Train Tour at the historic Howard Theatre in Washington, D.C. on Tuesday (March 2) night. The line to get in was literally wrapped around the block. Doors opened a little after nine. The venue began to fill with a diverse group of people. As Green insisted in our interview, his show attracted people from all walks of life.

“When it comes to [a CeeLo Green show], maybe one person may come not knowing they would see somebody that they would never share the same room or experience with — that can be a bond between two strangers,” he told Rated R&B.

The show began around 10:03 p.m. with opening act Escort, a contemporary disco band based in New York City. Although most of the audience was unfamiliar with their music — or at least I was — Escort was able to keep the audience entertained with their upbeat performance. Adeline Michèle, lead singer, had a voice that was very impressive. From her vocal range to her stage presence, everything was just on point. The band performed some material from their Animal Nature album. There’s no question why they were the right pick for the Love Train Tour.

Photo Credit: Rated R&B
Photo Credit: Rated R&B

“I’ve been this mood of trying to draw an inspiration from 70’s, 80’s and the disco era,” Green told Rated R&B.

Dressed in a black linen ensemble with silver accessories, Green hit the stage around 11 p.m. He opened his performance with Trick Daddy’s 2002 single “In Da Wind,” which features himself and Outkast’s Big Boi. The crowd instantly cheered when they heard the throwback jam. Green followed-up with “Working Class Heroes (Work)” from his 2015 album Heart Blanche. The song will also be featured in the upcoming film, Barbershop 3, which premieres in April. During act one, Green took us on a musical ride through some of his signature jams including “Closet Freak,” “I’ll Be Around,” “Bright Lights Bigger City,” “All Day Love Affair,” “The One,” and “Fool For You,” to name a few. He also paid homage to singers who came before him including MinnieRiperton, Michael Jackson and Maurice White.

Photo Credit: Rated R&B
Photo Credit: Rated R&B

There was a brief intermission around 11:45 p.m. Green’s DJ played some old school jams to keep the audience engaged until Green arrived back on stage. He opened part two of the show with Outkast’s 1994 classic “Git Up Get Out” featuring Goodie Mob. Following the hip-hop jam, Green took us right into his hit single “Crazy,” “My Kind of People” and “Living Again.” Toward the end of the show, Green performed an encore of his Grammy award-winning single “F*ck You,” and closed his set with “Smells Like Fire.”

Photo Credit: Rated R&B
Photo Credit: Rated R&B

Green’s Love Train Tour was nothing short of amazing. From the very moment he hit the stage, it was pure entertainment. His energy on stage was just impeccable. Green and his crew will travel to other cities in the south including Asheville, N.C.; Atlanta, Ga; Mobile, Ala; New Orleans, La, and more.

Don’t miss your ride! Get your tickets to CeeLo’s Love Train Tour at

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Concert Review: Keyshia Cole Pulls a Lauryn Hill at The Fillmore Charlotte

As people waited in long lines to flood their favorite retailers for Black Friday sales, I traveled from Columbia, SC to Charlotte, NC to see Keyshia Cole at The Fillmore Charlotte.

I arrived to the AvidXchange Music Factory venue at 6:27 p.m. Unlike lines at retailers Friday, where the wait is unavoidable and uncomfortable, I was perfectly at ease being the 20th concert-goer in line.

Ten minutes later, more attendees followed behind to patiently wait for doors to open at 7 p.m.

Undressed and shivering in 37 degree weather, I struck up conversation about ticket cost with Keyshia Cole admirers. “We won our tickets off Streetz 103.3,” one couple said.

Another fan said, “I bought mine off Groupon for $39. I love you Keyshia but I wasn’t spending more than $50.” I agreed since I got my ticket at the same deal.

Doors opened three minutes after 7 p.m. After getting patted down and having my ticket scanned by The Fillmore door staff, I bypassed other fans and jetted to the front of the stage to wait for the show.

Some fans claimed their spot at the head of the stage barricade too. Other fans found empty floor space to stand comfortably before those at the bar filled in the gaps.

At 7:17 p.m., MMG’s DJ MC got settled with his laptop and other stereo equipment on the smoky stage. He came fully equipped to have the crowd lit with his mega mix and fly DJing skills.

As fog occupied the stage, nostalgia filled rest of the room. DJ MC had fans right where he wanted them – in a carefree zone. Music lovers used their outside voice to recite explicit lyrics and sing classic R&B and hip-hop songs including “I Get Money” by 50 Cent, UCB’s “Sexy Lady” and “Nice and Slow” by Usher.

The VIP clique didn’t let their lack of essential amenities (i.e. chairs or tables) get in the away of their party. The wall worked perfectly for grinding.

DJ MC had help getting the crowd excited from 92.7 The Block hosts Chewy Torres and Sunshine Anderson – yes, “Heard it All Before” Sunshine Anderson, too.

By 9:02 p.m., fans were chanting, “We want Keyshia.”

Ten minutes later, DJ MC was breaking down his equipment to make room for GO DJ HI C, Keyshia’s official DJ.

I don’t know if the crowd was aggravated and ready for Keyshia but the energy shifted downward when he got on stage.

It felt like we changed the radio dial to a new station but got the same syndicated countdown – just with a harder thumb. GO DJ HI C’s blaring speaker bass creeped into my torso as if I had just painfully swallowed it.

A few recycled songs in, GO DJ HI C announced at 9:24 p.m., “I just got a text. My boss is about to hit the stage.”

Eager to record Keyshia’s opening note, I pulled out my iPhone to capture every minute. With 69 percent battery life, I tapped on the Facebook icon to start a live stream.

With no background singers in sight or any Fillmore staff prepping the stage for Keyshia’s arrival, it was evident GO DJ HI C’s receipt had no validity.

“This is ridiculous,” mumbled a female patron behind me. “I hope she shows up because she bailed before.”

As the DJ played more music and strolled through his cellphone, another female fan offered commentary. “If I wanted to listen to music for two hours I would have went to a club.”

It was 9:40 p.m. and the crowd began to get restless. Four-letter words started to be heard in the now tight quarters — most were directed to GO DJ HI C.

He attempted to ease the last nerve of fans. “Ya’ll chill,” he roared in the mic. “I wouldn’t be here if she wasn’t coming out. She’s not coming out until she can hear you guys in her dressing room.”

GO DJ HI C also tried to hype the crowd for Keyshia’s entrance. “I need the left side to say ‘Keyshia’ and the right to say ‘Cole,’” as he pointed to each side of the room.

Some were interested in crowd participation but others weren’t. I was apart of the latter group.

The DJ returned to the mic at 9:43 p.m., and began an introduction for a Grammy nominated artist.

Cell phones brighten the dark venue momentarily but quickly dimmed when attendees realized it wasn’t the headliner gracing the stage — it was Sunshine Anderson.

Used to distract fans from Keyshia’s CP time, the singer-turned radio personality tipped on stage in open-toe heels, donning a simple black top with un-curve friendly black tights.

With support of a backtrack, the North Carolina native noticeably lipped the lyrics to “Lunch or Dinner” from her 2001 debut, Your Woman.

Sunshine bought Keyshia more time to hit the stage as she started to actually sing her signature song “Heard It All Before.” It was obvious she didn’t warm up her voice. Her vocal execution reflected especially towards the collapsed bridge.

Despite Sunshine not possessing vocal conviction, she had the heart to fight through it.

The unimpressed concert-goers softly clapped to see Sunshine off the stage.

Two minutes before 10 p.m. a gentleman rocking a pink backpack sashayed on stage. Before exiting, he left two styrofoam cups on a stage podium.

“When you see him, that means Keyshia’s on her way,” shouted GO DJ HI C across the room.

Exactly seven minutes after 10 p.m., GO DJ HI C took the mic again and finally grabbed the audience’s attention. “Ladies and gentlemen, Keyshia Cole.”

With help from her security, the woman of the last two hours, walked up the side steps of the stage.

Dressed in a suede trench coat with matching heeled boots and ripped jeans, the Just Like You songstress kicked off the delayed show singing “I Should Have Cheated” off her first album, The Way It Is.

Keyshia quickly asked the audio engineer to adjust her inner ear before capping the song with an extended high note.

Joined by her three male dancers, the Oakland-bred singer moved swiftly through her medley of hits including “Enough of No Love,” “Shoulda Let You Go,” “I Changed My Mind” and “You.”

After wrapping up her remix to Chris Brown’s “Loyal,” Keyshia took off her winter coat to show off her shimmering silk shirt. Without officially apologizing for her tardiness, she mentioned being thankful for her fans as a means for damage control.

It didn’t seem to work, and she knew it. “Okay. Let’s go into the next song then,” she told GO DJ HI C.

She belted her biggest hits “I Remember,” and “Love” before she engaged in personal conversation with the crowd.

From requesting the crowds opinion on if she should back to Love and Hip-Hop: Hollywood to explaining why she opted to skip Thanksgiving dinner with her newly found dad, Virgil Hunter, Keyshia sincerely asked for fans to send her a prayer up the main line.

Thirty minutes into her set, Keyshia wanted fans to tell her what to perform next. Most songs fans mentioned like “Vault” and “Emotional” from her 11: 11 Reset album were off limits.

“This isn’t the tour guys,” she replied with a smile. “The tour doesn’t start until next year. But I cannot wait to perform those songs though.”

While she didn’t perform demanded cuts from her new album, she gave us “Incapable” along with a similar dance routine from the single’s accompanying visual.

Following three more songs, Keyshia ended the 45-minute set with her Grammy nominated record, “Let It Go.”

Before leaving the stage, she directed fans to meet her at Stats Restaurant and Bar for the official after-party.

Honestly, I feel like I wasted a trip to Charlotte. I didn’t leave with a wow experience. I expected her to sing more material from her silently released album. Yet, my wish didn’t come to fruition.

Keyshia treated her Fillmore performance like an afterthought. It appeared to me that she got a calendar reminder while she caught Black Friday sales on Fashion Nova’s website. After realizing her spot date, she called her style team and caught a red-eye flight to Charlotte Douglas International Airport.

Keyshia’s lateness was inexcusable and warranted a more sincere apology. Instead she rushed through her sloppy set list to get to the after-party.

Her running behind schedule wouldn’t have been terribly bad if she had a legit special guest. And I’m sorry, Sunshine Anderson doesn’t count.

Collectively, the two hours of DJing, the talent show performance from Sunshine Anderson and Keyshia Cole’s tardiness calls for a total refund. But I’m sure Live Nation is incapable of issuing it to us.

Album Review: Ledisi – ‘Let Love Rule’

As a New Orléans native, Ledisi naturally allows her jazz influenced sound to emanate through her richly flavored voice, while her use of true instrumentation reflects beautifully in her music.  She is one of few artists who can effortlessly cover selections from legends like Chaka Khan and The Clark Sisters. Achieving perfect precision with her own art takes more effort — at least for her latest album, Let Love Rule.

“This wasn’t a quickie. This album was one of the hardest I’ve ever worked on,” she revealed to about her two-year recording process. “We were looking for songs that could stand the test of time. It was about great songwriting. I’ve come back to what I love about R&B and also what I love about today’s music.”

Executive produced by Ledisi and longtime collaborator Rex Rideout, Let Love Rule features 15 tracks and exhibits the similar burden of relationship headaches as her 2014 album, The Truth.

With Let Love Rule, Ledisi adds more delicious relationship nuggets to her seven-piece catalog. She does this by creating a cohesive record that sounds current, needed and still Ledisi.

Before parting ways, Ledisi says “Hello” to her lover’s true self once he’s revealed. “Before you say goodbye to our forever / I just gotta let you know that I see you / So hello, to the man behind the words I thought I heard all before / But you were hiding in the lie so you decided it was time to let go,” she sings.

On “Here,” she requests her lover’s full participation in their love saga. “So if you’re going stay, I need you to be here / To show me that you care / Let me know you’re here,” belts Ledisi on the Jeff “Gitty” Gitelman-produced cut.

Ledisi’s love for her man is like a bleach stain on dark clothes, it’s not going anywhere. She makes this claim abundantly clear on “Us 4ever” featuring BJ the Chicago Kid. Over the nod worthy instrumental the she sings, “We love, we fight, we argue, then we make it right / You leave, I go, then we’re back together / Our love so strong, who’s right, who’s wrong? / What we built, won’t break / I guess it’s us 4ever.”

While Ledisi discusses love’s ugly moments, she shares the beautiful moments, too. Love elevates her on the DJ Camper-produced “High” and love makes everything alright on “All The Way,” which is a powerful piano-based ballad. “Love me, with all of your heart / Will you love me / When things get too hard, and I need you more / Make sure you’re sure, that you’ll love me all the way,” she sings.

Ledisi generously touches on the social injustice movement Black Lives Matter with “Shot Down,” a Caribbean-flavored song. “Education is a loaded gun, shot down before I had a chance to run / the system says we matter but the Black Lives only matters certain days,” coos Ledisi. She appreciates the power of patience the Kirk Franklin produced track “If You Don’t Mind.”

The R&B songstress does a spectacular job of giving fans more ear orgasms with her captivating vocal performances, especially on “All the Way” and “Forgiveness.

Unlike The Truth, which has no features, Let Love Rule includes appearances from John Legend and BJ the Chicago Kid. The latter was the only appreciated contributor, although his vocal presence deserved more time to shine. “Give You More” with Legend finds Ledisi losing her distinctive vocals, while her co-star steals her thunder.  

Although the album consists of 15 tracks, 11 are actual songs while the other four are non-exciting and unnecessary interludes from inspirational speaker Iyanla Vanzant and journalist Soledad O’Brien. There were definitely good intentions for their input, but their rest stops before the next track were merely constant interruptions.

Lastly, if it were not for the remarkable production, the title track would be a complete dud. It fails to underscore its purpose as a presumed standout track with less than memorable lyrics and a tiresome chorus.

Respectively, Let Love Rule is still one of the best R&B albums released this year. Make sure to grab a copy off shelves or add it digitally to your playlist now.

Rating: 3.5 out of 5 stars

Standout Tracks: “Here,” “Forgiveness” and “All the Way”

Review: Daniel Caesar Finds Freedom in Redemption on Debut Album ‘Freudian’

Daniel Caesar freudian cover art

“Train up a child in the way he should go: and when he is old, he will not depart from it,” reads Proverbs 22:6. For Daniel Caesar, this couldn’t be more true.

A product of the black church, the Toronto-born R&B singer’s debut album, Freudian, is very much rooted in gospel influences — from the piano driven sound to solid backing vocals from a full choir. While there is much celebration of love on this album, there are also songs of regret and sorrow, as if  Caesar is grappling with his own personal struggles with religion and theology as it relates to a past love. Perhaps, this is why he chose to name his album Freudian.

Austrian neurologist Sigmund Freud is considered as the father of psychoanalysis, which is a method for treating psychological disorders through intense dialogue between a psychoanalyst and their patient. This is the base model for modern therapy, which is exactly what this album feels like: a therapy session. Caesar pours his heart out over the course of ten tracks, re-living love’s best moments in “Get You” and “Best Part,” whilst revealing its darker ones on tracks like “Neu Roses (Transgressor’s Song).” Caesar comes out stronger on the other side by the album’s ten-minute title track finale, saying in a personal note:

“Hey mama/it’s your second son, still the same/ain’t change, mama/made some change, time has changed/it might feel strange mama, I feel ashamed/…face to face with my faith mama/I lost my faith.”

If that was his confession, then this album is his testimony.

Produced by Caesar, Matthew Burnett, and Jordan Evans, the album revels in lush sounds and vocals throughout. Paired with strong messages and themes of love, loss and final redemption, Caesar is able to deliver an impressive debut. Below are our top four picks from Freudian:

The Lead Single – “Get You” featuring Kali Uchis

The song we all know and love is still one of the album’s brightest moments with its enveloping sound and intoxicating vocals from both Caesar and Uchis. Caesar expresses his love in a song of gratitude to the woman that’s been by his side through thick and thin. In an interview with Billboard, he explains “‘Get You’ is a song of praise to a love I didn’t even feel I deserved at the time […] Being with someone you truly adore and being present enough in the moment that the world literally slows down and you ask yourself how did I stumble into this?”

The Surprise – “Hold Me Down”

“If you love me baby, let me hear you say it/I know I’m your favorite,” sings Caesar on this groovy tune. Caesar voice is only heightened by the song’s sexy bass line and pulsing kick snare, as Caesar laments about being the undercover lover of another. What makes this cut special is the surprise, must-listen hidden interlude that’s a flip on Kirk Franklin’s 1998 song “Hold Me Now.”

Best Feature – “Best Part” featuring H.E.R.

Lead by a single acoustic guitar, H.E.R. and Daniel Caesar trade verses and sweetly share the chorus on this beautiful ballad. “I just wanna see how beautiful you are/You know that I see it/You know you’re a star/Where you go, I’ll follow/No matter how far/If life is a movie, oh, you’re the best part,” they sing. Although always vocally stellar, H.E.R.’s voice is supremely captivating here. Smart choice to have her sing the first verse, as she pulls the listener in with her hypnotic delivery from the son’s opening line, easily making this the best feature on the album.

The Sleeper – “Blessed”

On this piano driven and choir-backed track, Caesar explores the “can’t live with them, can’t live without them” narrative of his latest relationship. “And yes, I’m a mess but I’m blessed to be stuck with you/Sometimes it gets unhealthy/We can’t be by ourselves we/We’ll always need each other,” he sings. “Blessed” is serving as the B-side to Caesar’s latest single “We Find Love,” but just might be the better of the two, making this the album’s sleeper record.

Overall Rating: 4 out of 5 stars

Have you listened to Daniel Caesar’s new album? What are some of your favorite tracks? Any criticisms or critiques? Sound off in the comment section below.

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