RECAP: Jazmine Sullivan Brings ‘Reality Show’ To Sold-Out Concert In Washington, D.C.

Photo Credit: Rated R&B
Photo Credit: Rated R&B

It was a full house at The Fillmore in Silver Spring last night (Dec. 30). Fans from all parts of the DMV (DC, Maryland and Virginia) swarmed to the venue to see Jazmine Sullivan perform music from her latest album Reality Show, as well as some older material.

Sullivan gracefully walked on stage around 9 p.m. and was greeted with a roar of cheer and screams from her hardcore fans.  Donning a black and white zig zag jacket with blue jeans, the Philadelphia native opened her set with “Brand New.” Immediately following, Sullivan went back took us back to her debut album Fearless with “Busting Windows” and “Lion, Tigers and Bears.” Filled with excitement, her fans were singing as loud as they could, forcing Sullivan to point her mic to the crowd.

Photo Credit: Rated R&B
Photo Credit: Rated R&B

Before revisiting songs from Reality Show, Sullivan performed an epic mash-up of “Holding You Down (Goin In Circles)” and Fugee’s classic song “Killin’ Me Softly.”

“This song is for the lovers. I want y’all to groove with me,” Sullivan told the audience before singing her Grammy nominated song “Let It Burn.” She also performed “If You Dare,” a stripped down version of “Stupid Girls” and “Forever Don’t Last.”

A highlight from the show was when she performed her emotionally-charged song “Masterpiece (Mona Lisa).” She revealed to her fans, “I had to do some soul-searching. What I realized is I was not living myself and not honoring myself.”

Photo Credit: Rated R&B
Photo Credit: Rated R&B

After getting everyone in their feelings, Sullivan lightened the mood with “Hood Love” and “Mascara.”

She closed out the show with her debut single “I Need U Bad” and her fan-favorite song “In Love with Another Man.”

Overall, Sullivan’s concert was nothing short of amazing. From flawless vocals to crowd engagement, Sullivan proved that she is a legend in the making. She took us on an emotional rollercoaster filled with laughs, smiles and tears.

Keithan is the founder/editor-in-chief of Rated R&B

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Justine Skye, Let’s Talk ‘Ultraviolet’: A Career Conversation

I’ve been following Justine Skye for a while. Not as far back as her Tumblr days, but around the time her Tyga-assisted cut “Collide” began to pick up some steam.

Over the past three years since, Skye has produced a couple of solid records, had some impressive sponsorships and endorsements, and even landed a record deal with Roc Nation. Minor successes aside, there’s been a common note when I’ve mentioned her name in conversation: “She’s not memorable.” And that criticism is more than valid. As someone who has kept up with her work, I even have trouble remembering most of the tracks from her three EPs (although, admittedly, I’d rather not remember her 8 Ounces EP.) Skye’s musical issues ultimately boil down to two things: artistry and execution.

We all know that every successful recording artist isn’t original, or even necessarily talented. However, those type of artists know their market, work within the limits of their artistry, and execute accordingly. The reason why it’s been hard for this Brooklyn beauty to pop is because we, as consumers, don’t know what sport she’s playing nor the arena she’s playing in.

On the artistic side of things, Skye has always struggled to nail her “sound.” Her singing voice is quite generic — which isn’t a dig, nor a hindrance necessarily — but her lyrics are also somewhat lackluster, as well as her ad-libs. Nothing truly stands out, and because Skye’s artistry hasn’t developed, her music sways with the trends of the and sounds of the time. I expressed these concerns in a series of tweets back in 2016 — which ultimately got me blocked on my old Twitter account by Ms. Skye, but that’s neither here nor there.)

Justine Skye Tweet 3Let’s talk execution. Skye released “U Don’t Know” featuring Nigerian singer WizKid in September 2016, with the accompanying video released the following month. Then, a little over a month after the video release, she releases her 8 Ounces EP without “U Don’t Know.” Yet, in 2018, she included the mid-tempo track on her album, and this time without the WizKid feature.

Poor execution.

Sometimes the first single doesn’t work, so that’s okay. She tried again in July with “Back for More” featuring Jeremih. Despite the seven month stretch between singles, the song was an appropriate, summer jam. Unfortunately, even with the feature, the song didn’t get past a few adds at urban radio. The video was released in early August, and then it was silence again from Team Skye.

Poor execution.

Skye then releases third single “Don’t Think About It” on December 1. A week later, she announced the release of her debut album with another single — the PARTYNEXTDOOR-penned “Goodlove” and the video for “Don’t Think About It.” By the time the album dropped, she released another single (“Heaven”), which totaled a five tracks from a 10-track album.

Even with all of these musical misfires, I decided to give the album a listen. After listening to the 33-minute project, I was left generally underwhelmed. Although short albums aren’t common, they can definitely work with a strong thematic direction (see: Lalah Hathaway’s honestly. and Bruno Mars’ 24K Magic.)

Ultraviolet suffers from a combination of issues, but ultimately the music just fails to hit. I must say, though, that “Goodlove” and “You Got Me” have been on repeat, and guess who penned both of these tracks? PARTYNEXTDOOR. On a 10-track album, if the two standouts are written by the same person, I think that’s worth noting. Hit-Boy’s production on “Lil’ Boy” was also a bright spot for me on this otherwise mid-tempo album.

I don’t have anything against Justine Skye or her music, even. She’s given us jams like “Never Leave,” “I’m Yours” and “Messin’ w/You.” However, if she wants a serious shot at chart success, she’s going to need to find her artistic voice and learn how to properly execute when it comes to the visuals, singles, and the art of timing.

Ultraviolet has left me with more questions than answers, but the biggest question of all is still, “Who is Justine Skye?”

Follow Nathan on Twitter @TheGreatIsNate.

From 2008: R&B Albums That Turn 10 This Year

Another ten years has caught up with us in the realm of R&B music.

Let’s jog your memory for a minute. For starters, 2008 saw Mariah Carey touch the top of the Billboard Hot 100 for the 18th time with “Touch My Body.” Usher showed his strength by “Moving Mountains,” while Beyoncé led ladies to the club, singing, “If you liked it, then you should have put a ring on it.”

We heard the debut projects from Day26, Jennifer Hudson, Tiffany Evans and Jazmine Sullivan. Also, 2008 ended listeners music drought from veterans Deborah Cox, Ashanti, Keith Sweat and Brandy.

Rated R&B has compiled a list of 31 R&B/soul albums that celebrate its 10th anniversary in 2018.

Randomness: On November 4, 2008, Barack Obama won presidency, becoming the first African-American to be elected as President of the United States.

Raheem DeVaughn — Love Behind the Melody
Release Date: January 15
Record Label: Jive Records
Singles: “Woman,” “Customer” and “Text Messages”

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Concert Review: Keyshia Cole Pulls a Lauryn Hill at The Fillmore Charlotte

As people waited in long lines to flood their favorite retailers for Black Friday sales, I traveled from Columbia, SC to Charlotte, NC to see Keyshia Cole at The Fillmore Charlotte.

I arrived to the AvidXchange Music Factory venue at 6:27 p.m. Unlike lines at retailers Friday, where the wait is unavoidable and uncomfortable, I was perfectly at ease being the 20th concert-goer in line.

Ten minutes later, more attendees followed behind to patiently wait for doors to open at 7 p.m.

Undressed and shivering in 37 degree weather, I struck up conversation about ticket cost with Keyshia Cole admirers. “We won our tickets off Streetz 103.3,” one couple said.

Another fan said, “I bought mine off Groupon for $39. I love you Keyshia but I wasn’t spending more than $50.” I agreed since I got my ticket at the same deal.

Doors opened three minutes after 7 p.m. After getting patted down and having my ticket scanned by The Fillmore door staff, I bypassed other fans and jetted to the front of the stage to wait for the show.

Some fans claimed their spot at the head of the stage barricade too. Other fans found empty floor space to stand comfortably before those at the bar filled in the gaps.

At 7:17 p.m., MMG’s DJ MC got settled with his laptop and other stereo equipment on the smoky stage. He came fully equipped to have the crowd lit with his mega mix and fly DJing skills.

As fog occupied the stage, nostalgia filled rest of the room. DJ MC had fans right where he wanted them – in a carefree zone. Music lovers used their outside voice to recite explicit lyrics and sing classic R&B and hip-hop songs including “I Get Money” by 50 Cent, UCB’s “Sexy Lady” and “Nice and Slow” by Usher.

The VIP clique didn’t let their lack of essential amenities (i.e. chairs or tables) get in the away of their party. The wall worked perfectly for grinding.

DJ MC had help getting the crowd excited from 92.7 The Block hosts Chewy Torres and Sunshine Anderson – yes, “Heard it All Before” Sunshine Anderson, too.

By 9:02 p.m., fans were chanting, “We want Keyshia.”

Ten minutes later, DJ MC was breaking down his equipment to make room for GO DJ HI C, Keyshia’s official DJ.

I don’t know if the crowd was aggravated and ready for Keyshia but the energy shifted downward when he got on stage.

It felt like we changed the radio dial to a new station but got the same syndicated countdown – just with a harder thumb. GO DJ HI C’s blaring speaker bass creeped into my torso as if I had just painfully swallowed it.

A few recycled songs in, GO DJ HI C announced at 9:24 p.m., “I just got a text. My boss is about to hit the stage.”

Eager to record Keyshia’s opening note, I pulled out my iPhone to capture every minute. With 69 percent battery life, I tapped on the Facebook icon to start a live stream.

With no background singers in sight or any Fillmore staff prepping the stage for Keyshia’s arrival, it was evident GO DJ HI C’s receipt had no validity.

“This is ridiculous,” mumbled a female patron behind me. “I hope she shows up because she bailed before.”

As the DJ played more music and strolled through his cellphone, another female fan offered commentary. “If I wanted to listen to music for two hours I would have went to a club.”

It was 9:40 p.m. and the crowd began to get restless. Four-letter words started to be heard in the now tight quarters — most were directed to GO DJ HI C.

He attempted to ease the last nerve of fans. “Ya’ll chill,” he roared in the mic. “I wouldn’t be here if she wasn’t coming out. She’s not coming out until she can hear you guys in her dressing room.”

GO DJ HI C also tried to hype the crowd for Keyshia’s entrance. “I need the left side to say ‘Keyshia’ and the right to say ‘Cole,’” as he pointed to each side of the room.

Some were interested in crowd participation but others weren’t. I was apart of the latter group.

The DJ returned to the mic at 9:43 p.m., and began an introduction for a Grammy nominated artist.

Cell phones brighten the dark venue momentarily but quickly dimmed when attendees realized it wasn’t the headliner gracing the stage — it was Sunshine Anderson.

Used to distract fans from Keyshia’s CP time, the singer-turned radio personality tipped on stage in open-toe heels, donning a simple black top with un-curve friendly black tights.

With support of a backtrack, the North Carolina native noticeably lipped the lyrics to “Lunch or Dinner” from her 2001 debut, Your Woman.

Sunshine bought Keyshia more time to hit the stage as she started to actually sing her signature song “Heard It All Before.” It was obvious she didn’t warm up her voice. Her vocal execution reflected especially towards the collapsed bridge.

Despite Sunshine not possessing vocal conviction, she had the heart to fight through it.

The unimpressed concert-goers softly clapped to see Sunshine off the stage.

Two minutes before 10 p.m. a gentleman rocking a pink backpack sashayed on stage. Before exiting, he left two styrofoam cups on a stage podium.

“When you see him, that means Keyshia’s on her way,” shouted GO DJ HI C across the room.

Exactly seven minutes after 10 p.m., GO DJ HI C took the mic again and finally grabbed the audience’s attention. “Ladies and gentlemen, Keyshia Cole.”

With help from her security, the woman of the last two hours, walked up the side steps of the stage.

Dressed in a suede trench coat with matching heeled boots and ripped jeans, the Just Like You songstress kicked off the delayed show singing “I Should Have Cheated” off her first album, The Way It Is.

Keyshia quickly asked the audio engineer to adjust her inner ear before capping the song with an extended high note.

Joined by her three male dancers, the Oakland-bred singer moved swiftly through her medley of hits including “Enough of No Love,” “Shoulda Let You Go,” “I Changed My Mind” and “You.”

After wrapping up her remix to Chris Brown’s “Loyal,” Keyshia took off her winter coat to show off her shimmering silk shirt. Without officially apologizing for her tardiness, she mentioned being thankful for her fans as a means for damage control.

It didn’t seem to work, and she knew it. “Okay. Let’s go into the next song then,” she told GO DJ HI C.

She belted her biggest hits “I Remember,” and “Love” before she engaged in personal conversation with the crowd.

From requesting the crowds opinion on if she should back to Love and Hip-Hop: Hollywood to explaining why she opted to skip Thanksgiving dinner with her newly found dad, Virgil Hunter, Keyshia sincerely asked for fans to send her a prayer up the main line.

Thirty minutes into her set, Keyshia wanted fans to tell her what to perform next. Most songs fans mentioned like “Vault” and “Emotional” from her 11: 11 Reset album were off limits.

“This isn’t the tour guys,” she replied with a smile. “The tour doesn’t start until next year. But I cannot wait to perform those songs though.”

While she didn’t perform demanded cuts from her new album, she gave us “Incapable” along with a similar dance routine from the single’s accompanying visual.

Following three more songs, Keyshia ended the 45-minute set with her Grammy nominated record, “Let It Go.”

Before leaving the stage, she directed fans to meet her at Stats Restaurant and Bar for the official after-party.

Honestly, I feel like I wasted a trip to Charlotte. I didn’t leave with a wow experience. I expected her to sing more material from her silently released album. Yet, my wish didn’t come to fruition.

Keyshia treated her Fillmore performance like an afterthought. It appeared to me that she got a calendar reminder while she caught Black Friday sales on Fashion Nova’s website. After realizing her spot date, she called her style team and caught a red-eye flight to Charlotte Douglas International Airport.

Keyshia’s lateness was inexcusable and warranted a more sincere apology. Instead she rushed through her sloppy set list to get to the after-party.

Her running behind schedule wouldn’t have been terribly bad if she had a legit special guest. And I’m sorry, Sunshine Anderson doesn’t count.

Collectively, the two hours of DJing, the talent show performance from Sunshine Anderson and Keyshia Cole’s tardiness calls for a total refund. But I’m sure Live Nation is incapable of issuing it to us.

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