R&B Fans React To Grammy Winners

Grammys-2014

Let the venting begin. After the winners of the 56th Annual Grammy Awards were announced, R&B fans raced to Twitter to share their opinions with their followers. Overall, it seems like R&B fans were not pleased with the winners. Many felt that certain artists were snubbed (i.e. Tamar Braxton), while others questioned why some artists were on the ticket to begin with (i.e. Rihanna).

Surprisingly, Tamar Braxton and Fantasia — the artists who led with the most nominations in the R&B categories  — did not win any awards tonight.

See some of the reactions from R&B fans below.

Keithan is the founder/editor-in-chief of Rated R&B

3 Comments

  1. Janelle Monae’s album was released AFTER the cut-off date therefore she was not eligible to be nominated this year. People get all worked up for shit they don’t even know about.

  2. tamar got snubbed love and war was # 1 for so long people still singing the hell out of that song and it’s been out for a year but kenrick lamar got snubbed too buthe shut that grammy performance down these 2 artist don’t even need grammys to validate their talent go check out tamar singing at the PEOPLE pre grammy party

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10 Underrated Songs by Keyshia Cole

In February, we launched our new monthly feature, Underrated, with R&B legend Toni Braxton and her notable album gems as our primary focus. This time around, we are putting the spotlight on singer-songwriter Keyshia Cole, who is now a certified R&B vet.

The Oakland, Calif. native introduced herself to listeners in 2004 with her expressive voice and relatable narrative on the troubling tales of love and life. Now, seven albums into her decade-long career, the Grammy-nominated artist has a discography that has a few celebrated hits but an abundance of material that hasn’t gotten its rightful respect.

Take a look at our list of Cole’s 10 most slept-on records. We even share a love lesson or two about some of these records. (Sidenote: This list of songs does not include material from her Point of No Return album or her latest album 11:11 Reset, which she plans to repackage with three new songs.)

1. “Love, I Thought You Had My Back” from the album The Way It Is (2005)

Credits: Keyshia Cole, Randolph Murph, Ralph Eskridge, Clarence Johnson Jr, Frederick Taylor (Writers); Ron Fair and Toxic (Producers)

For an artist who sings directly from their soul, being pitch perfect doesn’t normally matter. Keyshia Cole proved this on fan-favorite and one of her best post-breakup anthems “Love, Thought You Had My Back.”

Sampling “Love Jones” by Brighter Side of Darkness, Keyshia finds herself interrogating love for not holding up its end of the bargain after her latest love-affair blew up in flames.

Now that the relationship has ended, Keyshia offers a word of advice to listeners who still believe in a happily-ever-afters. “You gotta know your focus in life / And if love is your focus /Then man pay attention,” she says.

2. “We Could Be” from the album The Way It Is (2005)

Credits: Keyshia Cole, Errol “Poppi” McCalla Jr. (Writers); Errol “Poppi” McCalla Jr., Ron Flair (Producers)

Have you ever wanted to take a friendship to the next level with someone? Keyshia found herself sharing those same feelings on this silky track off her debut album.

Over a slow-burning instrumental, and singing with unfledged vocals, Keyshia pictures a perfect life with a friend she wants to pursue a deeper connection with.

“If you’d be cool with me / You’ll see, that I’m all you need and all that you dream / And never would leave, you’ll be by my side forever / Swear to God we’ll grow old together, then reality would be you and me,” she sings.

3. “Fallin Out” from the album Just Like You (2007)

Credits: Keyshia Cole, Soulshock, K. Karlin, Tammie L. Harris (Writers); Soulshock and Karlin (Producers)

After sharing the spotlight with some of hip-hop’s OG’s (Missy Elliott, Lil’ Kim and Too $hort) on the first two tracks of Just Like You, Keyshia takes on “Fallin’ Out” by herself and unleashes a bottle of emotions on the way things used to be with her lover.

Starting off with dramatic strings, and a sizzling sound effect, the R&B veteran dwindles out of love with a man who isn’t who she first fell in love with. “I remember when, I’d be with my friends / You checked on me and made time to call / But how things have changed? — now I don’t hear from you at all,” she sings.

Many critics have deeded Keyshia Cole’s Just Like You album a daughter to Mary J Blige’s personal My Life album. This opinion holds some weight as “Fallin’ Out” slightly mirrors Rose Royce’s “I’m Goin’ Down,” which was made popular in the ‘90s by Blige. Keyshia’s song, however, takes a far deeper lyrical approach than Blige’s bluesy rendition.

4. “Give Me More” from the album Just Like You (2007)

Credits: Keyshia Cole and Scott Storch (Writers); Scott Storch (Producer)

Come through, drums! With producer Scott Storch still blazing, Keyshia called on him to bring the bass and co-pen this mid-tempo banger.

On the retro track, Keyshia thought she found someone special, but she was sadly mistaken when he started playing games with her heart. After experiencing a breakup, she requires a little “more” from her next man.

“Give Me More” allows Storch to put his musicianship on display as he lets loose with an electric guitar towards the end of the track.

5. “Erotic” from the album A Different Me (2008)

Credits: Keyshia Cole, Ron Fair, Theron Feemster (Writers); “THE-RON” Feemster (Additional Production by Ron Fair) (Producer)

Following the multiple Grammy nominations for her Just Like You album, Keyshia decided to make a drastic artistic shift, leaning more towards a universal sound for her follow-up, A Different Me.

Backed by an eerie sci-fi production, “Erotic” begins with a weird message from an unidentified life form. Don’t press skip though. Keyshia owns her experimental journey, as she shifts vocally like a five-speed sports car in-between the lanes of the futuristic beat.

6. “This is Us” from the album A Different Me (2008)

Credits: E. Bogart, V. Horn, J.T. Miller (Writers); Ron Fair and Jason T. Miller (Producers)

If there was one record from Keyshia’s A Different Me album that had the ability to reach a more mainstream audience, it was her country-inspired song, “This is Us.”

Supported by an acoustic guitar, a timid drum pattern and sugary analogies on an imperfectly perfect relationship, Keyshia showcased that she was able to tap into new genres of music and sound outstanding.

Allegedly, “This is Us” was expected to be released as the fourth and final single from A Different Me. Keyshia’s pregnancy probably played a huge factor in the failure to move forward with “Us” as a single.

7. “Tired of Doing Me” featuring Tank from the album Calling All Hearts (2010)

Credits: Keyshia Cole, F. Taylor, M. Quaham, D. Babbs (Tank), J. Franklin, R. Newt, J. Valentine, K. Stephens; Toxic**, Ron Fair, N8**, and Song Dynasty (Producers)

Keyshia is never afraid to share an R&B moment with artists she admires. She invites Tank to help her explain the emptiness of being alone after realizing the value of finding that special person.

In separate verses, the R&B General recounts his life as a bachelor while Keysh explains why she was hesitant about falling in love again. The two singers find a happy medium on the bridge, accepting that “doing me ain’t working no more.”

8. “What You Do To Me” from the album Calling All Hearts (2010)

Credits: Keyshia Cole, Chink Santana (Writers); Chink Santana (Producer)

Caught up in the rapture of love with then-husband Daniel “Boobie” Gibson, Keyshia tried her luck at making some “grown-folk” music. She succeeded with this intimately composed ballad.

On the sensual track, Keyshia paints the ultimate love scene in her head about how her man makes her temperature rise. “I can feel you kissing me, oh so softly / Making love baby, I can feel your heartbeat / Baby, don’t stop,” she passionately sings.

She is vocally excellent on this song, using the right breathing techniques to set the mood just right for love-making. This record is perfect to play for an anniversary or a just an “I love you” moment for your significant other.

9. “Who’s Gonna Hold Me Down” from the album Woman to Woman (2012)

Credits: Keyshia Cole, Kuk Harrell, Guordan Banks, Jessyca Wilson, Isaacs Hayes (Writers); BINK! Humble Monsta (Producer)

“Shaft!” is the immediate phrase that comes to mind when the funky instrumental starts off the track. Keyshia does Isaac Hayes’ “Shafts Theme” justice with this four-minute conversational tune on recouping after the dust settles from an unsuccessful romance.

On the BINK!-produced track, Keyshia uses her speaking voice to informally elaborate on the painful accuracies of how we repeatedly let our lovers hurt us but always managing to find it in our hearts to give them one more chance. Most times we convince ourselves we need them when we actually are better off without them. “When I’m with you, my heart skips a beat / Oh, I want you back I need you bad / But I gotta get over you, “ she sings.

Thankfully, she gathers feelings towards the end of the deluxe edition record, leaving us with a final realization. “Guess you gotta let that go / If it ain’t yours, it ain’t yours / You gotta let it go / I now it’s hard but you can do better,” she preaches.

10. “Next Move” from the album Woman to Woman (2012)

Credits: Keyshia Cole, Kuk Harrell, Guordan Banks, Jessyca Wilson (Writers); BINK! Humble Monsta (Producer)

After a lukewarm response for her Calling All Hearts album, Keyshia came strong with Woman to Woman. Her hard work shows on this slow-paced ballad featuring background vocals from Robin Thicke.

Being in a relationship without a title two things: mixed feelings and heartbreak. To limit confusion, simply making the “next move” and asking the hard but seriously needed questions, “Are we going to be monogamous or should we just see other people?”

If we don’t have this conversation early on, we’ll probably end up like Keyshia does on the second verse. “I hate the fact, we never set the rules / So I can’t even trip when you want to act brand new / But I still get mad when you walk out the room / But the truth is: I’m not the only one loving you,” she painfully remembers.

HONORABLE MENTION

“Same Thing (Interlude)” from the album Just Like You

Credits: Keyshia Cole, T. Rey and C. Brown (Writers); T Rey and C. Broan (Producers)

Serving as a transition between songs “Heaven Sent” and “Got to Get My Heart Back,” this nearly two-minute tease makes us want to fight Keyshia. While she pours out her emotions about the redundant behavior of her two-timing ex, she indirectly plays with ours. This interlude deserved more. We wanted more.

Did we get this list right? Let us know in the comment section.

Follow Antwane @9thwonderofPR

4 Reasons We Love Whitney Houston

Whitney Houston Birthday

There will never be another singer like Whitney Houston; she’s incomparable, she’s an icon, and she is the standard. On the sixth anniversary of her unfortunate passing, here at Rated R&B we’ve created a shortlist of reasons why we love the vocal legend herself. Check it out below:

Her Powerful Voice

How do you describe the indescribable? Whitney’s voice is the purest to have ever graced human ear. On top of her outstanding natural ability, her technique, precision, and control make her “The Voice.” Just like rapper Biggie Smalls has never had a bad verse, Whitney has never hit a bad note. There is a multitude of examples, but at Super Bowl XXV in 1991, she gave what is regarded as the best rendition of “The Star-Spangled Banner” to have ever been done. It is here, without all of the vocal thrills and frills, that you can truly grasp how marvelous her voice was.

The Way Other Artists Loved and Respected Her

If you ask any female singer that came out in the last 25 years who some of their inspirations are, you can bet Whitney’s name will come out of their mouth. For most singers, especially black women, Whitney was a role model. She was a black girl from New Jersey whose passion was sharing her musical gift to the world and having fun while doing so. In the first clip below, Monica explains Whitney’s personal impact on her life (this part of the interview begins around 1:42.) Even after her death, Whitney continues to inspire and empower the women that have come after her in the music industry. In the second clip below, you can find one of the greatest tributes ever performed, courtesy of gospel powerhouse Yolanda Adams, who ends the video with a resounding “We love you, Nip.”

Her Stage Presence

Whitney’s personality was both charming and endearing, as we’ve all seen in her interviews, famous and infamous alike. That natural charm carries over into her live performances, as she literally comes alive in song. In interviews, she was always well-spoken, clear, and concise. When it comes time to sing, she let her hair down and had a great time with her audience — no matter the occasion. In the clip below, Whitney performs a 16-minute set of her greatest hits at the “Arista Records 25th Anniversary Celebration,” full of life, laughter, and love.

Her Artistic Versatility

Whitney is one of the best-selling female artists of all time, and one of the biggest icons the world will ever see. What often gets left out of her lengthy list of accomplishments is her artistic risks and versatility. Speaking on her discography alone, she has recorded music that spans all of its genres. Whether she delivers a pop cut like “I Wanna Dance With Somebody,” the Raphael Saddiq and Q-Tip-produced jam “Fine,” a universal duet with Enrique Iglesias (“Could I Have This Kiss Forever”), or a powerhouse ballad like “The Greatest Love of All,” Whitney was the jack of all trades. Not only did she master it, she believed in her ability, and she succeeded beyond measure.That’s just the tip of the iceberg, as her artistry made its way into film beginning with 1992’s box office smash hit The Bodyguard.

Below is one of her scenes from the cult classic Waiting to Exhale. Pay attention to her body language, the way she emotes in her voiceover, all the way down to the flickers of disapproval in her eyes. Whitney was, and will always be a class act.

https://youtu.be/0OaFQQaQGRM

What is your favorite Whitney moment? Share with us in the comment section below!

10 underRated Songs by Toni Braxton

Toni Braxton Underrated Songs

“I used to dream of living lavish, now your girl’s a living legend,” Toni Braxton sings on her newest offering “Heart Away.” She’s absolutely right: she is a living legend. With three multi-platinum albums, six top 10 hits on the Billboard Hot 100, and over 67 million records sold, Braxton is basking in the glory of her success.

As she gears up for her eighth studio album Sex & Cigarettes, let’s countdown some of her most slept-on records in a new monthly series we like to call UnderRated. (Sidenote: to be considered an “underrated” record, the song couldn’t have I have been a single at any point in time.)

Check out the list below:

“Gimme Some” (feat. Lisa “Left Eye” Lopes) from the album The Heat (2000)

Credits: Jazze Pha, Toni Braxton, Babyface, Lisa Lopes (Writers); Babyface and Jazze Pha (Producers)

Oh, Toni, why wasn’t this danceable number a single? Even though Babyface and Jazze Pha seem like an unlikely musical pair, they went to work on the lyrical content and production of this banger, which has Braxton taking charge when it comes to her love interest.

“It is an age-old story / Goes back back to Adam and to Eve / I know you know what I want for / And if it ain’t clear to ya baby / Don’t stop, let’s Rock, give it to me baby,” she sings. Left-Eye had a stellar verse too.

“What’s Good” from the album Libra (2005)

Credits: Bryan-Michael Cox, Johnta Austin, Toni Braxton, Joe Sample (Writers); Bryan-Michael Cox and Keri Lewis (Producers)

“What’s Good” appears as the third track off of Libra, and following the hip-hop edged songs “Please” and “Trippin’,” it’s a perfect musical shift in the gear of the album. Led by a genius sample of Joe Sample’s “In All My Wildest Dreams,” Braxton sings & coos confidently inc her signature contralto tone about the great things her new man does for her.

“It’s like a house I never left / Like a fever I wanna catch / Like a mountain that’s worth the climb / Talkin’ ’bout this man of mine / Like my money I wanna spend / My homie-lover-friend / He’ll be with me till the end / And he’s never failed me yet,” she sings.

“Caught (Don’t Take Your Hat Off) [feat. Mo’Nique]” from Pulse (2010)

Credits: Mikkel Stoleer Eriksen, Tor Erik Hermansen, LaShawn Daniels (Writers); Stargate (Producer)

Songs that appear on an album’s deluxe edition have a way of adding value to the original album; that’s exactly what this Stargate-produced jam off the Pulse deluxe album does. Braxton kicks her lover out of her house after being cheated on.

“Baby I been more than good to you / When you leaving gimme my key back too / It’s about to go down /Your, your other new lady/ You’re out there with your pants down,” she sings. The light, somber piano is almost addicting, and Mo’Nique’s monologue is the perfect touch.

“Talking In His Sleep” from the album Secrets (1996)

Credits: Toni Braxton (Writer); Keith Crouch (Producer)

Following “Un-Break My Heart” on the Secrets track listing is no easy feat, but bluesy tune “Talking in His Sleep” holds its own. Braxton’s speaking voice has a chilling effect as she touches on infidelity and adultery. “Guilty secrets/ They are haunting my life / And he doesn’t even know that I know/ Can you hear him / The promises he makes/ Said we’ll be together for always / He’s such a liar / Then he goes out to burn me.” The Mary J. Blige-esque jazzy bass line is killer!

“You’ve Been Wrong” from the album The Heat (2000)

Credits: Toni Braxton, Brian Casey, Brandon Casey, Teddy Bishop, Kevin Hicks, Thom Bell, Linda Creed (Writers); Teddy Bishop and Kevin Hicks (Producers)

If The Heat was a family, “Just Be a Man About It” would be the older sibling to this guitar-led track, which hears Braxton finally finding the strength to leave a no-good lover. “Finally I’ve realized/ Your lies have opened up my eyes/ This love affair, now it’s over, over/You’ve been wrong for so long/ And I can’t take the pain you bring me no more/ You’ve been wrong for so long/ And I can’t take the pain you bring me no more,” she sings. Oh, and the Stylistics’ “Stop Look Listen To Your Heart” interpolation? Genius.

“Lies, Lies, Lies” from the album More Than a Woman (2002)

Credits: Keri Lewis and Stokley (Writers); Keri Lewis (Producer)

Ms. Braxton is fed up on this rock n’ roll (yes, rock!) cut. “Don’t bother to apologize / It’s too late, heard it all before / And it should come as no surprise / I’m leavin’, I packed my things / ’Cuz I’m through with this merry-go-round / I’m getting off, I finally found / My strength way deep down / I shoulda left your ass after the first round,” she sings. This is one of the best songs Braxton has ever recorded. EVER (in my opinion).

The raw emotion, the pacing of the song, the commitment to the vocal — Toni was in her bag! Stokley didn’t play a single game with the lyrics, guitar solo, or the backing vocals. Shout out to Chris Dave, who played the drums on this song. And trust, this song is nothing without the drums!

“Shadowless” from the album Libra (2005)

Credits: Alex Cantrell and Philip White (Writers); Keri Lewis (Producer)

Some of Toni’s best songs have a nice guitar somewhere hidden in the instrumentation, but the acoustic guitar takes center stage on this song about regret and love lost. “Gotta make it right with you / Ooh you baby / So tell me what I gotta do / Ooh to make u come back home / Ooh boy how can this be / I remember that every step / U were here with me/ Now I’m shadowless,” she sings. There is just something so magical about the Living Legend’s smoky vocals over the spirited strums of the guitar. Although this would’ve been a nice finale track for this album, penultimate isn’t so bad either.
(If you’re feeling adventurous, check out the AOL Sessions version of this song.)

“The Heat” from the album The Heat (2000)

Credits: Keri Lewis and Toni Braxton (Writers and Producers)

Braxton channels the summer vibes and brings the heat on this sexy title track. “Summer’s almost over so you better hurry / Andale! Andale! / Starting right now let’s dance and party / Ole! Ole! Ole! / Give Me a reason to love you through, through the season / No need to hesitate, come on let’s get it on,” she sings. This song is easy and breezy; sultry and sensual; sex — well, y’all get the point. And to answer your question, Toni, yes, I do want some ice cream.

“Why Should I Care” from the album Secrets (1996)

Credit: Babyface (Writer and Producer)

Braxton is fed up and denying her ex lover a second chance on this ‘90s tune. “And every time I start to slip / I just remind myself / I need only thing of it / I went through so much hell / You say ya wanna get things back / The way they used to be / Can you give one good reason / Why I should darlin’/ Why should I care / Why should I care for you,” she sings. Babyface and Toni Braxton are always a magical pair, but you have to get into these background vocals from the one and only Chanté Moore!

“Do You Remember When” from the album More Than a Woman (2002)

Credits: Toni Braxton, Rodney Jerkins, Fred Jerkins, LaShawn Daniels III (Writers); Rodney Jerkins (Producer)

This More Than a Woman cut finds Toni Braxton thinking back on the better moments of her time with an ex lover. “Do it like you did back then / And then we’ll do it again / Do you remember when? / Reminiscing and more on what we had before / Makes me feel so warm inside / Wanting you constantly and feeling so sorry / That we had to say goodbye,” she sings. Although this song feels like a The Neptunes-Kelis combo, Rodney Jerkins’ groovy production and Toni’s tender vocals fit seamlessly on this track, making it one of the standouts on this album.

Honorable Mentions

“Selfish” from More Than a Woman: Upon first listen, you’ll notice how intricate the background vocals are. So, it’s no surprise that this song credits Brandy as a writer and her ex-boyfriend Robert Smith as the producer of this breezy tune.

“If I Have to Wait” from Pulse: It’s unfortunate that Country radio and the Country music industry is so exclusive, because this had the potential to be a nice crossover hit.

“Sposed to Be” from Libra: Blackground Records was not feeling the original album that Toni Braxton and then-husband Keri Lewis turned in, so they set her up with additional recording sessions. That decision led to the creation of this sensual cut, which is spearheaded by The Underdogs and even features a writing credit for Keri Hilson.

What are your favorite songs from this list? Let us know in the comment section below!

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