Interview: Daley Sheds Light on Second Album ‘The Spectrum’

After dropping his first project in 2014, British singer Daley returns with the release of his sophomore album, The Spectrum. The album consists of 13 tracks including the lead single “Until the Pain is Gone” featuring R&B songbird Jill Scott. The song has seen much success on the charts, cracking Top 10 on the Billboard/BDS chart and the urban AC radio chart.

“It was one of the first few songs I wrote for the project,” Daley told Rated R&B in an interview. “It’s kind of an amalgamation of different experiences I have been in with different relationships.”

For Spectrum, Daley got to work with some of his favorite producers including Andre Harris (Michael Jackson, Jennifer Hudson, Mary J. Blige), xSdtrk (Usher, Jessie J, Jennifer Lopez), The Stereotypes (Fantasia, Chris Brown, Bruno Mars), along with some others.

Rated R&B recently caught up with Daley for an exclusive interview about The Spectrum. Check it out below.

RATED R&B: Your new single “Until The Pain Is Gone” featuring Jill Scott is climbing the Top 10 on urban AC radio. Congrats on that! Tell us about that record.

It’s kind of dealing with a situation where two people are in love but just held back by negative experiences and kind of trying to admit to each other how they feel.

RATED R&B: How long did it take you to write it?

The song itself I wrote in a day. I didn’t get Jill involved until later when I revisited it. When I was writing it, something made me think of her. I don’t know what it was. She just kind of came to mind while I was writing it and I kind of stuck a pin in that. I had the pleasure of meeting her in London when I opened up for her show and I sent it over to her. I said, “I just want to get your feelings on this and see what you think.” She loved it and did her thing on it.

RATED R&B: What’s the meaning behind the title of your album, The Spectrum?

DALEY: I came up with it, from a musical perspective, when I started exploring this album. For some reason — I don’t know what it was, maybe it was just the current musical climate at the time — I was just feeling like I should make an album with a certain sound. I was thinking I should do this kind of dark, spacey R&B thing. But when I started writing, it dawned on me that it doesn’t encompass everything that I am and what I do in my live shows. I would be so limited by doing that, so I started to feel like it needed to be a range of things: the dark stuff, the feel-good R&B songs and something that would translate really well live. In my head, the word ‘spectrum’ kept popping up in all different areas; so it’s my musical spectrum. It’s a range of what I do. When a word keeps coming back to me in different scenarios, I feel like it has a relevance to me and hopefully to other people. I like what it represents and I have a graphic design background, so I just like the fact that I get to use all the colors in the promo and I’m not wearing black all the time (laughs).

RATED R&B: How would you describe your process creating The Spectrum compared to your first album? Did you approach it differently?

DALEY: It was a similar approach but this time it was different because I had parted ways with Universal. I wrote the bulk of this album in between deals, which was very scary in some ways and liberating because I wasn’t really working with deadlines. After going through some label bullshit, I was just like “I want to get back to doing what I do,” so I had the time to go in with the producers that I like and that I have good relationships with and write about things I want to say. I had the space to do that on the first album as well but there was more label involvement. Also, it’s just what I have experienced over the last couple of years — things that I have lived through. You just get a different perspective on things. I lost someone who was very close to me — my manager at the time, the guy who kind of worked with me for my whole career. We built a lot of things together. That put everything into perspective because it was my first time kind of losing someone. That put so much into my perspective of what matters and what doesn’t matter. Having toured so much, I just had a better idea of what kind of album I wanted to make when it came down to it.

RATED R&B: Do you have a favorite song on the album?

DALEY: I really do love every song. I feel really confident there’s no filler. I wanted every song to be almost an essential song. A song that sticks out to me, though, is a song called “True.” It was just a song that really struck a chord. When I wrote it, I felt very satisfied that I expressed something that was very important to me. It’s just the notion of being true to yourself and that life is short and kind of live in the moment and live in your truth. I felt like I needed to write it. After I wrote it, I felt physically better.

RATED R&B: Have you picked your next single?

DALEY: Well, there’s two that we’re looking at. I think I know what it is, it’s just whether I want to go in a more uptempo director or whether I want to keep it chill. I kind of don’t mind which one we go with to be honest. I think it would be cool to do the slightly more energetic one because that’s not what people usually hear from me. So, we’ll see.

RATED R&B: How would you describe the R&B music scene in the UK compared to the US?

DALEY: It sounds bad, but I don’t know if there is an R&B music scene in the UK anymore. There is and there isn’t. There’s definitely amazing R&B artists in the UK but I don’t know if there’s a scene because they’re not supported. They’re not really given many outlets. Even the outlets that used to give them some kind of shine now kind of backed away, which is very frustrating. Like, there’s an award show called MOBO Awards, which is Music of Black Origin. It may be equivalent to the BET Awards here where we champion music of black origin, so R&B would be a massive part of that. They kind of backed off from it a bit. So that stuff annoys me.

In the U.S., R&B is more engrained into the culture. It’s the birthplace of that genre. So, people embrace it wholeheartedly. I think in the UK, it could be so much stronger if there was support for it.

RATED R&B: Agreed. It’s kind of similar to the U.S. in a sense that R&B isn’t getting the spotlight like it used to.

DALEY: It’s so strange because all of the popular music at the moment is so rooted in R&B and soul. There’s all this 90s throwback. It feels so weird the root of the genre doesn’t always get the support it needs. I also think a lot of artists need to reconnect with the feeling of R&B and not just the style or lifestyle of the song. I think people just got to reconnect with the feeling. That’s kind of my take on it.

RATED R&B: Do you have anything else coming up that you would like your fans to know about?

DALEY: We are in the process of locking in a tour for the fall. I can’t wait to get on the road and play the album. I think it’s going to translate really well live. We’re looking at October and November for that. And yeah, just picking the next single and visuals.

Stream Daley’s new album The Spectrum below. It’s available now.

Keithan is the founder/editor-in-chief of Rated R&B

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How Pleasure P Found Strength Through Pain

It’s nearly impossible to talk about Pretty Ricky without mentioning Pleasure P. As the only vocalist, he naturally stood out with his alluring voice that brought a grown and sexy feel to the provocative R&B/hip-hop group’s sound. The Miami-based group made an impressive debut in 2005, scoring two Top 40 hits on the Billboard Hot 100 — “Grind on Me” (No. 7) and “Your Body” (No. 12) — from their gold-selling debut album, Bluestars.

The group saw even more success with their sophomore album, Late Night Special, which debuted at No. 1 on the Billboard 200 in 2007. The LP featured their top 20 hit “On the Hotline” (No. 12), which was certified platinum just five months after its release. The mid-tempo track, which samples The Isley Brothers’ hit “Between the Sheets,” also peaked at No. 2 on Billboard’s Ringtones chart — yes, back when people actually purchased ringtones for their phones. Whew, what a time!

Despite all the success Pretty Ricky was having at the time, there were issues behind the scenes, which resulted in Pleasure P exiting the group. In a later interview with VladTV, he explained he left the group because Joseph “Blue” Smith, head of Bluestar Entertainment, allegedly stole millions of dollars from the group. “He was controlling,” Pleasure P said in a 2015 interview. “He stole everybody’s money including his own son’s money. And I just wasn’t happy there.”

Pleasure P’s abrupt exit was certainly a gamble at the time but it ended up working out his favor — well, sort of. His debut album The Introduction of Marcus Cooper (2009) debuted at No. 2 on Billboard’s Top R&B/Hip-Hop Albums chart. It earned him three Grammy nominations, including Best Contemporary R&B Album, Best Male R&B Vocal Performance (“Under”) and Best R&B Song (“Under”).

Pleasure P’s winning train began to derail in late 2009 when he was hit with child molestation allegations, which he tells Rated R&B are “one-hundred percent false.” He adds,“The reason why I haven’t released an album since 2009 [is because of a] child molestation rumor put out by some people who I know who was just jealous of me because I was number one. I lost everything.”

In 2012, he attempted to rebrand by using his birth name as his stage name (Marcus Cooper) and put his past behind him. He signed with Swagga Entertainment/eOne Music where he released — what was supposed to be —  a comeback single called “I Love Girls” featuring Tyga, who was in his prime with hits like “Rack City” and “Faded.” The two met while on tour. “We had a cool relationship,” Pleasure P says. “He was in the “Boyfriend #2” video when he wasn’t shit, you know what I’m saying?”

Pleasure P adds, “[Tyga] told me to put out the record, so I told my label to put out the record since he was on board. My record label put out the record and serviced it to radio. They spent some money on radio. It’s time to do the video, Tyga says he can’t do the video.” Pleasure P says Tyga’s excuse for not being able to do the video was because he had just “did a song with Chris [Brown].” However, he believes it was another reason why Tyga backed out. “It was really because of the rumors,” he speculates. “I understand why, but I don’t at the same time because if somebody tells you something about somebody and you don’t talk to them personally and they’re supposed to be your friend, I look at that totally different. He put me in a fucked up situation with my label and the album never came out.”

Over the years, Pleasure P has released one-off singles and a mixtape — but nothing more than that. Now, he is ready to make an even stronger comeback. In March, he released “‘You Changed” as the lead single from his upcoming album that is slated to drop later this year.

In our interview with Pleasure P, the singer opens up about his trials and tribulations, his upcoming album, reuniting with Pretty Ricky and more.

What’s the story behind your new single “You Changed”?

Tank and J. Valentine flew to Miami to see me because I recently did a show with Tank and I was like, “We gotta get back in [the studio]” because Tank is responsible for “Under” and “Gotta Have You” from The Introduction of Marcus Cooper album. He flies in and he listens to every record. I didn’t play him “You Changed” first. I played the songs I thought would be the single. When he heard “You Changed,” he was like, “That’s the one and I’m gonna tell you why.” The reason why he said that is because it’s very emotional and it’s something that I went through personally. I thought about it. I was like, “Anybody can make a typical bedroom song but this song is very personal because this is stuff I actually went through.”

What happened in your personal life that inspired the song?

When I was in a relationship, I was on the giving end and she was on the receiving end. It was just a one-sided relationship. After a while, it was like — I had to get the fuck out this relationship because this person isn’t going to change based on how she was raised.

Do you have a title for your new album?

Yes, it’s called Pain.

Are you still in pain from the past?

I’m restored now. This is just shit I’m getting out. I think I’ll be fully restored when I’m back to where I should be in terms of the R&B world. It was taken away from me on some fuck-shit because people were jealous of me because I was winning at the time and they weren’t winning. I feel like I deserve my spot because I’ve always delivered good music and to this day what am I doing? You’ve heard “You Changed.” I’m giving them fucking good music. I don’t sound like anybody. Ain’t nobody going to mistake me for sounding like anybody. [Some people may say], “Oh he kinda whiny. He this, he that.” That’s my style. That’s what took me to the Grammys. I don’t got to be a churchy singer and do all these runs. I didn’t grow up in the church. I express myself the way I know how.

With everything you’ve experienced in the past, do you find it hard to open up or allow people to get close to you?

No, I don’t because I actually got a sixth sense for the bullshit. Once I see the ways of a person, I can tell if they’re good or bad. I rather have a person around me that I know what they’re trying to do versus a person I don’t know what they’re trying to do. If I know you’re a thief, I know not to leave my money around you. Everybody has their ways, it’s just balancing your life out with knowing how to deal with each individual.

It’s been nine years since your debut album, do you feel any pressure to live up to the success of it?

If you look at nine years ago and what I’ve been through, of course, I don’t feel any pressure because I’m so much better. I’m wiser. I sing better. I hear music better.

 

Are there any collabs on the album?

The only feature I have on the album as of now is Flo Rida. That’s like my best friend in the whole wide world. The reason why I don’t rely on features too tough is because of the Tyga situation and another artist who did the same thing to me — didn’t shoot the video with the second label. When you look at the Introduction to Marcus Cooper album, the only person featured is Yung Joc. I know he’s a good performer, rapper and a good guy. I’ve been to his house he’s been to my house. He’s not going to stand me up for some video or some Hollywood shit.

A Pretty Ricky reunion album has been teased for a few years but we haven’t heard many details surrounding it. What’s the status of that project?

The Pretty Ricky album is done. We haven’t put it out yet because we’re doing a “Scream Reunion Tour” for everybody who was on the “Scream Tour.” We’re going to do it in July. We’re going to put the final Pretty Ricky album out around the tour.

What was your experience working on that project with the other guys from Pretty Ricky?

We’re all grown now and we put a lot of personal shit to the side. Rico Love is executive producing it. I would do my part and call whoever in to do their part. It’s just kind of been like that. Spectacular is in LA now and he has a social media marketing company that monetizes Facebook and different things like that. With him being busy with his business and I’m busy doing my album and working on other people’s shit and building my new label, it’s kind of hard for all of us to be in the same room together.

Who are some newer artists you’re checking out or surprised you’re listening to?

I be in the studio so much that I don’t really realize what’s going on [Laughs]. I listen to Kodak Black, Migos, Khalid and 6LACK. Tank was putting me on H.E.R. and Daniel Caesar.

Follow Pleasure P on Instagram @PleasureP

Exclusive: Justine Skye Sheds Lights on ‘Ultraviolet’

Justine Skye has spent the last few years developing her sound and is now ready to take over. In January, the Brooklyn native finally released her long-awaited debut album, Ultraviolet. The album follows Skye’s three EPs Everyday Living (2013), Emotionally Unavailable (2015) and 8 Ounces (2016).

The process of creating Ultraviolet wasn’t that smooth. Skye ran into some creative roadblocks, which resulted in her completely scrapping the project and going back to the drawing board. “I wanted to make sure it was perfect,” she explains to Rated R&B. “I wanted to make sure it was true to who I am and that I could tell the story.”

The album includes production by Hit-Boy, Austin Powerz, Frank Dukes, Fred Ball and Jeff Shum; guest features include Jeremih (“Back for More”) and Wizkid (“U Don’t Know”).

Despite all the pressure that comes with an artist releasing his or her first album, Skye tries not to let it get the best of her.

“It’s not about all of the opinions and what everyone else is thinking, saying, telling me what I should do,” she says. “It’s really about how I feel and what I’m happy with. It’s really not about how many records you sell. It’s about how many people you reach and how many people actually feeling what you’re saying.”

Rated R&B caught up with Skye at her Ultraviolet Tour stop in Washington, D.C. In our interview, she talks about her debut album Ultraviolet, her evolution as an artist, her role in the upcoming film Green Dolphin and living stress-free. She even reveals a dish that has her “Back for More” and something “U Don’t Know” about her.

Watch the full interview below.

Exclusive: Trevor Jackson on New Album ‘Rough Drafts Pt. 1’ and Role in Film ‘Superfly’

Trevor Jackson is an open book. The entertainer just released his new album Rough Drafts Pt. 1 via Born Art/EMPIRE. The 15-track project, which Jackson wrote and recorded in his living room, is a raw look at his process of becoming a better person both professionally and personally.

Rough Drafts represents the beauty in imperfection,” Jackson explains to Rated R&B. “I feel like this day in age so many people want to be something they’re not or be something they’re not ready to be yet.”

The 21-year-old realizes all his past mistakes were necessary in his growth. “I feel like every step is essential to becoming who you’re supposed to be in this world,” he shares. “I’ve embraced that and realized all the times I made mistakes or that I’ve made wrong turns or I’ve been confused, those have always been necessary things in order to get to a better version of me.”

On top of his music, Jackson is also making major moves in film and television. The Indianapolis native currently stars in Freeform’s hit sitcom Grown-ish, a spinoff of Black-ish, which was picked up for a second season just four days its premiere. This summer he will star in the remake of Superfly as Youngblood Priest, directed by Director X.

Rated R&B caught up with Jackson at his tour stop in Washington, D.C. In our interview, he dishes on Rough Drafts, his role in the upcoming film Superfly, touring with his colleague Justine Skye and more. Watch the interview above.

Connect with Trevor Jackson
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