15 Times Missy Elliott Brought ‘FIYAH’ To R&B Music

Let’s be clear, Missy Elliott is and will always be universally relevant in the world of music.

Misdemeanor Elliott has been an unstoppable force since establishing herself as a trailblazer for R&B and hip-hop music and its culture in the early 90s. Some people, such as myself, may say they first heard Elliott and her iconic “hee-hee-hee-hee-how” line on Gina Thompson’s hit “The Things I Do.” Others may remember Elliott’s artistic expression in a large black trash bag from her 1997 video “The Rain.”

What remains consistent with those possible introductions to Ms. Elliott is R&B has been the meeting place. For instance, the chorus on “The Rain” samples “I Can’t Stand the Rain” by ‘70s soul diva Ann Peebles. Missy Elliott not only lent her rap talents to the remix of Thompson’s lead single – she co-penned the track too, which is one of the reasons why we’re here.

For the past few months, Elliott has been on Twitter sharing memories of writing and producing R&B songs for past and present artists. Rated R&B has compiled a list of Elliott’s top 15 R&B hits that she either produced, wrote or was featured on, along with a reason why they are absolute FIYAH (as Elliott would say).

Aaliyah – “One in a Million”

Written by: Melissa “Missy” Elliott & Timothy “Timbaland” Mosley
Produced by: Timbaland

“One in a Million” is FIYAH because it helped shift the direction of R&B and way we heard it with its advanced melting pot of melody and rhythmic. From Kanye West and BJ the Chicago Kid to Jay Z and Tink, the cultural impact of this record is undeniable. The song spent six weeks at No.1 on Billboard’s R&B/Hip-Hop Airplay chart.

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Antwane Folk is the editorial assistant at RatedRnB.com.

Remembering Janet Jackson’s Album ‘janet’ 25 Years Later

Every legendary artist has a career-defining album; for Janet Jackson, janet is that album. Released on May 18, 1993, the album followed Rhythm Nation, a collection of songs that herald the pop icon joining the social and political conversation on the state of the world.

Although the socially conscious theme shined on Rhythm Nation, it wasn’t nearly as potent on janet. As her first album to be released on Virgin Records, the youngest Jackson sibling made some daring yet liberating choices for her new era. For starters, she dropped her surname for the album’s title to show her independence from the weight behind her family’s name. She updated her sound from industrial, and incorporated diverse genres including jazz, opera and hip-hop on many songs. She became more comfortable with her body, showing it off in the September 1993 issue of Rolling Stone. Lastly, janet highlighted her newfound confidence as a musician, taking charge of her lyrics and its accompanying production with the guidance of producing duo Jimmy Jam & Terry Lewis.

Less about world news, and more messages about eroticism (but safe practices: “Be a Good Boy”) and femininity, janet. brewed a larger, yet taboo conversation that Jackson didn’t explore fully discuss until this album.

“Sex has been an important part of me for several years. But it just hasn’t blossomed publicly until now,” Jackson told Rolling Stone in 1993. “I’ve had to go through some changes and shed some old attitudes before feeling completely comfortable with my body. Listening to my new record, people intuitively understand the change in me.”

The changed resulted in her first album to debut at No. 1 on the Billboard 200 with 350,000 copies sold in its first week. At the time, it was the highest debut sales for a woman since Nielsen Music began tracking sales in 1991.

The album spawned six top 10 singles on Billboard’s Hot 100, including two No.1 singles: “Again” and “That’s the Way Love Goes.” The latter track, the album’s lead single, earned Jackson a Grammy win for Best R&B Song.

On the 25th anniversary of janet, producer Jimmy Jam shares how he views this groundbreaking album today and how it compares to a milestone project by Marvin Gaye.

“I view [janet] as a really good album,” he exclusively tells Rated R&B. “I think the album is very reflective of where we all were in our lives at that time. We always said Rhythm Nation was our What’s Going On and janet was our Let’s Get It On album. [janet] was definitely the love album.”

Jam also shares his thoughts on Jackson being honored with her “long overdue” Icon Award at the Billboard Music Awards this Sunday.

“It’s obviously well-deserved and it’s probably a little overdue. But that’s okay,” he says. “She’s still alive to see it. And not only alive but she’s thriving. She’s about to go back on tour and show everybody’s how it’s been done. She’s had an amazing career thus far but I think she’s one of those people who’s done a lot but still has a lot more to say and do.”

Rated R&B revisited janet on its 25th anniversary and crafted a list of our top 5 songs.

1. “Any time, Any place”

Driven by a burning saxophone and deliberate finger snaps, the sensual song is fueled by lyrics of voyeurism, making it arguably the best record on this album.

2. “That’s the Way Love Goes”

Blended with hip-hop’s edge and Jackson’s flourishing sureness on intimacy and the powers of her own body, she takes us (and her love interest) to a places we’ve never been; and the trip isn’t bad either.

3. “Throb”

Bring your stamina. Over an oversexed-house beat, Jackson commands her mate to “boom, boom, boom until noon, noon, noon.”

4. “Funky Big Band”

Sampling “I’m in the Mood for Swing” by jazz giant Lionel Hampton, Jackson’s vocal improvisations are welcomed on this lively track.

5. “This Time”

“You’re dismissed,” says Janet after finally breaking it off with her ex. Now although she’s done with her lover’s drama, the song’s featured opera vocals from Kathleen Battle and accompanying production is packed with it.

Stream janet. below.

What’s your favorite track from janet? Tell us below.

A Decade Later: 5 Love Lessons From Usher’s ‘Here I Stand’ Album

“A lot of what I plan to offer with this album is kinda standing in this spot. … The king’s back. I ain’t gonna say ‘back,’ I never left,” proclaimed Usher in an MTV interview in 2007. Six months after making this bold statement, the R&B crooner released Here I Stand, his first album since 2004’s multi-platinum Confessions.

A lot happened in Usher’s personal life since his Confessions era. From ending his relationship with singer Chili and parting ways with his mother as manager to losing his father and becoming a father and husband, Usher wanted his life experiences to reflect in the records on Here I Stand.

Although he recorded some of Here I Stand before the birth of his first son and his marriage to then-wife Tameka Foster, his new music direction was already in the works. “It was a deliberate choice to make music with substance, not just about the things that we’re accustomed to—music about being the celebrity, the player, or having the car, the girl and the bling,” he told ESSENCE in 2008.

Led by Polow da Don-produced single “Love in the Club” featuring Jeezy, Usher’s fifth LP was released on May 13, 2008. It spawned four other moderately successful singles (“Love in the Club Part. II,” “Moving Mountains,” “Trading Places” and title track) and eventually became certified platinum by the RIAA.

To celebrate its 10th anniversary, here are five love lessons from Here I Stand.

“Trading Places”

Lesson 1: Roleplay is healthy.

Sometimes we get comfortable sticking to societal norms (i.e. a man pays for movie and dinner, women cooks and clean). But who said we have to follow those exhausting rules? Whatever keeps your relationship thriving, do it.

“His Mistakes”

Lesson 2: The past is the past for a reason.

Give your ex’s successor a chance to make their spot in your heart their own. While your former love may have treated you wrong, that baggage shouldn’t be carried into your next relationship. Share those hurtful moments to your next mate the beginning, and just give them an opportunity to prove himself until they show you otherwise.

“Love You Gently”

Lesson 3: Slow down baby, the loving ain’t going nowhere.

There’s nothing wrong with a quicky every now and then but it can’t be the norm in the bedroom. You can’t just get yours and forget about them. Your significant other deserves a pleasurable loving making experience, too.

“Moving Mountains”

Lesson 4: If you’re not happy, just leave.

Unless your lover practices sorcery, they probably can’t read your mind. Walking around with an attitude and being distance won’t rebuild a broken relationship. If they can’t get through to you, how can a bond be mended? Here’s some advice: talk up. You can either love them or leave them alone. It’s that simple.

“Something Special”

Lesson 5: Show love any time, any place.

If you love your mate, then let them (and the world) know it’s real. Not to say you put your relationship on display all the time. But there’s nothing wrong with cute little reminders, especially if it’s a solid connection.

Revisit Here I Stand in its entirety below.

Janelle Monáe’s ‘Dirty Computer’ Prompts the Universe to Self-Examine

“If she the G.O.A.T. now, would anybody doubt it?,” Janelle Monáe asks on “Django Jane” off her newly released album Dirty Computer. Here’s my response: “If anyone does doubt it, they’re just hating.”

Unlike her previous works (The ArchAndroid and The Electric Lady), Monáe gets bolder and louder on this non-conforming, vulnerable LP. She takes on the responsibility of addressing social injustices and personal afflictions that affect beings in today’s world.

From sexism and racism to identity crisis and self-confidence, Monáe uses Dirty Computer and its accompanying emotion picture to give those facing inequality and intolerance a glimmer of hope to shine through life’s uncomfortable moments.

As we relish in Monáe’s brilliance and the social relevance of Dirty Computer, we uncover some personal and universal revelations featured on this album.

“Crazy, Classic, Life”

Are you able to freely and unapologetically live your best life? While some may, many don’t. If the latter group could, the price to pay wouldn’t be so damn high.

Even though Monae sings, “I don’t wanna be let down / I don’t wanna waste my youth,” many of us do. It happens because we are ashamed of the public scrutiny that may (usually) come with existing outside of social norms (i.e. heterosexual monogamous, working a typical 9-to-5 job, etc.).

The sooner we realize we have the power within ourselves to unchain the unpopular opinions of others that has our mind held captive, the better off we’ll be; the better relationships we’ll maintain; the better environment we’ll conform to; and the better life we’ll live.


Ever heard the ultra-masculine saying, “real men wear pink”? There’s no right or wrong answer to this demasculinizing statement. According to Monáe (and the human body), that’s where life is started.

Albeit pink isn’t where life ends, it should be treated with respect and dignity while we are living and breathing in our earthly bodies. Whether that means men holding women to an equal standard in the workplace rather than object who can have their parts (yes, pussy) grabbed at any time. Or better yet, remember that pink is a part of our human composition everywhere. You don’t have the right to harm any creation living under the sun.

Like Monáe said, “PYNK is the color that unites us all.”

“I Like That”

We’re individuals for a reason. We all have lots to offer and that includes different tastes. We share our distinctive likes and dislikes, personal opinions and preferences to express our originality — not be called “weird” or ostracized for being who WE are.

Don’t kill my vibe if doesn’t disturb yours — and most times it isn’t.


By a show of hands: Who else was under impression that the Constitution was designed to give all Americans basic rights? Although your hands may be high, over the past decade, this belief seems to be fading further away from the fiber of this nation.

With reports of police brutality among African Americans more common and being taken lightly by lawmakers and women unequal pay in the workplace, it appears all hope is gone.

Until we can recognize all human beings deserve equal rights — no matter their gender, race, sexual orientation or religion — “this is not our America.”

“Screwed” feat. Zoë Kravitz

When the 2016 presidential election ballot named an “orange figurine” as our POTUS, many of us were saying “we’re screwed.”

As soon as we turn on our televisions or open social apps on our smartphones, breaking news about the possibilities of birth control ending, nuclear war and a wall being built, has quite a few people dwelling in more misery than bliss.

Although the 2020 U.S. presidential election seems close, it’s still so far away. But this isn’t the only voting process that matters. Find out when statewide and local elections take place. Know who’s running for office. Research their previous efforts and background and exercise your right to vote. These elections can make a huge impact in us remaining “screwed” short or long term.

Stream Dirty Computer below.

Watch Monáe’s Dirty Computer emotion picture.

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