15th Anniversary: 4 Reasons To Love Destiny’s Child’s Iconic ‘The Writing’s on the Wall’


This week marks the 15th Anniversary of the release of Destiny’s Child’s second album “The Writing’s on the Wall.” Released on July 27, 1999, very few albums have come along that change the music landscape; ‘The Writing’s on the Wall” is one of them.

Beyoncé, Kelly, Latavia, and LeToya helped change the rules of R&B with this CD.’The Writing’s on the Wall” was a vessel for four Texans to let their feelings be known on an array of topics that ranged from love, sex, success, and growing up.

From break-ups to finding love, to partying with friends, each emotion is explored on the Grammy-winning album’s sixteen tracks. But beyond the sassy lyrics and silky vocals the foundation was laid for one of the biggest girl groups of our time to flourish and the biggest star of the 21st century blossomed in the process.

The Sound
Looking back did these young ladies even realize the kind of precedent they would set with their sophomore? If you thought of Destiny’s Child as just another novelty R&B act they proved on their sophomore album they were shaping the sound of modern R&B music. The group’s soulful yet controlled vocals are reminiscent of En Vogue and Diana Ross and The Supremes, while mixing in the hip-hop swag of TLC. The ladies are are not even in their 20s on this album and they sang with the power of those far beyond their years.

Beyoncé’s lead vocals along with the help of the very talented of DC4s harmonies are amazing. The ladies bridged the gap between R&B of the 1990s and the new millennium.The power in this album is the group’s ability to utilize those inspiring gospel-inspired  harmonies on each track. In comparison to other groups at the time they were able to ride the beat almost giving the tracks a rap-sung feeling but still keeping solid vocals. The production value on each track is premium in comparison to the group’s first album and the lyrical content is taken up a notch as well.


“Bug-a-Boo” Video 


The ladies bridged the gap between R&B  of the 1990s and the new millennium.


Breakout Star

Let’s be clear if there was no “Writing’s on the Wall” there would be no Queen Bey.

In the last few decades some of the top solo R&B acts have come from musical groups: Michael Jackson, Diana Ross, Patti Labelle, and Justin Timberlake, just to name a few. Beyoncé certainly is included on that list. Many say that Beyoncé was singled out or brought to the forefront, but she arguably has the most unique voice and that star quality from the group (Kelly Rowland is a close second.)

Beyond the obvious fact that Queen Bey is the true child of Destiny you can appreciate just how much an album like “The Writing’s on the Wall’ allowed her to challenge herself and introduced the world to her vocal prowess.

Even amid the drama of the line-up changes when Michelle and Farrah joined, and the naysayers who harped on the fact that Knowles was favored over the other girls because of her parents connection to the business dealings of the group, her talent  was always there. Like any true diamond under pressure it gave the group the ability to shine and rule the charts.


“Say My Name” Video

Their Influence

The R&B and pop stars of today grew up listening to the Fearless anthems like “Jumpin’ Jumpin” and vulnerable tracks like “Sweet Sixteen” and “Stay.” The diversity among the tracks made for a great balance on this album. If you listen to albums that came after that explored teenage heartbreak and finding love, “The Writing’s on the Wall” is certainly the manual on how to perfect it.

“The Writing’s on the Wall” helped shift forward the sound of modern R&B. The themes from this album can be seen in works by artists that followed like  Rihanna, Ciara, and  Danity Kane. They all certainly took notes from this R&B bible when they created their breakout albums.

Female Empowerment

The ladies may have gotten flack from some insecure men for the strong lyrics but they ladies stood up for women everywhere.

There were empowering records on this album for young women.While R&B group TLC had success with the track “No Scrubs” Destiny’s Child took it a step further asking said scrub can he even pay their “Bills, Bills, Bills.” Or how about on songs like “So Good”  and “Hey Ladies” where you can sing along in triumph about past relationships and not needing anyone to define you.

Destiny’s Child let young ladies know that they called the shots and that helped lead the girl power R&B of today. Beyoncé and Destiny’s Child the feminists were definitely born on this album and Knowles took those same feelings and grew upon them on future works.


“Bills, Bills, Bills” Video



Leave a Reply

Your email address will not be published. Required fields are marked *

Remembering Janet Jackson’s Album ‘janet’ 25 Years Later

Every legendary artist has a career-defining album; for Janet Jackson, janet is that album. Released on May 18, 1993, the album followed Rhythm Nation, a collection of songs that herald the pop icon joining the social and political conversation on the state of the world.

Although the socially conscious theme shined on Rhythm Nation, it wasn’t nearly as potent on janet. As her first album to be released on Virgin Records, the youngest Jackson sibling made some daring yet liberating choices for her new era. For starters, she dropped her surname for the album’s title to show her independence from the weight behind her family’s name. She updated her sound from industrial, and incorporated diverse genres including jazz, opera and hip-hop on many songs. She became more comfortable with her body, showing it off in the September 1993 issue of Rolling Stone. Lastly, janet highlighted her newfound confidence as a musician, taking charge of her lyrics and its accompanying production with the guidance of producing duo Jimmy Jam & Terry Lewis.

Less about world news, and more messages about eroticism (but safe practices: “Be a Good Boy”) and femininity, janet. brewed a larger, yet taboo conversation that Jackson didn’t explore fully discuss until this album.

“Sex has been an important part of me for several years. But it just hasn’t blossomed publicly until now,” Jackson told Rolling Stone in 1993. “I’ve had to go through some changes and shed some old attitudes before feeling completely comfortable with my body. Listening to my new record, people intuitively understand the change in me.”

The changed resulted in her first album to debut at No. 1 on the Billboard 200 with 350,000 copies sold in its first week. At the time, it was the highest debut sales for a woman since Nielsen Music began tracking sales in 1991.

The album spawned six top 10 singles on Billboard’s Hot 100, including two No.1 singles: “Again” and “That’s the Way Love Goes.” The latter track, the album’s lead single, earned Jackson a Grammy win for Best R&B Song.

On the 25th anniversary of janet, producer Jimmy Jam shares how he views this groundbreaking album today and how it compares to a milestone project by Marvin Gaye.

“I view [janet] as a really good album,” he exclusively tells Rated R&B. “I think the album is very reflective of where we all were in our lives at that time. We always said Rhythm Nation was our What’s Going On and janet was our Let’s Get It On album. [janet] was definitely the love album.”

Jam also shares his thoughts on Jackson being honored with her “long overdue” Icon Award at the Billboard Music Awards this Sunday.

“It’s obviously well-deserved and it’s probably a little overdue. But that’s okay,” he says. “She’s still alive to see it. And not only alive but she’s thriving. She’s about to go back on tour and show everybody’s how it’s been done. She’s had an amazing career thus far but I think she’s one of those people who’s done a lot but still has a lot more to say and do.”

Rated R&B revisited janet on its 25th anniversary and crafted a list of our top 5 songs.

1. “Any time, Any place”

Driven by a burning saxophone and deliberate finger snaps, the sensual song is fueled by lyrics of voyeurism, making it arguably the best record on this album.

2. “That’s the Way Love Goes”

Blended with hip-hop’s edge and Jackson’s flourishing sureness on intimacy and the powers of her own body, she takes us (and her love interest) to a places we’ve never been; and the trip isn’t bad either.

3. “Throb”

Bring your stamina. Over an oversexed-house beat, Jackson commands her mate to “boom, boom, boom until noon, noon, noon.”

4. “Funky Big Band”

Sampling “I’m in the Mood for Swing” by jazz giant Lionel Hampton, Jackson’s vocal improvisations are welcomed on this lively track.

5. “This Time”

“You’re dismissed,” says Janet after finally breaking it off with her ex. Now although she’s done with her lover’s drama, the song’s featured opera vocals from Kathleen Battle and accompanying production is packed with it.

Stream janet. below.

What’s your favorite track from janet? Tell us below.

15 Times Missy Elliott Brought ‘FIYAH’ To R&B Music

Let’s be clear, Missy Elliott is and will always be universally relevant in the world of music.

Misdemeanor Elliott has been an unstoppable force since establishing herself as a trailblazer for R&B and hip-hop music and its culture in the early 90s. Some people, such as myself, may say they first heard Elliott and her iconic “hee-hee-hee-hee-how” line on Gina Thompson’s hit “The Things I Do.” Others may remember Elliott’s artistic expression in a large black trash bag from her 1997 video “The Rain.”

What remains consistent with those possible introductions to Ms. Elliott is R&B has been the meeting place. For instance, the chorus on “The Rain” samples “I Can’t Stand the Rain” by ‘70s soul diva Ann Peebles. Missy Elliott not only lent her rap talents to the remix of Thompson’s lead single – she co-penned the track too, which is one of the reasons why we’re here.

For the past few months, Elliott has been on Twitter sharing memories of writing and producing R&B songs for past and present artists. Rated R&B has compiled a list of Elliott’s top 15 R&B hits that she either produced, wrote or was featured on, along with a reason why they are absolute FIYAH (as Elliott would say).

Aaliyah – “One in a Million”

Written by: Melissa “Missy” Elliott & Timothy “Timbaland” Mosley
Produced by: Timbaland

“One in a Million” is FIYAH because it helped shift the direction of R&B and way we heard it with its advanced melting pot of melody and rhythmic. From Kanye West and BJ the Chicago Kid to Jay Z and Tink, the cultural impact of this record is undeniable. The song spent six weeks at No.1 on Billboard’s R&B/Hip-Hop Airplay chart.

Prev1 of 15Next

A Decade Later: 5 Love Lessons From Usher’s ‘Here I Stand’ Album

“A lot of what I plan to offer with this album is kinda standing in this spot. … The king’s back. I ain’t gonna say ‘back,’ I never left,” proclaimed Usher in an MTV interview in 2007. Six months after making this bold statement, the R&B crooner released Here I Stand, his first album since 2004’s multi-platinum Confessions.

A lot happened in Usher’s personal life since his Confessions era. From ending his relationship with singer Chili and parting ways with his mother as manager to losing his father and becoming a father and husband, Usher wanted his life experiences to reflect in the records on Here I Stand.

Although he recorded some of Here I Stand before the birth of his first son and his marriage to then-wife Tameka Foster, his new music direction was already in the works. “It was a deliberate choice to make music with substance, not just about the things that we’re accustomed to—music about being the celebrity, the player, or having the car, the girl and the bling,” he told ESSENCE in 2008.

Led by Polow da Don-produced single “Love in the Club” featuring Jeezy, Usher’s fifth LP was released on May 13, 2008. It spawned four other moderately successful singles (“Love in the Club Part. II,” “Moving Mountains,” “Trading Places” and title track) and eventually became certified platinum by the RIAA.

To celebrate its 10th anniversary, here are five love lessons from Here I Stand.

“Trading Places”

Lesson 1: Roleplay is healthy.

Sometimes we get comfortable sticking to societal norms (i.e. a man pays for movie and dinner, women cooks and clean). But who said we have to follow those exhausting rules? Whatever keeps your relationship thriving, do it.

“His Mistakes”

Lesson 2: The past is the past for a reason.

Give your ex’s successor a chance to make their spot in your heart their own. While your former love may have treated you wrong, that baggage shouldn’t be carried into your next relationship. Share those hurtful moments to your next mate the beginning, and just give them an opportunity to prove himself until they show you otherwise.

“Love You Gently”

Lesson 3: Slow down baby, the loving ain’t going nowhere.

There’s nothing wrong with a quicky every now and then but it can’t be the norm in the bedroom. You can’t just get yours and forget about them. Your significant other deserves a pleasurable loving making experience, too.

“Moving Mountains”

Lesson 4: If you’re not happy, just leave.

Unless your lover practices sorcery, they probably can’t read your mind. Walking around with an attitude and being distance won’t rebuild a broken relationship. If they can’t get through to you, how can a bond be mended? Here’s some advice: talk up. You can either love them or leave them alone. It’s that simple.

“Something Special”

Lesson 5: Show love any time, any place.

If you love your mate, then let them (and the world) know it’s real. Not to say you put your relationship on display all the time. But there’s nothing wrong with cute little reminders, especially if it’s a solid connection.

Revisit Here I Stand in its entirety below.

Send this to a friend