While there was only one major album release in January (shout out to Tank!), R&B fans are in for a treat this month. R&B newcomers KING, Majid Jordan and BJ The Chicago Kid will release their first LP’s. Meanwhile, R&B veterans such as SWV, Tweet, Mya and Brian McKnight will drop new projects as well.
See our list of R&B albums scheduled to release in February.
Mýa works up a sweat in the music video for “You Got Me,” lifted from her latest album, T.K.O (The Knock Out).
In the energetic video, the R&B siren enters a multi-mirrored loft wearing a hooded sweatshirt dress to deliver a solo dance performance. Mýa turns up the heat when she’s joined by her two female dancers and a male partner.
“You Got Me” is the second song, besides “Ready for Whatever,” from Mýa’s T.K.O era to have a supporting visual.
It’s hard to believe BJ The Chicago Kid released his major label debut album, In My Mind, just two years ago. Looking back, the Motown Records artist had an impressive debut era. He went on a headlining world tour, earned three Grammy nominations — including “Best R&B Performance,” “Best Traditional R&B Performance,” and “Best R&B Album” — and racked up over 75 million streams on Spotify alone.
In January, he released a vulnerable track called “I’m Sorry” as a treat to his fans. “It’s a song that’s pathetically R&B,” BJ explains to Rated R&B. “I feel like it’s R&B at its most essential feeling,” he continues. “R&B is made to say the things that you can’t or don’t have the balls to say. It’s like you can’t figure out the words to say but somehow this writer and this artist makes this song say exactly how you feel. That’s a part of my job as an R&B singer.”
BJ most certainly doesn’t have an issue with tapping into his feelings. Earlier this month, he dropped three new songs collectively titled as The Opening Ceremony. The lyrically-rich project consists of “Going Once, Going Twice,” “Nothing into Something” and “Rather Be With You.” The songs are just a taste of what fans can expect on his next album that is slated to release later this year.
While fans get acclimated with his three new tracks, the R&B champion teamed with his colleague Ro James for their co-headlining The R&B Tour. Rated R&B caught up with BJ at his tour stop in Washington, D.C. In our interview, he dishes on The Opening Ceremony, his upcoming album, his fight for R&B and more.
If you could add one more artist to The R&B Tour, who would it be?
It would definitely be Luke James. That’s our brother. He’s going to pop up at one of these shows, I’m not going to say which one, but he’s going to pop out and have some fun with us.
What inspired the songs on The Opening Ceremony?
On “Going Once, Going Twice,” I was really eliminating some things in my life that I didn’t really need. I wasn’t necessarily auctioning things off but I thought it was a cool way of having a song in that type of phrasing…describing how auctioneers get rid of things.
“Nothing Into Something” is a song that says you were here with me at the start and right now having what we have is a beautiful thing. It’s about seeing the growth and evolution of our love.
“Rather Be With You” simply describes the feeling with her is like no other. It’s the one place you’d rather be versus anywhere.
Are these three songs tied to your upcoming album in any way?
Absolutely. This is not an EP. To let the secret out the bag, a lot of people put EPs out to see what songs stick with the people. These three songs are on my album.
What can you tell us about the album?
The album is incredible. I’ve grown. I’ve evolved. Life has evolved for me. I’ve grown and seen the world with my label Motown Records. It’s been an incredible asset to add to the music. I just can’t wait to put it out the right way.
Is there a title?
I can’t say yet.
Who are some producers you worked with?
Cool and Dre, Danja, Jarius Mozee, Tubb Young and Karriem Riggins.
The title of Opening Ceremony and its artwork seem to be inspired by the Olympics. Does the album play on that theme?
Everything I do is huge and worldwide. My first tour was a world tour. So, everything I do begins with the world — not just my community, not just my neighborhood, not just to the people I’ve met but it’s to the world.
You recently said you’re “fighting for R&B, not trying to change it, just push it.” What elements of R&B are you trying to preserve for the masses?
I’m trying to preserve very essence. Our forefathers and our foremothers have laid down such an awesome pedigree of what we should follow. I think it’s up to us to take the responsibility to evolve it, be ourselves and really take it to another level — be creative. Keep the people involved…slow song, fast song, it doesn’t matter. It’s how life has evolved away from me and has given us other opportunities and lanes to help it grow and express ourselves so we should use that.
Speaking of evolving, how would you say you’ve evolved since In My Mind?
Life evolving, my family evolving, my music evolving, my producers evolving…working with producers I’ve never worked with before that I’ve always idolized.
Let’s be clear, Missy Elliott is and will always be universally relevant in the world of music.
Misdemeanor Elliott has been an unstoppable force since establishing herself as a trailblazer for R&B and hip-hop music and its culture in the early 90s. Some people, such as myself, may say they first heard Elliott and her iconic “hee-hee-hee-hee-how” line on Gina Thompson’s hit “The Things I Do.” Others may remember Elliott’s artistic expression in a large black trash bag from her 1997 video “The Rain.”
What remains consistent with those possible introductions to Ms. Elliott is R&B has been the meeting place. For instance, the chorus on “The Rain” samples “I Can’t Stand the Rain” by ‘70s soul diva Ann Peebles. Missy Elliott not only lent her rap talents to the remix of Thompson’s lead single – she co-penned the track too, which is one of the reasons why we’re here.
For the past few months, Elliott has been on Twitter sharing memories of writing and producing R&B songs for past and present artists. Rated R&B has compiled a list of Elliott’s top 15 R&B hits that she either produced, wrote or was featured on, along with a reason why they are absolute FIYAH (as Elliott would say).
Aaliyah – “One in a Million”
Written by: Melissa “Missy” Elliott & Timothy “Timbaland” Mosley Produced by: Timbaland
“One in a Million” is FIYAH because it helped shift the direction of R&B and way we heard it with its advanced melting pot of melody and rhythmic. From Kanye West and BJ the Chicago Kid to Jay Z and Tink, the cultural impact of this record is undeniable. The song spent six weeks at No.1 on Billboard’s R&B/Hip-Hop Airplay chart.
Now this gem right here CHANGED THE SOUND OF MUSIC! @Timbaland & I recorded Aaliyah in Detroit & 1 thing about her she NEVER 2nd guessed our sound she was ahead of da game! Tim & I style was bounce so I wrote 2 da tracks like Rap/Sing because I wasn’t a great singer🤷🏾♀️ pic.twitter.com/2aGEb9m9yV